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| Felix Mendelssohn
Bartholdy: Klaviertrio
Nr. 1 d-moll Opus 49:
Chamber Ensemble:
Piano Trio: piano, violon, violoncelle
G. Henle
Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical co...(+)
Piano Trio no. 1 in d minor op. 49. Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839: it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn?s d minor Trio was immediately received with enthusiasm. Robert Schumann wrote: ?It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time: a very beautiful composition which after years will still delight grandchildren and great-grandchildren.? Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn · Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
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| Piano Trios
(MENDELSSOHN-BARTHOLDY
FELIX)
Piano Trio: piano, violon, violoncelle [Partition]
G. Henle
Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FEL...(+)
Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the opportunity to describe the composer as the 'Mozart of the 19th century”, whereby he was obviously alluding to the mixture of Classical and Romantic stylistic elements.The musical text of these two famous Trios has been thoroughly revised to reflect the latest scholarly findings. In addition HN 1297 also includes a Flute part for the alternative version of op. 49 (Flute instead of Violin) that Mendelssohn himself made. / Classical / Répertoire / Violon, Violoncelle et Piano
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| Dumky Op. 90
Piano Trio: piano, violon, violoncelle
Barenreiter
The 'dumka? is a Slavic folk song or dance of a melancholy character. Dvorák's ...(+)
The 'dumka? is a Slavic folk song or dance of a melancholy character. Dvorák's magnum opus in the piano trio genre takes its name from its 'dumka? movements, which he composed in Prague in 1890-91. After long hesitation Dvorák also prepared a piano reduction while he was in the United States in the summer of 1893. The previous year he had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan. / Violon, Violoncelle Et Piano
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| Antonín Dvo?ák: Piano
Trio No. 3 In F Minor
Op.65: Piano Trio: Score
Piano Trio: piano, violon, violoncelle
G. Henle
Opus 65-Dvo ák worked longer and more intensively on this Trio than on just abo...(+)
Opus 65-Dvo ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music namely the popular Slavonic Dances (HN 757 and918) he now wanted to prove himself as a composer of the highest order. This is why in the following summer he thoroughly reworked the Trio that he had written within eight weeks in spring 1883 before giving it to his publisher.Although Brahms? music was the undeniable model for the new work it did not hinder the unfolding of a very personal tone that blends expressiveness and passion. As with the ?Dumky? Trio op. 90 (HN 799) Andreas Groethuysen isonce again responsible for the fingerings of the Piano part.
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| Aulis Sallinen: Piano
Trio 'Les Visions
Fugitives' Op.96: Piano
Trio: Score and
Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées]
Novello & Co Ltd.
'When writing this composition - commissioned by The Naantali Music Festival (F...(+)
'When writing this composition - commissioned by The Naantali Music Festival (Finland) for the summer 2010 - I kept all the time in mind the three outstanding Finnish musicians the future performers of the piece: Ralf Gothòni (Piano) Elina Vähälä (Violin) and Arto Noras (Cello).' - Aulis Sallinen First performance: 11 June 2010 at the Naantali Church Finland by Ralf Gothòni Elina Vähälä and Arto Noras.
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