Par AEBERSOLD JAMEY. Note-for-note piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. INCLUDES: Misty, What’s New, Teach Me Tonight, Body And Soul, Alone Together, That’s All, Time After Time and more! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'whats he doing there?' Now youll know! Here, as never before, is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions, exactly asrecorded, of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists, there are many ways for ALL MUSICIANS to use these wonderful musical tools: Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, readingfrom the book, play along with him, imitating his style. Finally, TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, youll soon be improvising yourown accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings theyve heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianistcan play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings andvoice movement and provide you with better skills for accompanying your students. Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty, What’s New, Teach Me Tonight, Body And Soul, Alone Together, That’s All, Time After Time and more! Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here, as never before, is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions, exactly as recorded, of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists, there are many ways for all musicians to use these wonderful musical tools: Pianists: First, listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you'll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students. / Niveau : Débutant / Méthode en anglais / Méthode / Piano ou Clavier

100 pop and classical standards that every piano player should master, including: Air on the G String · Bridge over Troubled Water · Canon in D · Clair de Lune · Fields of Gold · Fur Elise · I Dreamed a Dream · I Will Always Love You · Imagine · Lullaby of Birdland · Memory · Misty · Moon River · On My Own · Over the Rainbow · The Shadow of Your Smile · Smile · Stardust · Summertime · Sunrise, Sunset · Time After Time · Unexpected Song · The Way You Look Tonight · We\'ve Only Just Begun · What a Wonderful World · Yesterday · You Raise Me Up · Your Song · and more! / Piano

Par WEDGWOOD PAM. Alarm clocks, barking dogs, telephones, meethings and rush hour... the hustle and bustle of life. What better way to relax than to sit down at the Piano, chill out and indulge yourself with music from Pam Wedgwood's After Hours ? With a variety of exquisite pieces in tranquil styles, this collection of beautiful fantasies for the more advanced player (grades 6-8) provides the perfect antidote to stress. / Niveau : 6-8 / Recueil / Piano

57 of the Most Popular Love Songs of All Time. This comprehensive collection of love songs includes selections by the finest composers and songwriters from the worlds of movies, pop, Broadway and jazz. The titles also span more than 80 years with hits from the 1920s all the way through 2007. This collection includes chord symbols and lyrics, and most of the pieces are in vocal ranges appropriate for singing along. The 57 titles include: Almost Like Being in Love * Angel Eyes * As Time Goes By * At Last * Beautiful (As You) * Beauty and the Beast * Because You Loved Me * Can You Feel the Love Tonight * Can You Read My Mind' * Dream a Little Dream of Me * Embraceable You * Emily * Endless Love * Five Foot Two, Eyes of Blue * The Gift * Hero * How Could I Ever Know' * How Deep Is Your Love * How Do I Live * I Believe In You and Me * I Could Write a Book * I Don't Want To Miss A Thing * I Get a Kick Out of You * I Only Have Eyes for You * I've Got You Under My Skin * I've Grown Accustomed to Her Face * Killing Me Softly With His Song * Kiss The Girl * Laura * Let's Do It (Let's Fall in Love) * Love Is a Many Splendored Thing * Love is Here to Stay * Misty * My Funny Valentine * Reflection * Send in the Clowns * Somewhere, My Love * Take My Breath Away * Taking a Chance on Love * Teach Me Tonight * The Morning After * The Rose * Theme from Ice Castles (Through the Eyes of Love) * This I Promise You * This Kiss * This Magic Moment * Three Coins in the Fountain * Up Where We Belong * Wedding Song (There is Love) * When A Man Loves a Woman * When I Fall in Love * Wind Beneath My Wings * You Light Up My Life * You Raise Me Up * You'll Be In My Heart * You'll Never Know * (Your Love Has Lifted Me) Higher and Higher. 144 pages. / Instrumental Music, Miscellaneous, Piano Music, So / Recueil / Piano

Par LOCKHART ROBERT. From the hit ITV series - 'Grafters' staring Robson Green and Stephen Tompkinson as Trevor and Joe Purvis - comes the TV theme for piano by Robert Lockhart./ Feuillet / Piano, Chant et Guitare

Par VAN NUETEN GUY. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten. Contact by Guy Van Nueten originated from the feeling of being abandoned, such as a person who treks through a barren desert following a great disaster and asks himself if there's any point in carrying on when every day brings just more of the same - still more desert. I suspect that each of us has such a desert within himself, but that it depends on circumstances whether or not we choose to make the journey through it. Contact lays out a path that we can share. This music seems especially romantic to me, in the sense that the sounds have much to say about loneliness. There are moments where this album emphasises its own seriousness, then immediately afterwards invites us todance. Contact sticks out a hand, sometimes two, mostly to show the internal process of the composer - firstly the lack of fire and the abandoned longing for this, followed by the bewilderment that there is something that is still smouldering and that can be fanned into a blazing forest fire to burn away all the pain of desolation. For this reason it is also moving music - because it wants the recognition of the listener, wants us to feel our own desolation while the piano explores further depths and heights. At times a composition is almost carelessly abandoned and another one begun. Whoever looks closely at feelings and is honest with himself and the world is always a little cruel. But finally there is an end to that desert - he sees an oasis and also a beautiful hotel. Upon entering, he sees no-one, not even at the desk, but the reigning play of light and colour is of an otherworldly power. Maybe no other people are needed here and the beauty that prevails is enough. Then sounds of music arise and some people move across to the immense hall where a wing has been set up, behind which a man is sitting, his fingers moving across the keyboard. And only one thing is real: after desolation comes comfort. That person is you and that person is me. And that music is called Contact, directly from the soul of Van Nueten./ Répertoire / Piano

June Armstrong's Enchanting World contains 30 pieces for solo Piano, inspired by A. A. Milne's classic children's character Winnie the Pooh.This book provides a unique, affectionate tribute to some of the most endearing and enduring children's stories ever written. Enter a world of warm and sunny afternoons bathed in the gentle sounds of the forest, and relive the adventures of some of the most humorous and lovable characters ever created.Enchanting World is suitable for players at a grade 1-3 standard. / Piano

Par BEETHOVEN LUDWIG VAN. After attending the premiere of Beethoven?s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that! Working with all known sources, Del Mar finally presents us with Beethoven?s solo piano articulation and dynamics and Beethoven?s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven?s Solo and Tutti markings. All in all, a groundbreaking scholarly critical edition; a ?must? for every pianist, every orchestra and every music library. The piano reduction will be presented in a new format: As customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted ? as with string and wind concertos ? in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print. / Date parution : 2022-02-25/ Répertoire / Piano

Par . Progressive Piano Repertoire, Volume Two is a collection of early-intermediate level piano pieces from the 18th to the 21st centuries arranged in order of difficulty. It is appropriate for any age student and may be used independently, or as a supplement to any piano method. It is specifically designed to be studied after Progressive Piano Repertoire (GP480). After completing Volume Two, students will be prepared for Level Four of Keith Snell?s Piano Repertoire (Baroque and Classical, Romantic and 20th Century) or his Essential Piano Repertoire series. / Date parution : 2022-11-08/ Recueil / Piano

Par SIBELIUS JEAN. The Piano runs through Jean Sibelius's oeuvre like a red thread. After some first student pieces, he composed the Sonata op. 12 (EB 8142) in 1893, and his first cycle of Piano pieces, the Six Impromptus op. 5. Here the Finnish composer self-assuredly takes up a great romantic genre significantly shaped by Schubert and Chopin. Sibelius draws inspiration from some of his own early works in this composition, yet he also uses the last two pieces from opus 5 as the groundwork for an autonomous 'Impromptu' for string orchestra which he put together shortly after completing the Piano pieces. 'You must judge me on the basis of my orchestral works. The Piano does not interest me. Itcannot sing, ' said Sibelius. Yet how seriously can we take this famous quote when considering how masterfully he crossed the boundaries with his Impromptus' Pianists such as Ralf Gothoni, Glenn Gould and Olli Mustonen have not let themselves be deterred by the composer's harsh self-criticism, and, with their interpretations, have provided compelling proof of the opposite./ Répertoire / Piano

Irène (Eneri) Gorainoff was born as Irene Biriukov on 15th November 1897 in Ostrogoschk. Her parents were an officer Biriukov and Maria Bronikowsky (1874-1928). After a short marriage the mother married Alexei Gorainoff (1872-1935), who adopted the little Irène. At the age of twelve years Irène Gorainoff was a well known pianist. She also composed and had already written over eighty works, when publisher Julius Heinrich Zimmermann signed on some of her works in 1910. In the same year she was allowed to record piano rolls on the famous Welte-Mignon reproducing piano. On 17th May 1916 she married Sergei Mikhailovich Sukhotin (1887-1926) in St. Petersburg. He was an army officer in the regiment Preobrazhensky. In December of the same year her husband became one of the murderers of Russian itinerant preacher and con­fidant of the Empress: Rasputin. After his death, Irène emigrated to France. In 1946, she married again in Sainte-Geneviève-des-Bois the Russian Paul Petrovich Borovsky (1892-1955). Irène Gorainoff died on 23 January 1980 in Paris. / Piano

Par SUKOVA OTILIE. Otilie Suková was the daughter of Antonín Dvorák and the wife of Josef Suk. A gifted musician, she played the piano and wrote several compositions of her own, inspired by her musical surroundings. Four of her piano pieces have survived - Suk wrote them down after his wife's performance. 'Lullaby”, 'Humoresque” and 'Joey on the Horsie” were published four years after her death as a supplement to the periodical Zlatá Praha. 'To Dear Daddy” appears here for the first time in print. It is based on two manuscripts - the first is Suk's manuscript, the second is Otilie's clean copy of Suk's manuscript./ Répertoire / Piano

Par PIERNE. Written by Gabriel Pierné, Op. 3, No. 12 Cache-Cache is the twelfth of a set of fifteen pieces for Piano. It was composed in 1883 and is ideal for intermediate players. This lovely piece holds the name of the children's game “Hide & Seek”. Within the piece and after the introduction, right and left hands alternate the use of semiquavers going up and down continuously, the other hand playing mainly chords In the series, this work is preceeded by two other pieces named after children's games and comes before a waltz in A. Gabriel Pierné was a French composer and conductor, who mainly wrote some chamber music and somelyrical symphonies./ Répertoire / Piano