Composed by Cesar Auguste Franck (1822-1890). Edited by Ernst-Gunter Heinemann...(+)
Composed by Cesar Auguste
Franck (1822-1890).
Edited by
Ernst-Gunter Heinemann.
Sheet
Music. Paperbound. Henle
Music Folios. Classical.
Score and Parts. 142
pages.
G. Henle #HN1142.
Published
by G. Henle
The Soadie Waste Piano Quintette: piano, 2 violons, alto, violoncelle [Conducteur] Peters
By James Dillon (1950-). Piano Quintets. For 2 Violins, Viola, Cello, Piano. Mod...(+)
By James Dillon (1950-).
Piano Quintets. For 2
Violins, Viola, Cello,
Piano. Modern. Score.
Composed 2003; First
Performance: Oberlin
Contempoary Music
Ensemble, Timothy Weiss.
Published by Edition
Peters
O the Deep, Deep Love Piano Quintette: piano, 2 violons, alto, violoncelle MorningStar Music Publishers
Composed by Duane Funderburk. For 2 violins, viola, cello, piano. Duane Funderbu...(+)
Composed by Duane
Funderburk. For 2
violins, viola, cello,
piano. Duane Funderburk
Chamber Music. Lent,
Communion. Medium.
Published by MorningStar
Music Publishers
Piano Quintet Piano Quintette: piano, 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.114419410 C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano
SKU:
PR.114419410
Composed
by Adolphus Hailstork.
Sws. Set of Score and
Parts. 68+24+24+24+24
pages. Duration 20
minutes. Theodore Presser
Company #114-41941.
Published by Theodore
Presser Company
(PR.114419410).
UPC:
680160681358. 9 x 12
inches.
Detroit,
for several decades, was
a city where I received
many important composing
and performance
opportunities in the
early and middle part of
my career. The Detroit
Symphony Orchestra even
commissioned my second
symphony. My cantata DONE
MADE MY VOW has been
performed there more
times than any place
else. The chorus for
those performances was
always the outstanding
BRAZEAL DENNARD CHORALE.
He loved his city and was
a great mentor to me. The
final movement of this
quintet is dedicated to
his memory.
Piano Quintet Piano Quintette: piano, 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441941S C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano
SKU:
PR.11441941S
Composed
by Adolphus Hailstork.
Sws. Full score. 68
pages. Duration 20
minutes. Theodore Presser
Company #114-41941S.
Published by Theodore
Presser Company
(PR.11441941S).
UPC:
680160681365. 9 x 12
inches.
Detroit,
for several decades, was
a city where I received
many important composing
and performance
opportunities in the
early and middle part of
my career. The Detroit
Symphony Orchestra even
commissioned my second
symphony. My cantata DONE
MADE MY VOW has been
performed there more
times than any place
else. The chorus for
those performances was
always the outstanding
BRAZEAL DENNARD CHORALE.
He loved his city and was
a great mentor to me. The
final movement of this
quintet is dedicated to
his memory.
Largo Piano Quintette: piano, 2 violons, alto, violoncelle Imagine Music
Composed by Peter Nostrand. For "2 violins, viola, cello, bass, piano&q...(+)
Composed by Peter
Nostrand.
For "2 violins,
viola, cello,
bass, piano". Score
and set of
parts. Duration "4
minutes, 15
seconds". Published
by Imagine
Music
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441123S C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano
SKU:
PR.11441123S
Composed
by Samuel Adler. Score.
With Standard notation.
Theodore Presser Company
#114-41123S. Published by
Theodore Presser Company
(PR.11441123S).
UPC:
680160016303. 8.5 x 11
inches.
The Quintet
for Piano and String
Quartet was written for
the American String
Quartet in the summer of
2000. It is in one
movement but has two
distinct parts. The first
is a slow movement
characterized by dotted
rhythms. It is a fantasy
with some long flowing
lines interrupted by
short fragments usually
in the piano. After a
rather agitated section
in 6/8 time, this section
comes to a quiet close on
a G-sharp major chord.
The second section of
this thirteen-minute work
is marked Fast and
Energetic. It begins with
chords that recur
throughout the movement
and after two measures a
long main theme is
introduced which is
developed and altered
during the rest of the
fast portion of the work.
One could call this
second part a sort of
rondo form since this
long lyrical theme
returns always after
contrasts. When it does
return, it is treated
often by means of
imitation, but at the
climax returns played in
unison by the strings
while the piano renders
an energetic sixteenth
note background. The work
ends on an E-flat major
chord though the piece is
certainly not in any one
key, but rather features
quick modulations. One
might call this non-tonal
music which nevertheless
always feels like it has
a tonal center. --Samuel
Adler.