Piano

SKU: BT.WH33063

Tuition. Book Only. 98 pages. Edition Wilhelm Hansen #WH33063. Published by Edition Wilhelm Hansen (BT.WH33063).

ISBN 9788759840535. English.

Jazz Chords On Piano -2 by Tormod Vinsand (2017). This book is a follow-up on Jazz Chords on Piano (WH32971) and it is definitely an advantage if you have familiarised yourself with the techniques and terms used in Jazz Chords on Piano . There are many ways in which to play jazz on a piano. In Jazz Chords on Piano I describe some guidelines for how to prepare accompaniment and melody playing, but admittedly, there are of course many other ways to play or other techniques to use. In Jazz Chords on Piano - 2 I have chosen to focus on four typical techniques: Part 1 - Playing Arpeggio in left hand Part 2 - 4-stacked chords in a piano movement Part 3 - Left-hand chords Part 4 -Overlying triads when accompanying To illustrate the various techniques, I have made compositions that are stylistically adjusted so that the various techniques make musical sense and are playable. (Tormod Vinsand) Tormod Vinsand (born 1958) has a Master's Degree in Musicology from University of Copenhagen. Since 1988 Tormod has been a jazz piano lecturer at The Rhythmic Music Conservatory, Copenhagen, The Institute of Musicology at University of Copenhagen, and the Royal Danish Academy of Music, Copenhagen. The material you fi nd in this book has been used at the above three educational institutions and is primarily targeted to music students that do not have the piano as their primary instrument at these schools. But others may also benefi t from this book, provided you have an elementary theoretical background in music. Since 2013 Tormod has also been Music School Manager at the Rødovre School of Music.

Solo piano

SKU: A7.ALEA1073

Composed by Jan Vicar. Classical. Score. Composed 2001-2006. Duration 34 minutes. Alea Publishing #ALEA1073. Published by Alea Publishing (A7.ALEA1073).

ABOUT THE COMPOSER: Jan Vicar, born on May 5, 1949 in Olomouc, studied accordion at the Conservatory in Ostrava, music and Czech at the Philosophical Faculty of Palacky University in Olomouc, and composition at the Janacek Academy of Performing Arts in Brno and Academy of Performing Arts in Prague. He specializes in musicology and composition. He served as editor-in-chief of the leading Czech music journal Hudebni rozhledy (Music Review, 1986-1989). His fifth book, Imprints: Essays on Czech Music and Aesthetics (2005), was published in English. He is a professor at the Academy of Performing Arts in Prague, and head of the Musicology Department of Palacky University in Olomouc. As a Fulbright/CIES scholar-in-residence, he lectured at eight universities in the United States (1998-1999). As a visiting professor, he taught composition and music theory at Birmingham-Southern College in Alabama (2005). He is the author of circa sixty diverse compositions - from orchestral pieces to cyclic works for children's choirs. ABOUT THE WORK: The Phantasms/Preludes, composed in 2001 with revisions by the composer in 2006, are a stunning set of twelve short character pieces for solo piano, with a total duration of approximately 34 minutes. The titles of the individual Preludes are shown below. The set has been recorded by pianist Daniel Wiesner (with the composer at the piano for No. 9: Bad Day), and is available from the Czech label Radioservis.

Composed by Jacques-Francois Ibert (1890-1962). Edited by Wesley Roberts. For Piano. Book; Masterworks; Piano Collection; Solo. Alfred Masterwork Edition. 20th Century; Impressionistic; Masterwork. Advanced. 40 pages. Published by Alfred Music

(Ungarische Melodie in D major D 817 -- Allegretto in C minor D 915 -- Drei Klavierstucke D 946). By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: Urtext edition. Published by Baerenreiter Verlag

Composed by Jacques-Francois Ibert (1890-1962). Edited by Wesley Roberts. Masterworks; Piano Solo; Solo; Solo Small Ensembles. Alfred Masterwork Edition. 20th Century; Masterwork. Sheet. 12 pages. Alfred Music #00-47772. Published by Alfred Music

Composed by Franz Joseph Haydn (1732-1809). Edited by Bernhard Moosbauer / Holger M. Stuwe. This edition: urtext edition. Paperback. Barenreiter Urtext. Performance score, anthology. Baerenreiter Verlag #BA10804. Published by Baerenreiter Verlag (BA.BA10804).

By Franz Schubert (1797-1828). Edited by Walther Durr. For piano. This edition: Paperback, Urtext edition. Performance score, Anthology. Text Language: German/English. 84 pages. Published by Baerenreiter Verlag

SKU: HL.49015611

(German Text). Composed by Hans-Guenter Heumann and Monika Heumann. This edition: Hardback/Hard Cover. Book. Edition Schott. Musical reader and reference book all in one - clear, comprehensible, suitable for children! For children aged 8+. Classical. 176 pages. Schott Music #ED9162. Published by Schott Music (HL.49015611).

ISBN 9783795704896. UPC: 073999351682. 8.5x10.75x0.759 inches. German. Andreas Schuermann.

To go on a time travel once in your life is a dream of many children - for Clara and Frederik too. They both love music above all else, and so they undertake an exciting travel through music history: from the Stone Age to the present day.But how does one travel into the Stone Age? A time-travel machine may be helpful - but this is all that is revealed for nowAfter each time travel the reader gets a lot of valuable and interesting information: Which instruments were played at the gladiator fights in ancient Rome? Was Richard Wagner actually wanted under arrest-warrant? What is the origin of the musical?The answers to these and other questions are given in the narrative text as well as on the attractively designed info pages. In addition to such information, this edition contains a quiz to test your knowledge and amusing stories about great composers.With a foreword by Anne-Sophie MutterFor children aged 8+.After studying piano, music education and musicology at the Hanover Musikhochschule and composition in New York und New Orleans, Hans-Gunter Heumann, both as a music teacher and composer, has focussed primarily on the publication of educational piano literature. His main concern is to teach music in a comprehensible way and make it accessible to a wide audience.

Piano

SKU: BT.MUSM570368235

Composed by Robert Saxton. Book Only. University of York Music Press #MUSM570368235. Published by University of York Music Press (BT.MUSM570368235).

English.

For Teresa   was commissioned by Tim Suter for his wife, Helen, as part of William Howard’s Love Songs Project and was first performed privately by William Howard for her 60th birthday in February 2017. He gave the public premiere at Hoxton Hall, London on 26th April 2017. The music is based on the notes T E S (E flat) A of the Christian name of the composer’s wife, Teresa Cahill.  The music works towards a quotation of the opening of Beethoven’s Bagatelle No. 25 in A minor,  Für Elise  (which also uses letters from the name Therese, H being B natural in German nomenclature), a piece which, it is now thought, was originallytitled  Für Therese  and possibly composed for Theresa Malfatti, to whom Beethoven unsuccessfully proposed marriage in 1810, but recent musicology has suggested other possible dedicatees.

Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1536. Published by G. Henle

Revised Edition for Piano Solo with Fingering by 18 Pianists. Composed by Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1338. Published by G. Henle

Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Classical. Softcover. G. Henle #HN1336. Published by G. Henle

Piano (Piano Solo)

SKU: HL.51481620

Piano Solo. Composed by Sergei Prokofiev. Edited by Claudia Heine. Henle Music Folios. Classical. Softcover. 43 pages. G. Henle #HN1620. Published by G. Henle (HL.51481620).

UPC: 196288209157. 9.0x12.0x0.164 inches.

Prokofiev's Piano Sonatas 6�??8 are often referred to as �??war sonatas�?�, since they were composed in Russia during World War II during times of great hardship. As the shortest of the three, no. 7 is entirely focused on the essentials, and is certainly Prokofiev's most famous piano sonata. Anyone who has heard it will not forget the hasty first movement, marked �??Allegro inquieto�?�, the cantabile theme of the second movement and the relentless pull of the machine-like, thudding finale. The Sonata appeared in print in 1943 and that same year received the Stalin Prize (second category), including prize-money of 50,000 rubles, which was welcomed with great joy in the Prokofiev household. You can also derive joy from Prokofiev's Seventh Sonata, here critically edited on the basis of all the sources, and produced using Henle's legendary music engraving. A preface by the world's most prominent Prokofiev researcher, Simon Morrison, rounds off the edition.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work�
• Critical Commentary in 1 ? 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions�
• most beautiful music engraving�
• page-turns, fold-out pages, and cues where you need them�
• excellent print quality and binding�
• largest Urtext catalogue world-wide�
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Paperbound Piano (Piano solo) - L7, L8

SKU: HL.51480886

Piano. Composed by Frederic Chopin. Edited by Norbert Mü and llemann. Arranged by Hans-Martin Theopold. Sheet Music. Paperbound. Henle Music Folios. Revised edition of HN 279. Detailed critical commentary available for download free-of-charge. Classical. Softcover. 128 pages. G. Henle #HN886. Published by G. Henle (HL.51480886).

ISBN 9790201808864. UPC: 888680924942. 9.25x12.25x0.399 inches.

Frédéric Chopin's 4 Scherzi are high points in the Romantic piano repertoire. Chopin here takes a traditional genre and fills it with radically new content. They are wild, demonic in tone, and there is little about them that is joke-like, despite the original meaning of their title. Referring to the 1st Scherzo, Robert Schumann asked: “how should seriousness be attired, when even a 'joke' is veiled in black?” Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants” and on all the textual problems they raise. This is Chopin in top form!

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Clothbound Score Piano Perahia Edition Clothbound. Composed by Ludwig van Beethoven (1770-1827). Edited by Murray Perahia and Norbert Gertsch. Henle Music Folios. Classical. Hardcover. G. Henle #HN833. Published by G. Henle

Piano (PIANO SOLO)

SKU: HL.51481206

Piano Solo. Composed by Sergei Rachmaninoff. Edited by Norbert Gertsch. Henle Music Folios. Classical. Softcover. G. Henle #HN1206. Published by G. Henle (HL.51481206).

UPC: 888680012991. 9.0x12.0x0.147 inches.

Rachmaninof f wrote his well-known piano cycle in 1931, at a time when his great works for piano solo and the piano concertos had already made him very famous. Yet it is by no means the “work of an old man”. The composer’s variations on the theme “La folia” (taken from a sonata by Corelli) are like a series of fireworks on the piano. He once drily said to a friend, “All this mad running about is necessary in order to efface the theme”. Did Rachmaninoff succeed in silencing “la folia” – i.e. the “madness”? Why not seefor yourself!

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano - Level 4

SKU: BA.BA10889

Composed by Franz Schubert. Edited by Walburga Litschauer. This edition: urtext edition. Paperback. Performance score, anthology. Baerenreiter Verlag #BA10889. Published by Baerenreiter Verlag (BA.BA10889).

ISBN 9790006577415. 31 x 24.3 cm inches.

Schubert�?? s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life.

All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents.

A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website.

The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price!

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano (Piano solo) - x, x, x

SKU: HL.51481282

Piano. Composed by Edvard Grieg. Edited by Einar Steen-Nö, kleberg, Ernst-Gü, and nter Heinemann. Sheet Music. Paperbound. Henle Music Folios. Classical. Softcover. 32 pages. G. Henle #HN1282. Published by G. Henle (HL.51481282).

ISBN 9790201812823. UPC: 888680745288. 9.0x12.0x0.111 inches.

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. For his Norwegian Dancesop. 35, presented here in an Urtext edition, Grieg took old folk tunes from a collection published by the musician and researcher Ludvig Mathias Lindeman and arranged them for piano four hands in 1880. A few years later, Grieg also made the two-hand version presented here. For this Henle Urtext edition, all the extant autographs in the Grieg Archive in Bergen, Norway were consulted alongwith the contemporary first editions. The co-editor here is the Norwegian pianist and Grieg specialist Einar Steen-Nøkleberg, who is also responsible for the fingerings.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano - Level 2

SKU: BA.BA11565

Composed by Leopold Kozeluch. Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Baerenreiter Verlag #BA11565_00. Published by Baerenreiter Verlag (BA.BA11565).

ISBN 9790260109100. 31 x 24.3 cm inches. Preface: Hogwood, Christopher / Mark, Ryan.

Leopold Koželuch (also Koželuh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher.

Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Bärenreiter – namely the easiest, as this album is specifically aimed at beginner and moderately advanced pianists. The edition includes Piano Sonatas No. 37 in G major, No. 47 in E-flat major, No. 7 in D major, No. 46 in C major, No. 10 in F major and No. 14 in G major, inviting pianists to explore the piano music of the Viennese Classic.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano - Level 3

SKU: BA.BA10811

Composed by Erik Satie. Edited by Jens Rosteck. This edition: urtext edition. Stapled. Barenreiter Urtext. Notes on Performance Practice by Steffen Schleiermacher. Performance score. Baerenreiter Verlag #BA10811_00. Published by Baerenreiter Verlag (BA.BA10811).

ISBN 9790006521067. 31 x 24.3 cm inches. Language: German/English. Preface: Jens Rosteck.

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title “Embryons desschs” (Desiccated Embryos).
The notation without barlines, the ‘stories’ beneath the music and the spoofsof well-known pieces of music, most strikingly the Funeral March from Chopin’s Piano “Sonata in B-flat minor”, make the work a barrel of musical fun.

This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword.
The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano (Piano solo) - x, x

SKU: HL.51481156

Piano. Composed by Claude Debussy. Edited by Ernst-Gü and nter Heinemann. Sheet Music. Paperbound. Henle Music Folios. Single edition from HN 404. Classical, Romantic Period. Softcover. 12 pages. G. Henle #HN1156. Published by G. Henle (HL.51481156).

ISBN 9790201811567. UPC: 888680749705. 9.25x12.25x0.07 inches.

In his youth, when still searching for his own personal style, Debussy composed a series of short, stand-alone piano pieces. He took traditional genres such as the ballade, mazurka, nocturne and waltz, but in general used each of them just once, as if trying them out. One such was the “Valse romantique”, published by Choudens of Paris in 1891 and thus written at the same time as his famous piano works “Two Arabesques” and the “Suite bergamasque”. This charming waltz is of moderate difficulty and thus ideal either as a pedagogical piece or for concert performance. Our collected volume “Debussy: Piano Pieces” (HN 404) offers numerous other short piano pieces of modest difficulty for those who find that this practical, stand-alone edition awakens in them a desire for more.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano (Piano Solo)

SKU: HL.51481614

Piano Solo. Composed by Arnold Schönberg. Edited by Ulrich Krä and mer. Henle Music Folios. Classical. Softcover. 47 pages. G. Henle #HN1614. Published by G. Henle (HL.51481614).

UPC: 196288206934. 9.0x12.0x0.16 inches.

The Five Piano Pieces op. 23 are a transitional work in which Schönberg made the decisive step from free atonal music to composition based on tone rows, which however did not yet necessarily have to contain all twelve chromatic tones. Begun in 1920 as a contribution to a memorial album for Debussy, the cycle was completed – now as an independent work – only in 1923. The most famous piece in it is certainly no. 5, “Waltz”, an ironic playing with genre traditions that at the same time is a swift-moving piece of music! Our editor, Ulrich Krämer, is one of the most distinguished Schönberg scholars, while the fingerings are provided by specialist Shai Wosner. The clear and neatly set score is an ideal basis on which to explore this fascinating piano universe.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano

SKU: BA.BA11854

Premier livre. Composed by Camille Saint-Saens. Edited by Catherine Massip. This edition: urtext edition. Stapled. Performance score. Opus 52. Baerenreiter Verlag #BA11854. Published by Baerenreiter Verlag (BA.BA11854).

ISBN 9790006576067. 31 x 24.3 cm inches.

One of Saint-Saëns' mature works, the Six �?tudes pour piano op. 52, appeared in 1877 around the same time as his opera Samson et Dalila. The second etude of the cycle was originally written in 1868 for the �??�?cole du pianiste�?�, the French edition of the piano method by Lebert and Stark. With his collection, the composer who had embarked on a compilation of piano etudes for the first time, evidently wanted to deliberately? distinguish the cycle from the character of the brilliant concert etude: Each of the etudes is devoted to one or more specific difficulties or compositional techniques, as in the fugues. He assigned the individual pieces to famous virtuosos of his time, such as Anton or Nikolai Rubinstein or Marie Jaëll.

The new Urtext editions are based on the ground-breaking musical text of the �?uvres instrumentales complètes by Camille Saint-Saëns, for which the editor has meticulously evaluated all known sources. A detailed Foreword provides information on the genesis and significance of the etudes. Readings and variants are precisely documented in the Critical Commentary (Eng). Notes on interpretation (Fr/Eng/Ger) as well as an elegant music engraving provide the pianist with optimal conditions for studying these virtuosic etudes.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano (Piano Solo)

SKU: HL.51481581

Piano Solo. Composed by Sergei Prokofiev. Edited by Fabian Czolbe. Henle Music Folios. Classical. Softcover. 22 pages. G. Henle #HN1581. Published by G. Henle (HL.51481581).

UPC: 196288206972. 9.25x12.0x0.097 inches.

The toccata genre has undergone great change since Bach’s time. Originally denoting works of recitative or improvisatory character, since the 19th century the emphasis has been on a continuous pulsating rhythm. In Prokofiev’s masterpiece, composed in 1912, this rhythm grows into a hammering motoric drive that dispenses with developed themes or motifs. That which seems fascinating and enthralling to us today came as a shock to the critics of that time. But there were also proponents such as Prokofiev's friend Nikolai Myaskovsky, who wrote of the Toccata: “It is a fiendishly clever thing, edgy, energetic and full of personality”. Besides the printed editions that appeared during Prokofiev's lifetime we also had the autograph at our disposal for this Urtext edition. Yulianna Avdeeva, a master of virtuoso piano music, has been responsible for the fingerings.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano (Piano Solo)

SKU: HL.51481178

Piano Solo. Composed by Arnold Schönberg. Edited by Marte Auer, Norbert M�, Ullrich Scheideler, Ulrich Kr�, llemann, and mer. Henle Music Folios. Classical. Softcover. 178 pages. G. Henle #HN1178. Published by G. Henle (HL.51481178).

UPC: 196288207252. 9.0x12.0x0.543 inches.

This volume brings together Schönberg�?s complete works for piano solo, and thereby presents a wide span from the free atonal pieces of op. 11 to the aphoristic op. 19, the fascinating tone-row experiments of op. 23 to the dodecaphonically conceived works op. 25, 33a and 33b. Additionally, in the appendix, three pieces from 1894 by the twenty-year-old composer provide an astonishing insight into the late-romantic roots of the modern Schönberg. His compositional development can be easily traced in this edition, which incorporates all kinds of milestones of classical modernism alongside thrilling, trailblazing music. Anyone wanting to engage with Schönberg's piano works should not miss this compendium!

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work�
• Critical Commentary in 1 ? 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions�
• most beautiful music engraving�
• page-turns, fold-out pages, and cues where you need them�
• excellent print quality and binding�
• largest Urtext catalogue world-wide�
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano (Piano solo) - L6

SKU: HL.51481203

Piano. Composed by Ludwig van Beethoven. Edited by Murray Perahia and Norbert Gertsch. Arranged by Murray Perahia. Sheet Music. Paperbound. Henle Music Folios. Revised edition of HN 183. Classical. Softcover. 26 pages. G. Henle #HN1203. Published by G. Henle (HL.51481203).

ISBN 9790201812038. UPC: 888680749965. 9.25x12.25x0.121 inches. Fing. Murray Perahia.

Beethoven' s three piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signalling to the musical world the special importance that he assigned to them. He wrote them during his first years in Vienna and, along with his op. 1 piano trios, they helped to establish his reputation as one of the most significant composers of his time. These three sonatas - all of them small masterpieces - are arranged in ascending order of difficulty and virtuosity. The four-movement Sonata in f minor is often called the “Little Appassionata” because it shares with the famous Sonata op. 57 not just its key, but also its impassioned mood - especially in the last movement. Murray Perahia's fingerings have been tried and tested over several decades of performing these works, and offer a new approach to these milestones of the piano repertoire. Replaces HN183.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Piano (P+KRB)

SKU: HL.49042462

No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462).

ISBN 9783795794637. German - English.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.