Composed by Allan Alexander. Spiral bound. Celtic/Piano Instruction. Book and Downloadable audio. Duration 70 minutes. Published by ADG Productions

Piano Solo

SKU: BU.EBR-673

By Nathalie Ballarini. By Nathalie Ballarini. In Edit. L'album `Piano Zen Vol.1` est inclus dans cette partition. Score and CD. Editions Bourges #EBR-673. Published by Editions Bourges (BU.EBR-673).

ISBN 9790560153919. 8.58 x 12.48 inches.

Depuis son plus jeune âge, Nathalie Ballarini s'initie au piano.
Grâce à la formation qu'elle obtient à la Berklee College of music aux Etats-Unis, elle compose aujourd’hui pour piano et orchestre sur des musiques dédiées à des productions audio-visuelles.
Citon s le film ` Post-Scriptum` de Philippe Sisbanne (diffusion Canal ).
Très éclectique et passionnée, elle collabore également à de nombreux projets allant du tango au monde de l’enfance.

En 2009, elle présente son premier album `Piano Zen Volume 1` dont est extrait cette pièce.

By John Robert Poe. For Piano. Composers in Focus. Wonderful pieces are written in a variety of styles and moods using varied tempi, range, and meters. Contents include: A Wacky Woodpecker; A Gallant Glyptodon; An Apprehensive Aardvark; A Flippant Flea; A Worried Weasel; An Elegant Egret; A Capricious Kangaroo; and a word search. Animals and Nature. Level: Late Elementary/Early Intermediate. Book. Published by The FJH Music Company, Inc.

Arranged by Allan Small. For Piano. Piano Collection. Masterwork. Level: Intermediate (grade 4/5). Book. 64 pages. Published by Alfred Publishing.

Piano

SKU: SU.26180060

For Piano. Composed by William Mc Clelland. Keyboard, Piano/Harpsichord. Score. Subito Music Corporation #26180060. Published by Subito Music Corporation (SU.26180060).

These five short pieces for solo piano were inspired by five different poems. 1. June-bug Serenade by E.E Cumming's poem spring omnipotent goddess thou dost. 2. Shadow No More by James Wright's The Shadow and the Real. 3. Demon Cloud by Edgar Allan Poe's Alone. 4. A Trace by Joseph Brodsky's Seven Strophes. 5. The Jolly Mortals by Robert Burns's See the smoking bowl before us. Five for Piano is dedicated to the memory of pianist Rowland Sturges (1917-2007), my teacher and friend, and the work's premiere performance was given by pianist Blair McMillen. Piano Duration: 10' Composed: 2006 Published by: WMC Music.

Arranged by Allan Small. Collection for easy solo piano. 64 pages. Published by Alfred Publishing.

Arranged by Allan Small. For Piano. Piano Collection. Masterwork. Level: Intermediate (grade 4/5). Book. 112 pages. Published by Alfred Publishing.

By Claude Debussy. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Late Intermediate (grade 6). Sheet. 4 pages. Published by Alfred Publishing.

By Claude Debussy. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Late Elementary (grade 2). Sheet. 4 pages. Published by Alfred Publishing.

Hanon -- The Virtuoso Pianist, Book 1 by Charles-Louis Hanon. Edited by Allan Small. For Piano. Masterworks; Piano Collection. Alfred Masterwork Edition. Masterwork; Romantic. Intermediate. Book. 24 pages. Published by Alfred Music Publishing

By Wolfgang Amadeus Mozart. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.

Composed by Charles-Louis Hanon, edited by Allan Small. For piano. Smythe-sewn binding. Format: piano studies book. With standard notation, fingerings and introductory text. Studies and Classical. Series: Alfred Masterworks Editions. 127 pages. 9x12 inches. Published by Alfred Publishing.

Arranged by Allan Small. For Piano. Piano Collection. Level: Late Elementary (grade 2). Book. 112 pages. Published by Alfred Publishing.

By Sergei Rachmaninoff. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.

(for the Piano) Music by Charles-Louis Hanon, edited by Allan Small, Morton Manus. For piano. Format: piano studies book. With standard notation, fingerings and introductory text. Studies. Series: Alfred Masterwork Editions. 48 pages. 9x12 inches. Published by Alfred Publishing.

By Edvard Grieg. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Early Intermediate (grade 3). Sheet. 4 pages. Published by Alfred Publishing.

Arranged by Allan Small. For Piano. Piano Collection. Level: Late Elementary / Early Intermediate (grade 2/3). Book. 24 pages. Published by Alfred Publishing.

By Frederic Chopin. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Early Intermediate (grade 3). Sheet. 4 pages. Published by Alfred Publishing.

By Richard Wagner. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork; Wedding. Sheet. 4 pages. Published by Alfred Publishing.
Level: Intermediate (grade 4/5).

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

By George M. Cohan. Arranged by Allan Small. For Piano. Piano Solo. Patriotic. Level: Early Intermediate (grade 3). Sheet. 4 pages. Published by Alfred Publishing.

Arranged by Allan Small. Songbook for easy solo piano. Series: Supplemental Piano Books. Published by Alfred Publishing.

By Claude Debussy. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.

By Frederic Chopin. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.

By Peter Ilyich Tchaikovsky. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Late Intermediate (grade 6). Sheet. 4 pages. Published by Alfred Publishing.

By Allan Small. Keyboard. Level: Intermediate (4/5). Published by Alfred Publishing.

By Richard Wagner. Arranged by Allan Small. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Sheet. 4 pages. Published by Alfred Publishing.
Level: Late Intermediate (grade 6).