String Orchestra and Piano SKU: BT.EMBZ13548 Leichte Trios aus vier Ja...(+)
String Orchestra and
Piano
SKU:
BT.EMBZ13548
Leichte Trios aus vier
Jahrhunderten. By
Arpad Pejtsik.
Educational Tool. Book
Only. Composed 1993. 248
pages. Editio Musica
Budapest #EMBZ13548.
Published by Editio
Musica Budapest
(BT.EMBZ13548).
At first sight,
this publication appears
to merely be a collection
of pieces due to the lack
of drier technical
studies that are
characteristic of tutors.
Yet the selection of the
works, their order
according to the
development of ensemble
playing, and the advice
towards technical
realization included
after the foreword -
these all make this
publication a tutor. The
works form a
cross-section of a longer
period of the history of
chamber music and offer
an insight into the
different methods of
composition.Volume I
contains easy chamber
music from the
Renaissance to Viennese
Classicism for two
violins and cello, in the
first position. (In some
works the 2nd violin part
or others thecello part,
respectively, can also be
played on the viola.) The
easier pieces can be
played after two years of
active instrumental
study.
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15152
Urtext. Composed
by Edvard Grieg. Edited
by Ernst-Gunter
Heinemann. Orchestra;
Softcover.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Romantic. Full score. 108
pages. Duration 30'.
Breitkopf and Haertel #PB
15152. Published by
Breitkopf and Haertel
(BR.PB-15152).
ISBN
9790004215579. 10 x 12.5
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Kaintuck' Piano et Orchestre [Conducteur] Carl Fischer
(Poem for Piano and Orchestra - Full Score). By William Grant Still (1895-1978)....(+)
(Poem for Piano and
Orchestra - Full Score).
By William Grant Still
(1895-1978). Orchestra.
For Flute I, Flute II,
Flute III, Piccolo, Oboe
I, Oboe II, English Horn,
Clarinet I, Clarinet II,
Clarinet III, Bass
Clarinet, Bassoon I,
Bassoon II, Horn I, Horn
II, Horn III, Horn IV,
Trumpet I, Trumpet II,
Trumpet III, Tenor I,
Tenor II, Tenor III,
Tuba, . Full score
(large). Standard
notation. 48 pages.
Published by Carl Fischer
Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - st...(+)
Piano/harpsichord and
orchestra (solo: pno -
2(picc).2.2.2 - 4.2.3.0 -
timp - str)
SKU:
BR.PB-15164-07
Urtext. Composed
by Edvard Grieg. Edited
by E.-G. Heinemann.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic. Study
Score. 108 pages.
Duration 30'. Breitkopf
and Haertel #PB 15164-07.
Published by Breitkopf
and Haertel
(BR.PB-15164-07).
ISBN
9790004215906. 6.5 x 9
inches.
The piano
concerto in a minor
stands out in Edvard
Grieg's oeuvre. Besides
this famous concerto, he
composed only a few other
large orchestral works.
Because of its popularity
even in Grieg's lifetime,
it was often performed,
not least by the composer
himself. So it is not
surprising that Grieg
made many changes to the
score up to 1907. But at
the same time, the
concerto's size, form and
substance remained
completely unaltered.
Interventions in the
piano part basically
involved subtleties of
nuance, and only a very
few places in the music
text were altered. The
situation was different
with the orchestration.
Here Grieg was keen to
experiment and kept
filing away at the
orchestra sound right up
to the last. Melodies
were moved to other
instruments, accompanying
string chords were
reconstructed, and above
all the list of scored
instruments was changed.
The main source of the
Urtext edition by
Ernst-Gunter Heinemann is
the new edition of the
score originally
published in 1907 by C.
F. Peters, thus several
years after the first
edition of 1872. Taken
into account in the
present edition are the
changes that Grieg made
up to the time of his
death. Piano reduction
and fingering by Einar
Steen-Nokleberg.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by
Ernst-Gunter Heinemann.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag EB 10767 is
printed in score form;
two copies are needed for
performance.You will find
the original cadenzas
under Mo
zart, 36 Cadenzas for his
own Piano Concertos.
Our ISBN
9790004211922. 10 x 12.5
inches.
One of the
most frequently performed
concertos of all, it was
written while Mozart was
working on the opera Le
nozze di Figaro. The
source situation is
clear: the autograph
score has survived, and
the first printed
editions were not
published until after
Mozart's death.The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Ernst-Gunter
Heinemann to whom Henle
has entrusted its urtext
editions.Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.EB-11450
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Edition Breitkopf.
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Piano reduction.
68 pages. Duration 23'.
Breitkopf and Haertel #EB
11450. Published by
Breitkopf and Haertel
(BR.EB-11450).
ISBN
9790201814506. 9.5 x 12
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
Piano/harpsichord and
orchestra (solo: pno -
3(picc).3(cor ang).2.2 -
4.2.3.1 - timp.perc - hp
- cel - str)
SKU:
BR.PB-15153
Impresiones sinfonicas
- Urtext. Composed by
Manuel de Falla. Edited
by Ullrich Scheideler.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Symphonic poem;
Late-romantic; Early
modern. Full score. 92
pages. Duration 23'.
Breitkopf and Haertel #PB
15153. Published by
Breitkopf and Haertel
(BR.PB-15153).
ISBN
9790004215586. 10 x 12.5
inches.
Composed by
Manuel de Falla during
his lengthy residence in
Paris, these three
symphonic impressions for
piano and orchestra are
an expressive work
bringing the southern
Spanish gardens, which
are laid out in the
European and
Arabic-Moorish tradition,
to life. The influence of
contemporary French music
is noticeable in this
composition. Despite many
modifications, involving
among other things, the
scoring, number of
movements, as well as
layout and content, the
basic idea of a nocturnal
impression is retained
from the outset. The work
was finished - and
likewise the orchestral
material - only shortly
before its premiere on 9
April 1916, which was a
great success. World War
I prevented its
publication, though
further performances
followed, played then
from manuscript material.
The Urtext edition
presented by Ullrich
Scheideler takes as the
main source the first
edition of the score. The
Critical Report gives
detailed information
about the source
situation.
Urtext. Composed
by George Gershwin.
Edited by Norbert
Gertsch. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early modern;
Music post-1945. Full
score. 136 pages.
Duration 36'. Breitkopf
and Haertel #PB 15140.
Published by Breitkopf
and Haertel
(BR.PB-15140).
ISBN
9790004214763. 10 x 12.5
inches.
After
achieving sensational
success with the musical
Lady, be good!, with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue, Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Urtext. Composed
by George Gershwin.
Orchestra; Softbound.
Edition Breitkopf. Solo
concerto; Early modern;
Music post-1945. Piano
reduction. 88 pages.
Duration 36'. Breitkopf
and Haertel #EB 10859.
Published by Breitkopf
and Haertel
(BR.EB-10859).
ISBN
9790201808598. 9.5 x 12
inches.
After
achieving sensational
success with the musical
Lady, be good! , with
evergreens such as
Fascinating Rhythm and
The Man I love, as well
as with his Rhapsody in
Blue , Gershwin premiered
his Concerto in F for
piano and orchestra as a
soloist at Carnegie Hall
in 1925. Now, the new
superstar of Broadway had
also arrived at the
center of New York's
classical music scene. In
its eventful history, the
work went through
numerous changes,
cuttings, arrangements,
many of which doubtful
and unauthorized. Even
the first and so far only
printed orchestral score,
edited by Frank
Campbell-Watson,
published in 1942 five
years after Gershwin's
death, contains many
unauthorized
interventions. Through
years of research, editor
Norbert Gertsch has
succeeded in ridding the
work of all unauthorized
additions and alterations
and thus reconstructing
an Urtext in its original
literal sense from the
complex source material -
from autograph sketches
to early recordings. The
first text-critical
edition of the work is a
joint production of
Breitkopf
(score/orchestral parts)
and G. Henle Verlag
(piano reduction).
Piano/harpsichord and orchestra (solo: pno - 1.2.0.2. - 2.0.0.0. - timp - str) <...(+)
Piano/harpsichord and
orchestra (solo: pno -
1.2.0.2. - 2.0.0.0. -
timp - str)
SKU:
BR.PB-14560
Urtext
based on the new Complete
Edition (G. Henle
Verlag). Composed by
Ludwig van Beethoven.
Edited by Hans-werner
Kuthen. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Solo
concerto; Classical. Full
score. 80 pages. Duration
24'. Breitkopf and
Haertel #PB 14560.
Published by Breitkopf
and Haertel
(BR.PB-14560).
ISBN
9790004211014. 10 x 12.5
inches.
Beethoven's
autographs of the first
three piano concertos
opp. 15, 19 and 37 are
the earliest of all
orchestral scores which
have survived integrally.
Thanks to source studies,
we know today that a
first version of the
Concerto in Bb major op.
19 had already originated
in Bonn in 1790 at the
latest. It was followed
by a second version
written in Vienna most
likely in 1793 which
included the Rondo in Bb
major WoO 6 as finale. A
third version followed
most probably in 1794 and
led to the fourth and
final version, written in
Prague in October 1798,
as Beethoven sojourned
there at the beginning of
the concert season. (from
the Preface)This
autograph together with
the autograph solo part
which was made at the
beginning of 1801 and the
parts printed in the same
year, are the main
sources of the present
edition.
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Stephan
Horner. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag EB 10765 is
printed in score form;
two copies will be needed
for performance. Solo
concerto; Classical. Full
score. 72 pages. Duration
30 '. Breitkopf and
Haertel #PB 15108.
Published by Breitkopf
and Haertel
(BR.PB-15108).
ISBN
9790004212004. 10 x 12.5
inches.
Mozart's
Concerto K. 453 enjoyed
great popularity during
the composer's lifetime
and was widely known
through copies and a
print. The state of the
sources is thus
multi-faceted yet
unequivocal: the primary
source is the
rediscovered autograph,
which was considered lost
after 1945 and was not at
the disposal of the Neue
Mozart-Ausgabe. The
editorial quality of the
new edition is guaranteed
not only by Schiffs
sensitive fingerings and
stylistically
well-grounded cadenzas,
but also by the Mozart
scholar Stephan Horner to
whom Henle has entrusted
its urtext editions.
Breitkopf/Henle
cooperation means: Each
work is edited according
to predetermined
standardized editorial
guidelines. First and
foremost among the
sources consulted were
Mozarts handwritten
scores, being the most
important sources. In
some cases they had not
been available when the
previous editions were
being prepared. Moreover,
we know today that in
addition to Mozarts own
manuscripts, early copies
in parts and prints also
contain important
information regarding the
musical text.
For Piano. Includes a high-quality printed music score and a compact disc contai...(+)
For Piano. Includes a
high-quality printed
music score and a compact
disc containing a
complete version with
soloist, in split-channel
stereo (soloist on the
right channel); then a
second version in full
stereo of the orchestral
accompaniment, minus the
soloist. Published by
Music Minus One.
For Piano. Includes a printed music score on high-quality ivory paper; and a dig...(+)
For Piano. Includes a
printed music score on
high-quality ivory paper;
and a digital stereo
compact disc,
voluminously indexed for
your convenience,
containing a complete
version with soloist;
then a second performance
of the orchestral
accompaniment, minus you,
the soloist. Published by
Music Minus One.
For Piano. Includes a printed music score on high-quality ivory paper; a digital...(+)
For Piano. Includes a
printed music score on
high-quality ivory paper;
a digital stereo compact
disc featuring a complete
performance of the
concerto with orchestra
and soloist, and a second
performance minus you,
the soloist; and a second
compact disc containing a
full-speed version of the
complete version as well
as a special -20%
slow-tempo version of the
accompaniment for
practice purposes. Each
concerto is voluminously
indexed for your practice
and performance
convenience. Published by
Music Minus One.
Piano et Orchestre [Partition] - Facile Alfred Publishing
Masterworks Book). Standard early intermediate to intermediate literature for ex...(+)
Masterworks Book).
Standard early
intermediate to
intermediate literature
for expressive
performance. Classical.
Early Intermediate;
Intermediate. Collection.
Fingerings. 64 pages.
Published by Alfred Music
Publishing
Piano/harpsichord and orchestra (solo: pno - 2.2.2.2 - 2.2.0.0 - timp - str) ...(+)
Piano/harpsichord and
orchestra (solo: pno -
2.2.2.2 - 2.2.0.0 - timp
- str)
SKU:
BR.PB-5507
Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Christoph Hellmundt.
Orchestra; Softcover.
Partitur-Bibliothek
(Score Library).
A
repertoire work in an
Urtext performing
editionEB 8655 is printed
in score form; two copies
are needed for
performance.
Solo
concerto; Romantic. Full
score. 96 pages. Duration
25'. Breitkopf and
Haertel #PB 5507.
Published by Breitkopf
and Haertel (BR.PB-5507).
ISBN 9790004211663. 10
x 12.5 inches.
The
music text is based on
the volume of the Leipzig
Mendelssohn Complete
Edition, in which
Christoph Hellmundt
rightly pointed to the
existence of a secondary
version for piano and
string orchestra as well
as an arrangement for
piano solo made by the
composer. Nevertheless,
Mendelssohn's op. 40
remains foremost a
Concerto for piano and
orchestra - a fact that
is unequivocally
underscored by the
practical new
edition.
A
repertoire work in an
Urtext performing
edition.