| Stabat Mater Rv 621
(VIVALDI ANTONIO) Piano, Voix [Partition] - Intermédiaire Ricordi
Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVA...(+)
Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Stabat Mater RV 621 for alto, strings and continuo, based on the critical edition by Paul Everett. Composed for the church of Santa Maria della Pace in Brescia, it was performed, for the first time, on 8 March 1712, for the Seven Sorrows of the Virgin Mary celebration. It is considered as one of the most inspired and celebrated Vivaldian works. Together with the Gloria RV 589 and the Quattro stagioni, it dates from a juvenile period. / Niveau : Intermédiaire / Répertoire / Chant et Piano
18.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Magnificat Rv 610 / 611
(VIVALDI ANTONIO) Piano, Voix [Partition] - Intermédiaire Ricordi
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVAL...(+)
Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Magnificat RV 610/611 for soloists, choir, winds, strings and continuo, based on the critical edition by Michael Talbot. Probably meant for a performance at the Pietà, Vivaldi, after its first 1715 version, returned on it in two occasions at least: at the end of the 1720s and of the 1730s. The Magnificat, in its time, was considered as Vivaldi's most celebrated piece. / Niveau : Intermédiaire / Répertoire / Chant et Piano
18.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Salve Regina Rv 616, Rv
617, Rv 618 (VIVALDI
ANTONIO) Piano, Voix - Intermédiaire Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...(+)
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
18.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Gloria Rv 589 SSA
Ratcliff (VIVALDI
ANTONIO) Piano, Voix [Partition] Novello & Co Ltd.
Arrangeur: Desmond Ratcliffe. Par VIVALDI ANTONIO. One of the finest works of al...(+)
Arrangeur: Desmond Ratcliffe. Par VIVALDI ANTONIO. One of the finest works of all Vivaldi's choral settings, arranged for the upper voices by Desmond Ratcliffe. Uplifting and melodic, the intoxicating tunes and spellbinding optimism of Gloria have helped it to become one of the most popular works in the Baroque choral repertoire. / Niveau : Elémentaire / Rép Classique / Répertoire / Chant et Piano
12.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Il Teuzzone RV 736
(VIVALDI ANTONIO) Piano, Voix Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
48.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Catone In Utica Piano, Voix Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
80.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Catone In Utica Piano, Voix Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
40.20 EUR - vendu par LMI-partitions Délais: En Stock | |
| Tito Manlio, Rv 738 Piano, Voix Ricordi
Tito Manlio was performed for the fi rst time in Mantua as second work of the Ca...(+)
Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719. Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during the Carnival season, elaborate stage sets being provided by Francesco Bibbiena. The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi's autograph and a copy realized by fi ve copyists under the direct control of the composer. / Voix Et Piano
40.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sonata In Gm (VIVALDI
ANTONIO) Piano, Voix [Partition] Simrock
Edition De Concert Arrangement Pour Piano & Chant. Par VIVALDI ANTONIO. / Réper...(+)
Edition De Concert Arrangement Pour Piano & Chant. Par VIVALDI ANTONIO. / Répertoire / Voix et Piano
15.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Piango (VIVALDI ANTONIO) Piano, Voix [Partition] Carisch
Par VIVALDI ANTONIO. / Répertoire / Chant et Piano
10.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Stabat Mater (VIVALDI
ANTONIO) Piano, Voix [Partition] Carisch
Par VIVALDI ANTONIO. / Répertoire / Chant et Piano
15.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| VIVALDI - VIVALDI ALBUM -
SOPRANO - CHANT ET PIANO Piano, Voix Ricordi
L\' Album Vivaldi est une série d\'anthologies d\'airs d\'opéra subdivisées ...(+)
L\' Album Vivaldi est une série d\'anthologies d\'airs d\'opéra subdivisées par registre vocal, tirées des 'uvres musicales pour le théâtre d\'Antonio Vivaldi qui ont survécu. Ses sources comprennent vingt-quatre drames musicaux, trois sérénades et de nombreuses arias individuelles. Chaque volume est composé de douze pièces qui varient en termes d\'affect et de caractère, illustrant un large éventail de styles et de situations dramatiques. Elles sont classées dans l\'ordre chronologique, de manière à fournir un échantillon optimal de l\'ensemble de la carrière de Vivaldi. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
15.99 EUR - vendu par Woodbrass Délais: En Stock | |
| Vivaldi A. - Orlando
Furioso - Chant-piano En Français Piano, Voix Editions Buissonnieres
L''uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire suc...(+)
L''uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notament les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une 'uvre colossale, préservée en grande partie par la Bibliothèque de Turin : plus de 450 compositions manuscrites, en grande partie autographes. Orlando furioso, drame héroïco-magique représenté au Teatro S. Angelo de Venise à l'automne 1727, prend place à l'exacte mi-temps de la carrière lyrique de Vivaldi. Quatorze années plus tôt, au mois de mai 1713, le Prete Rosso présentait à Vicence son premier opéra connu, Ottone in villa. Quatorze années plus tard, il s'éteignait dans l'oubli après avoir vainement tenté de faire représenter à Vienne son ultime opéra, L'Oracolo in Messenia. Grâce au travail remarquable du librettiste, Grazio Braccioli, qui a su conserver de l''uvre originale d'Arioste son essence poétique et sa dimension humaniste, Vivaldi y fait éclater le schéma conventionnel du dramma per musica, explorant les formes musicales les plus variées, bousculant la hiérarchie classique des personnages et superposant les actions dramatiques, toutes conduites avec une remarquable efficacité. Près de trois siècles après sa création, l'on demeure confondu face à l'extraordinaire richesse musicale et dramatique de l''uvre, pièce éblouissante où se mêlent toutes les formes existantes du théâtre chanté. La reconstitution de l'opéra a nécessité un important travail préparatoire sur le manuscrit turinois, particulièrement complexe, mêlant des feuillets soigneusement calligraphiés à des feuillets griffonnés à la hâte et comportant de multiples insertions, fragments ou retranchements, ainsi qu'une numérotation irrégulière des scènes. Jacques Manet en a enfin réalisé une version pour clavier très attendue par les chanteurs, mettant ainsi à la portée du plus grand nombre une 'uvre dans sa version complète, telle qu'elle fut conçue en 1727 par Vivaldi. Réduction chant et clavier : format A4, 286 pages, sur papier ivoire - Arrangement pour clavier : Jacques Manet - Présentation : Frédéric Delaméa - Traduction en anglais : Elizabeth Szostak-Clerc
42.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| La Griselda Rv 718 Piano, Voix [Reduction] Ricordi
The present reduction derives from the critical edition of the score, just publi...(+)
The present reduction derives from the critical edition of the score, just published in this catalog. La Griselda, was composed and performed in Venice, in the spring of 1735, for the occasion of the Ascensiontide fair (Sensa). The task of adapting the libretto by Apostolo Zeno to the particular exigencies of the production was assigned to a young writer of comedies attached to the company led by Giuseppe Imer: Carlo Goldoni. The latter immortalized in his Mémoires his meeting with Vivaldi and the composer's inseparable prima donna, the contralto Anna Giraud, confessing to having been forced against his will to 'assassinate? Zeno's drama at the composer's whim. La Griselda was favourably received by the audience at the San Samuele theatre, remained the sole opera by Vivaldi to be staged at a theatre owned by the powerful Grimani family. The present edition includes a synthetic introduction of the historical context, the description of the main source employed and a choice of the critical Notes to the musical text. / Voix Et Piano
32.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| La Fida ninfa, opéra,
réduction chant et
clavier (VIVALDI ANTONIO)
(VIVALDI ANTONIO) En Français Piano, Voix [Partition] Editions Buissonnieres
Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue :...(+)
Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notamment les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une ?uvre colossale, préservée en grande partie à la bibliothèque de Turin : plus de 450 compositions manuscrites, pour la majorité autographes. Créé à Vérone en janvier 1732, pour l?inauguration du Teatro Filarmonico,cet opéra est tombé dans l?oubli, malgré la beauté et la virtuosité des arias. La redécouverte du manuscrit, conservé à la bibliothèque de Turin, a permis d?en faire une édition complète, inédite, en 2004. Le matériel d'orchestre, 'urtext', a été préparé à partir de ce manuscrit. Il a été revisé par Jean-Christophe Spinosi, directeur musical de l'ensemble Matheus, et Laurence Paugam (premier violon de l'ensemble) et enregistré par cet ensemble en 2008. Le matériel d'orchestre de l'opéra La fida ninfa est disponible en location et en réduction clavier (consulter le site des Editions Buissonnières), ainsi que les airs, individuellement. / Date parution : 2013-05-02/ Répertoire / Chant et Clavier
48.30 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Sacred Songs For The
Soloist - High Voice And
Piano Piano, Voix Boosey & Hawkes
20 Songs on Religious TextsInstrument : high (medium) voice and pianoNombre de P...(+)
20 Songs on Religious TextsInstrument : high (medium) voice and pianoNombre de Pages : 78Content : Alleluia (Antonio Vivaldi) - Ave Maria (Josef Rheinberger) - Gedenkâ?? an uns mit deiner Liebe (J. S. Bach) - Genügsamkeit ist ein Schatz in diesem Leben (J. S. Bach) - He will not suffer thy foot to be moved (John Weldon) - Jauchzet Gott, alle Lande (Julius Johann Weiland) - My song shall be of mercy and judgement (James Kent) - O vos omnes (Théodore Dubois) - Pater noster (Ernest Chausson) - Put thou thy trust in the Lord (John Camidge) - Rosa quae moritur (Antonio Vivaldi) - Scande coeli limina (W. A. Mozart) - The Lord shall preserve thee from all evil (John Weldon) - Tota pulchra es, Maria (Ernest Chausson) - We praise thee O God (Johan Helmich Roman) - We sing to Him (Henry Purcell) - Weicht, ihr Schatten (Johann Ludwig Bach)
29.00 EUR - vendu par Woodbrass Délais: Sur commande | |
| La Somnambule (La
sonnambula) Piano, Voix [Partition] Ricordi
La Sérénade un 3, RV 690, est la moins familier et à certains égards les plu...(+)
La Sérénade un 3, RV 690, est la moins familier et à certains égards les plus énigmatiques de le sérénades Vivaldi qui fait de nous. La seule source de survivante est le manuscrit autographe de la partition, conservé à la Biblioteca Nazionale Universitaria de Turin (27 Foà, et suiv. 95-145). Sur la base de cette information maigre que Michael Talbot géré d'identifier le sujet du travail et de suggérer une clé à l'interprétation de son intrigue inhabituel, qui transporte un plan allégorique de l'histoire de la French janséniste Jean de Tourreil, qui a été arrêté en Italie sur les ordres de la Sainte Offi ce et emprisonné dans le château Saint-Ange. / Chant Et Piano / Partition
75.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Les Quatre Chemins De
L'Amour (FRIDA
BOCCARA) En Français Piano, Voix Capte Note
Compositeur(S): Vivaldi. Par FRIDA BOCCARA. Auteur: E. MARNAY/ Feuillet / Chant ...(+)
Compositeur(S): Vivaldi. Par FRIDA BOCCARA. Auteur: E. MARNAY/ Feuillet / Chant et Piano
5.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Marguerite A New Musical Piano, Voix [Partition] Amsco Wise Publications
The eagerly anticipated new musical from the creators of Les Miserables. Compose...(+)
The eagerly anticipated new musical from the creators of Les Miserables. Composed by Legrand, Boublil, Schönberg and Kretzmer. ' Raises the bar for modern musicals *****' The Sunday Telegraph Vocal selections from the hit musical specially arranged for Piano and voice with full lyrics and chord symbols. / Piano/Vocal/Guitare (PVG)
31.50 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
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