| Tema E Variazioni Op. 5B
(CALLIGARIS SERGIO) Piano Trio: piano, violon, violoncelle [Conducteur et Parties séparées] - Intermédiaire Ricordi
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris ...(+)
Per Violino, Violoncello E Pianoforte. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / Violon, Violoncelle et Piano
51.51 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Concerto - C Major
(BEETHOVEN LUDWIG VAN) Piano Trio: piano, violon, violoncelle Barenreiter
C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano tri...(+)
C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all three instruments with the orchestra. Beethoven weaves a complex web – the orchestral, piano, violin and cello voices interplaying and entwining – and he produces a true masterpiece. Bärenreiter’s new Urtext edition of Beethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up the text, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included in the solo piano part. Piano reduction with separate parts for all three soloists Draws on three new sources Correction of many errors found in previous editions/ Répertoire / Piano, Violon, Violoncelle et Orchestre
88.20 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Trio Für Violine,
Violoncello Und Klavier Piano Trio: piano, violon, violoncelle Barenreiter
In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an a...(+)
In addition to Bärenreiter's scholarly-critical editions of Brahms' trios, an arrangement of Brahms' String Sextet op. 18 for piano trio by his contemporary and friend Theodor Kirchner is now being published. Simrock, Brahms' publisher, issued it in 1883. Brahms responded to the arrangement of his sextet with total enthusiasm and praise for the skills of his friend Kirchner (1823-1903).Christopher Hogwood's scholarly-critical edition includes an introduction which sheds light not just on the history of the arrangement and its validity in its own right, but also on Kirchner and his relationship to Brahms.- A much welcomed edition to the piano trio literature- Includes an informative introduction (Eng/Ger) and a Critical Commentary (Eng) / Violon, Violoncelle Et Piano
46.60 EUR - vendu par LMI-partitions Délais: En Stock | |
| Brahms, Johannes : Trio
for Violin, Violoncello
and Piano op. 87 Piano Trio: piano, violon, violoncelle [Partition] - Avancé Barenreiter
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Ho...(+)
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.
The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.
? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /
27.50 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur | |
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