More Than Hymns is a new two-volume collection of anthems for mixed voice choirs featuring extended arrangements of existing hymn tunes, together with original anthem-style settings of the texts of several well known hymns. Of the sixteen works in this first volume, six are published here for the first time, including new arrangements by composers of today: Malcolm Archer, Rogers Covey-Crump, John Joubert, Barry Rose and Gavin Williams. The texts cover many seasons of the church's year - Advent, Epiphany, Passiontide, Easter, Ascension, as well as celebratory occasions such as festival services and weddings. / Chant Et Piano

Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he gave the name 'symphony-cantata”. Later he added a secular counterpart with 'Die Erste Walpurgisnacht”. Drawing on all relevant sources, Cooper provides a detailed account of the genesis and structure of this monumental work. Rounding off his scholarly performing edition are notes on the work's performance, e.g. tempo, articulation and dynamics. For the first time the piano reduction includes Mendelssohn's authorised version of the 'Sinfonia”, based on the first edition of No. 1 for piano solo./ Répertoire / Chant et Piano

Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont Beethoven Creation'S Hymn PoCht pour Chant/Vocal/Choeur et plus particulièrement pour Chant Et Piano. Ce sont les éditions ID Music qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Chant Et Piano / Partition Séparée

The collection of nine Vedic Hymns (Op. 24) for solo Voice with Piano accompaniment marked a turning point in Holst's compositions. They were inspired by Hindu scripture and Indian raga, and first published in 1908. Vac (Speech) is the seventh movement, and is the first of the third group of hymns, where the theme shifts into the human sphere. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry, he became a close friend of Vaughan Williams - they would often critique each other's work - and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite. / Voix Et Piano

Par PURCELL HENRY. A third book of songs by this great English composer, all edited by Maureen Lehane and Peter Wishart. CONTENTS: Evening hymn (C - F) I attempt from love's sickness to fly (C sharp - G (E)) I'll sail upon the dog star (C - G) Nymphs and shepherds (D - G) Oh solitude (B flat - F) Pious Celinda (C - G) Set for the Associated Board and Trinity College examinations./ Répertoire / Chant et Piano

1901-2004Content : L. Lehmann: The swing - R. Vaughan Williams: The sky above the roof - R. Quilter: O mistress mine - H. Hughes: She moved thro' the fair - R. Vaughan Williams: Linden Lea - F. Bridge: E'en as a lovely flower - J. Ireland: Spring sorrow - I have twelve oxen - M. Mead: The ships of Arcady - F. Keel: Trade winds - H. Howells: The widow bird - R. Clarke: Infant Joy - E. Poston: Sweet Suffolk owl - B. Britten: The birds - H. Hughes: A young maid stood in her father's garden - M. Mead: Mamble - M. Seiber: O your eyes are dark and beautiful - N. Rorem: Little elegy - M. Rose: See, see, mine own sweet jewel - A. Copland: Long time ago - N. Rorem: On a singing girl - A. Copland: Little horses - M. Rose: The lark in the clear air - H. Ferguson: The apron of lowers - R. Dray: In praise of ale - The Virgin's cradle hymn - C. Field: Spell of creation - P. Ayres: There was a naughty boy - C. McDowell: If there are angels

Par SCHUBERT FRANZ. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d??uvres classiques, allant de la Renaissance à l?époque moderne. Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d?une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l?unité, a fait l?objet d?un travail éditorial attentif, tant sur le plan de l?établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces ?uvres. Les partitions sont proposées sous la forme d?ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement. Franz Schubert compose « l'Ave Maria » pour voix et piano en 1825. Celui-ci est publié en 1826 sous l'opus 52 n°6, en Sib Majeur. A cette époque, il voue une grande admiration à la Sainte Marie, la mère de Jésus. Il met en musique un extrait de la poésie de « Madame du lac » écrit par l'écrivain anglais Walter Scott qui a été traduit en Allemand par Adam Storck. « L'ave Maria » est appelé par Schubert son dritter Gesang « la troisième chanson d'Ellen ». L'héroïne de la poésie, Ellen Douglas, prie la vierge en se cachant. Dans une de ses correspondances avec ses parents, il avoue exprimer dans cette chanson un hymne à la Sainte Marie. Les mots d'origines de Walter Scott incluent beaucoup de référence à la prière latine de « l'Ave Maria ». Finalement, les mots latins adaptés de la prière est maintenant la version la plus généralement exécutée. L'ave Maria s'inscrit dans le répertoire marial du 19ème siècle. Encore aujourd'hui, cette pièce musicale reste une des oeuvres les plus prisées des amoureux pour l'accompagnement de la cérémonie du mariage. / Date parution : 2023-03-21/ Répertoire / Chant et Piano

Oper in Funf Akten Version 1756. Par RAMEAU JEAN-PHILIPPE. Richer than ever ? Rameau?s ?Zoroastre? in the version of 1756. Opera in five acts. Rameau?s revised version of his opera ?Zoroastre?, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today?s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau?s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime ?Hymne à la Lumière?, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with ?Zoroastre? the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck?s opera reform by many years. - One of Rameau?s main works for the stage, now available with all its versions - With a straight-forward piano reduction in the vocal score by François Saint-Yves - Available on sale full score (B0A8867-01) and vocal score (BA08867-90) - Performance material available for hire BA08867-72 - Jean-Philippe Rameau - Opera Omnia (OOR) IV/26 / Date parution : 2022-07-30/ Répertoire / Chant et Piano

Arrangeur: Ed Lojeski. Par BOUBLIL ALAIN / SCHOENBERG CLAUDE-MICHEL / KRETZME. 'La musique d'un peuple qui ne sera pas à nouveau des esclaves ...' - Cet hymne remuant s'impose comme un hommage à des changements qui ont lieu à travers le globe. Inspirer! Disponible: SATB, SAB, TTBB, 2-Partie, Instrumental Pak. Temps de Performance: Env. 02:45. / Rép Classique / Recueil / Chant et Piano