By Sergei Rachmaninoff (1873-1943). For Piano, Orchestra - [2, 2, 2, 2 - 4, 2, 3...(+)
By Sergei Rachmaninoff
(1873-1943). For Piano,
Orchestra - [2, 2, 2, 2 -
4, 2, 3, 1], timpani,
percussion, strings. This
edition: Paperback.
Original Works,
Concerto/Instrumental
Solo. Romantic Period;
Russian. Study Score. 146
pages. Published by
Serenissima
Composed by Lou Harrison (1917-2003). For piano solo, 3 trombone, 4 percussion, ...(+)
Composed by Lou Harrison
(1917-2003). For piano
solo, 3 trombone, 4
percussion, 2 harps,
strings. Full score.
Duration circa 25
minutes. Published by
Edition Peters
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Arranged by Michael
Topel. For Piano Solo
(2), Oboe (2), Clarinet
(b flat) (2) ad lib.,
Bassoon (2), Horn (2),
Trumpet (2) ad lib.,
Kettledrum ad lib.,
Strings. Piano
Reduction/Vocal Score;
Urtext Edition. KV 365
(316a). Duration 23'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5390
90)
Concerto for two Pianos and Orchestra. By Wolfgang Amadeus Mozart. Edited by Chr...(+)
Concerto for two Pianos
and Orchestra. By
Wolfgang Amadeus Mozart.
Edited by Christoph
Wolff. For Piano Solo
(2), Oboe (2), Clarinet
(b flat) (2) ad lib.,
Bassoon (2), Horn (2),
Trumpet (2) ad lib.,
Kettledrum ad lib.,
Strings. Score; Urtext
Edition (paperbound). KV
365 (316a). Duration 23'.
Published by
Baerenreiter-Ausgaben
(German import).
By Wolfgang Amadeus Mozart. Edited by Hans Engel; Horst Heussner. For Piano Solo...(+)
By Wolfgang Amadeus
Mozart. Edited by Hans
Engel; Horst Heussner.
For Piano Solo, Flute,
Oboe (2), Bassoon (2),
Horn (2), Trumpet (2),
Kettledrum, Strings.
Score; Urtext Edition
(paperbound). KV 466.
Duration 35'. Published
by Baerenreiter-Ausgaben
(German import).
The Manchester Carols. (A Re-Telling of the Christmas Story). By Carol Ann Duffy...(+)
The Manchester Carols. (A
Re-Telling of the
Christmas Story). By
Carol Ann Duffy and Sasha
Johnson Manning. For
Orchestra / Piano. Choral
Extended Work. Faber
Edition. Christmas;
Sacred; Winter. Published
by Faber Music
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Hermann ...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Hermann Beck. For Piano
Solo, Flute, Oboe (2),
Bassoon (2), Horn (2),
Trumpet (2), Kettledrum,
Strings. Piano
Reduction/Vocal Score
(paperbound). KV 503.
Duration 32`. Published
by Baerenreiter-Ausgaben
(German import). (BA4742
90)
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christop...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Christoph Wolff. Arranged
by Michael Topel. For
Piano Solo, Oboe (2),
Horn (2), Strings. Piano
Reduction/Vocal Score
(paperbound). KV 246.
Duration 21'. Published
by Baerenreiter-Ausgaben
(German import). (BA5388
90)
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Flothuis...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Flothuis, Marius;T!Pel,
Michael. For Piano Solo,
Oboe (2), Horn (2),
Strings. Piano
Reduction/Vocal Score
(paperbound). KV 449.
Duration 22'. Published
by Baerenreiter-Ausgaben
(German import). (BA5381
90)
(Concerto for Piano and Orchestra). By Wolfgang Amadeus Mozart (1756-1791). Edit...(+)
(Concerto for Piano and
Orchestra). By Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Marius Flothuis. For
Piano Solo, Flute, 2
Oboe, 2 Bassoon, 2 Horn,
Strings. Score; Urtext
Edition (paperbound). KV
450. Duration 29'.
Published by Baerenreiter
Verlag
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christop...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Christoph Wolff. For
Piano-Solo, Oboe (2),
Horn (2), Strings. Score;
Urtext Edition
(paperbound). KV 271.
Duration 34`. Published
by Baerenreiter-Ausgaben
(German import). ISBN
M006456710.
By Wolfgang Amadeus Mozart (1756-1791). Edited by Eva Badura-Skoda; Paul Badura-...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Eva
Badura-Skoda; Paul
Badura-Skoda. For
piano/orchestra (solo
piano/flute/2 oboes/2
bassoons/2
horns/strings). This
edition: Stapled, Urtext
edition. Score. KV 453,
No. 17. 70 pages.
Duration 30'. Published
by Baerenreiter Verlag
By Wolfgang Amadeus Mozart (1756-1791). Edited by Hans Engel; Horst Heussner. Fo...(+)
By Wolfgang Amadeus
Mozart (1756-1791).
Edited by Hans Engel;
Horst Heussner. For
piano/orchestra (solo
piano/flute/2 oboes/2
bassoons/2 horns/2
trumpets/timpani/strings)
. This edition:
Paperback, Urtext
edition. Score. KV 482,
No. 22. Duration 32'.
Published by Baerenreiter
Verlag
Klavierauszug nach dem Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Moza...(+)
Klavierauszug nach dem
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Arranged by Douglas
Woodfull-Harris. For
Piano Solo, Oboe
(2)/Flute, Bassoon Ad
Lib., Horn (2), Strings.
Piano Reduction/Vocal
Score; Urtext Edition. KV
238. Duration 20'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5316
90)
By Wolfgang Amadeus Mozart. Edited by Marius Flothuis. Arranged by Ernst R. Bart...(+)
By Wolfgang Amadeus
Mozart. Edited by Marius
Flothuis. Arranged by
Ernst R. Barthel. For
Piano Solo, Flute, Oboe
(2), Bassoon (2), Horn
(2), Trumpet (2),
Kettledrum, Strings.
Piano Reduction/Vocal
Score; Urtext Edition. KV
451. Duration 25'.
Published by
Baerenreiter-Ausgaben
(German import). (BA5383
90)
Concerto for Piano and Orchestra. By Wolfgang Amadeus Mozart. Edited by Christop...(+)
Concerto for Piano and
Orchestra. By Wolfgang
Amadeus Mozart. Edited by
Christoph Wolff. For
Piano Solo, Oboe (2),
Horn (2), Strings. Score;
Urtext Edition
(paperbound). KV 246.
Duration 21'. Published
by Baerenreiter-Ausgaben
(German import).