Piano and Orchestra

SKU: HL.48187590

Composed by Marcel Mihalovici. Leduc. Classical. Softcover. Heugel & Cie #HE31348. Published by Heugel & Cie (HL.48187590).

Marcel Mihalovici: Toccata (PH171) (Piano & Orchestra).

By Wolfgang Amadeus Mozart. Transcribed by Peter Schmalz. For solo piano and concert band. Solo With Concert Band Accompaniment. Full score and set of parts. Published by Phoebus Publications.

Piano and Orchestra

SKU: PZ.PVH-1943-P

Composed by Christian Paterniti. Classical. Score. Pizzicato Verlag #PVH-1943-P. Published by Pizzicato Verlag (PZ.PVH-1943-P).

ISBN 9790705100907. 10 x 14 inches.

Piano and orchestra

SKU: PZ.PVH-392

Composed by Brno Bosio. Published by Pizzicato Verlag (PZ.PVH-392).

Piano and Orchestra

SKU: PZ.PVH-1943-S

Composed by Christian Paterniti. Classical. Set of parts. Pizzicato Verlag #PVH-1943-S. Published by Pizzicato Verlag (PZ.PVH-1943-S).

9 x 12 inches.

Piano & Orchestra

SKU: SU.28100050

For Piano & Orchestra. Composed by Alan Fletcher. Keyboard, Piano/Harpsichord. Accompanied by orchestra, Concerto. Study Score. Subito Music Corporation #28100050. Published by Subito Music Corporation (SU.28100050).

Commissioned by Inon Barnatan, Los Angeles Philharmonic, Atlanta SymphonyPiano & Orchestra [solo pno: 3,1 3 3,1 3; 4321; timp, 3perc, 2hp; stgs Duration: 25' Composed: 2017 Published by: Distributed Composer Also available: Solo piano with reduction (Cat. # 28100051) Performance materials available on rental only:.

String Orchestra and Piano

SKU: BT.EMBZ13550

Das klassische Trio. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1994. 230 pages. Editio Musica Budapest #EMBZ13550. Published by Editio Musica Budapest (BT.EMBZ13550).

At first sight, this publication appears to be a collection of pieces, for the technical studies, not too attractive but so characteristic of tutors, are missing. Yet the selection of the works, their order according to the development of ensemble playing and the advice includeed after the foreword and containig proposals for the technical realization of ensemble playing in the case of certain typical pieces these all make this publication a tutor.The works form a cross-section of a longer period of the history of chamber music and offer an insight into thedifferent methods of composition. Volume III is approximately the same grade of difficulty as Volume II, but inViennese Classicism a more sophisticated handling of the bow is required. In addition to the works of Haydn, Mozart and Beethoven pieces by less well-known masters are also included.

Full Score. Composed by Poul Ruders. Music Sales America. Classical. Score Only. Composed 2017. 80 pages. Edition Wilhelm Hansen #WH32201. Published by Edition Wilhelm Hansen (HL.232526).

String Orchestra and Piano

SKU: BT.EMBZ14253

By Lajos Vigh. By Arpad Pejtsik. EMB Music for Beginners. Educational Tool. Book Only. Composed 2000. 92 pages. Editio Musica Budapest #EMBZ14253. Published by Editio Musica Budapest (BT.EMBZ14253).

Hungarian-English-Germ an-French.

The volume comprises works by classical and romantic masters for beginners. The chamber ensemble includes violin, viola, violoncello and piano, but if the viola is missing, its part can be played by a second violin from the version enclosed in the appendix. The string parts do not go beyond the first position. As opposed to the basso continuo part that children are less fond of, the piano assumes a soloistic role alternating with the strings. A certain part of the pieces can already be played after two years of serious studies. The colourful music containing dance movements and larger forms alike offers possibilities of common music making for string players andpianists.

Piano and Orchestra

SKU: HL.50097090

Score. Composed by Ottorino Respighi. Special Import. Classical. Score Only. Composed 1984. Ricordi #PR870. Published by Ricordi (HL.50097090).

6.75x10.5 inches.

By Bruce Adolphe. Full Score. LKM Music. 72 pages. Hal Leonard #X074036. Published by Hal Leonard

Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-32026

Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

Have a look into PB 32026.

Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026).

ISBN 9790004215142. 10 x 12.5 inches.

Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition.

Piano/harpsichord and orchestra (solo: pno - 2.2.2.2. - 4.2.3.0. - timp - str)

SKU: BR.PB-4960

Composed by Pjotr Iljitsch Tschaikowsky. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Full score. 120 pages. Duration 32'. Breitkopf and Haertel #PB 4960. Published by Breitkopf and Haertel (BR.PB-4960).

ISBN 9790004207451. 10 x 12.5 inches.

The roller coaster of opinions - worthless, absolutely unplayable (claims Nikolaj Rubinstein, basically Tchaikovsky's desired pianist for his Concerto in B flat minor); brilliant, magnificent (Hans von Bulow, then first performer and dedicatee of the work) - demonstrates the work's initially ambivalent reception. Tchaikovsky's Piano Concerto No.1 is one of the most powerful and popular compositions of the classical music repertoire altogether; and it is also quite unconventional and runs counter to the norms of the time. Though it may seem strange to us today, let us recall that during his lifetime, Tchaikovsky was regarded disputable abroad (and especially in Germany), was considered an ultra-modern Russian composer, and was even accused of being a musical nihilist and primitivist. But one glance at the score of the piano concerto suffices to reveal its truly amazing character ...

(Set of 2 Reduced Performance Scores). By Bruce Adolphe. LKM Music. 84 pages. Hal Leonard #X412021. Published by Hal Leonard

(Poem for Piano and Orchestra - Full Score). By William Grant Still (1895-1978). Orchestra. For Flute I, Flute II, Flute III, Piccolo, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, . Full score (large). Standard notation. 48 pages. Published by Carl Fischer

for Piano and Orchestra Soloist in Concert Series. By Edvard Grieg. Piano Large Works (Arranged for piano). Size 9x12 inches. 56 pages. Published by Ricordi.

Piano, orchestra

SKU: SA.41762

Composed by Antonin Dvorak. Edited by Berkovec. Arranged by Vilem Kurz. Original Works, Concerto, Instrumental Solo. Reprint Source: Prague: SNKLHU, 1956. Plate H 1790. Romantic, Czech. Study score. Composed 1876. 260 pages. Duration 38-40 minutes. Petrucci Library Press #41762. Published by Petrucci Library Press (SA.41762).

ISBN 9781608741762. 9.5 x 12.5 inches.

Composed in the late summer of 1876, Dvorak's first effort at a full-blown concerto shows signs of an unusual amount of revision in the composer's hand - especially for the solo piano part. This might explain the delay in the concerto's premiere, which was given at the Provisional Theatre in Prague on March 24, 1878 with Karel Slavkovsky as soloist accompanied by the Provisional Theatre Orchestra under the baton of Adolf Cech. The composer himself wrote: I see I am unable to write a Concerto for a virtuoso; I must think of other things. The ungainly solo part no doubt also played a role in the work's dely in publication, which didn't take place until 1883. Even after this, and despite much beauty in the music itself, performances were scarce due to the difficulty and charchter of the solo part. The solo part was revised heavily by the Czech pianist Vilem Kurz (1872-1945), whose version was premired by his daughter Ilona KurzovA! and the Czech Philharmonic on December 9, 1919 and is the one most often performed today. This new study score is a digitally enhanced reissue of the full score first published in 1956 by the Czech State Publishers as part of the Dvorak collected works, edited by Jiri Berkovec and Karel Solc, which includes both the composer's original solo part and the re-arranged one made by Kurz. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

(Piano Solo And Chamber Ensemble). By Jason Eckardt (1971-). For piano solo, flute (doubling piccolo), clarinet in Bb, violin, violoncello. Full score. 40 pages. Published by Carl Fischer

String Orchestra and Piano

SKU: BT.EMBZ6338

Composed by Bela Bartok. Set (Score & Parts). Composed 1970. 304 pages. Editio Musica Budapest #EMBZ6338. Published by Editio Musica Budapest (BT.EMBZ6338).

Béla Bartók composed his Piano Quintet while at grammar school in Pozsony (Pressburg, now Bratislava), and it still shows the influence of Brahms in its melody and harmony. The work was always resoundingly successful at his youthful concerts. When on 7 January 1921 the Waldbauer Quartet wanted to repeat the programme of a concert given ten years previously, Bartók was displeased that this early work of his should be performed once again. Finally he consented to the performance, and played the piano part himself. The quintet was greeted with tumults of applause, unlike the other pieces on the programme, which were written later. According to a communication by Márta Ziegler,Bartók threw away the score in anger, and for many years it was believed to have been destroyed. In 1963, the editor Denijs Dille received a package inside which were the score and parts, which had been thought lost. Denijs Dille wrote: 'In preparing the text of this edition for practical purposes, I used the autograph score, and Bartók's own handwritten parts for the first and second violins, viola, and cello. [...] Bartók made so many deletions and significant changes in the score that the resulting version was somewhat different from the original. In this edition we give the last version, supplemented with the minor changes and signs that can be found in the string parts.'.

Piano/harpsichord and orchestra (solo: pno - 3(picc).3(cor ang).2.2 - 4.2.3.1 - timp.perc - hp - cel - str)

SKU: BR.PB-15153

Impresiones sinfonicas - Urtext. Composed by Manuel de Falla. Edited by Ullrich Scheideler. Orchestra; Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Symphonic poem; Late-romantic; Early modern. Full score. 92 pages. Duration 23'. Breitkopf and Haertel #PB 15153. Published by Breitkopf and Haertel (BR.PB-15153).

ISBN 9790004215586. 10 x 12.5 inches.

Composed by Manuel de Falla during his lengthy residence in Paris, these three symphonic impressions for piano and orchestra are an expressive work bringing the southern Spanish gardens, which are laid out in the European and Arabic-Moorish tradition, to life. The influence of contemporary French music is noticeable in this composition. Despite many modifications, involving among other things, the scoring, number of movements, as well as layout and content, the basic idea of a nocturnal impression is retained from the outset. The work was finished - and likewise the orchestral material - only shortly before its premiere on 9 April 1916, which was a great success. World War I prevented its publication, though further performances followed, played then from manuscript material. The Urtext edition presented by Ullrich Scheideler takes as the main source the first edition of the score. The Critical Report gives detailed information about the source situation.