Par SUZUKI SHINICHI. The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by Bartok (noted below), and the Bach 'Minuet in G Minor' (from J. S. Bach's Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Piano

L'édition définitive (1987) de piano enseignement classique. Comprend une introduction par le fils du compositeur Peter Bartók. En 1945 Bela Bartok décrit le ' Mikrokosmos ' comme un cycle de 153 pièces pour piano écrite pour fins de ' didactiques ', voyant comme un ser / Piano / Partition

Urtext BB 69. Par BARTOK BELA. Bartók a composé la Sonatina pour piano solo au cours de son \'année roumaine\' en 1915, année au cours de laquelle il a également composé la collection de danses folkloriques roumaines et les chants de Noël roumains. Dans cette pièce pour piano relativement courte (de trois à quatre minutes), le compositeur a utilisé de la musique folklorique instrumentale glanée en Transylvanie. Dans le premier mouvement, Bartók fait apparaître deux cornemuses et, dans le second, un violoniste jouant pour une danse d\'ours. La première édition de la Sonatina a été publiée par Rózsavölgyi en 1919, et le compositeur a créé l\'?uvre en 1920 à Pozsony (Bratislava). Cette impression indépendante est basée sur le volume 38 de l\'édition critique complète de Bartók publiée en 2019, dans laquelle Henle Verlag de Munich et Editio Musica Budapest ont publié les ?uvres pour piano composées entre 1914 et 1920. / Date parution : 2022-07-23/ Répertoire / Piano

Béla Bartók Complete Critical Edition Volume 38. Par BARTOK BELA. The third volume in the Complete Edition contains Bartók's works for piano solo composed between 1914 and 1920. Bartók's pianistic oeuvre from the years of World War I span a broadly varied spectrum; in addition to simple arrangements of folk music (15 Hungarian Peasant Songs, Sonatina) and original pieces for the concert podium (Suite, op. 14), we find Bartók's audaciously innovative Etudes (op. 18) inspired by Liszt, as well as Improvisations (op. 20), perhaps his most abstract and original folk music adaptations. The appendix of the volume reproduces movements originally intended for, but eventually discarded from, Suite and 15 Hungarian Peasant Songs, as well as all original sources for the folk-inspired pieces. The introductory essays in English, Hungarian, and German not only explore the genesis and reception of the works more thoroughly than ever before, but also orient the reader in issues of notation and performance. The critical commentary presents all manuscript and print sources of the works in detail (including folk music sources), it documents the compositional processes and surveys the range of textual variants and problems. / Somfai, László / Répertoire / Piano

Par BARTOK BELA. Eine Sammlung Von Bartók Persönlich Ausgewählter, Zwischen 1908 Und 1911 Geschriebener Stücke Für Klavier/ Répertoire / Piano

Par BARTOK BELA. These six dances form the final culmination of Bartók ’s “Mikrokosmos” (HN 1408-1410), that work of the century comprising over 150 pieces. He dedicated this grouping, collected under its own title, to the famous English pianist Harriet Cohen. Inspired, this specialist for contemporary music found in them “a whole world of music” and championed the pieces. Bartók himself added the dances to his concert repertory early on, though initially in a reduced form that omitted the fifth dance, which was not composed until the end of 1939 as one of the last works of the collection. Our practical, standalone Urtext edition of these six dances also featuresan early version of the concluding piece and supplies interesting background details about Bartók ’s own recital practice. This edition’s musical text is based on that of the Bartók Complete Edition. / Nakahara, Yusuke / Répertoire / Piano

Par BARTOK BELA. The editor has selected seventeen of the the forty-two pieces in the 1909 version of Béla Bartók?s seminal work, For Children, Volume One. These selections were chosen as a result of the editor?s teaching experiences with this music: pieces that are both pedagogically advantageous for the teacher, and the most enjoyed by students. Although Bartók?s intention was to write a set of pieces for young people, the charm and depth of these masterful works makes them equally appealing to students of all ages and levels. For Children has been played in concert and recorded by great pianists such as György Sándor, Zoltán Kocsis, Géza Anda, Menahem Pressler, and June de Toth. There is also a recording available on YouTube of Béla Bartók himself playing a selection of pieces from For Children in a 1945 radio broadcast. / Date parution : 2022-11-08/ Recueil / Piano

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.
In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.
The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Classique / Préface : Peter Bartok / Partition /

German Edition-Lang Lang Piano Academy: Mastering The Piano Level 4 enthält u.a. Kapitel zum Pedal-Legato Phrasierung und Rubato neuen Begleitfiguren und zum musikalischen Kontext.Lektionen:1. Haltung Bewegung Griff2. Pedal-Legato3. Neue Begleitfiguren4. Weitere Akkorde5. Weitere Rhythmen6. Musikalischer Kontext7. Phrasieren und Rubato8. GeläufigkeitEnthaltenes Repertoire:Kleine ?'bung aus Mikrokosmos (Bela Bartok) Blumen-Trommellied (Trad. aus China) Walzer (Lang Lang) Kleine Studie (Robert Schumann) Arirang (Trad. aus Korea) Gebet (Reinhold Gilere) ?'bung in F-Dur aus Das Rad des Fortschritts (Thomas Dunhill) Walzer (Johannes Brahms) Von fremden Ländern und Menschen (Robert Schumann) La petite reunion (Friedrich Burgmüller) Allegro Assai (Georg Benda) Morgengebet (Peter Iljitsch Tschaikowsky) Etüde in G-Dur (Carl Czerny) Sonatine (Dmitri Kabalewski) Let's Call The Whole Thing Off (George Gershwin and Ira Gershwin) Ballade (Friedrich Burgmüller) Wächterlied (Edvard Grieg) Sü?'e Träumerei (Peter Iljitsch Tschaikowsky) Der Dichter spricht (Robert Schumann) Alla Siciliana (Felix Gullmant) Andante (Carl Philipp Emanuel Bach) Etüde (Felix Le Couppey) Sonatine Nr. 3 (Muzio Clementi) Invention in F-Dur (Johann Sebastian Bach)Mastering The Piano ist die erste Reihe in fünf fortlaufenden Bänden aus der Lang Lang Piano Academy. Sie bietet einen faszinierenden Einblick in Lang Langs Leidenschaft Motivation und Meisterschaft auf dem Klavier und gibt Klavierschülern die einmalige Chance von diesem weltweit geschätzten Ausnahmetalent zu lernen. Jeder Band enthält:- Acht Lektionen in denen alle zentralen Aspekte des Klavierspiels behandelt warden- Speziell entwickelte ?'bungen für die

The definitive edition (1987) of the piano teaching classic. Includes an introduction by the composer's son Peter Bartók.

In 1945 Bela Bartok described 'Mikrokosmos' as a cycle of 153 pieces for piano written for 'didactic' purposes, seeing them as a series of pieces in many different styles, representing a small world, or as the 'world of the little ones, the children'. Stylistically Mikrokosmos reflects the influence of folk music on Bartók's life and the rhythms and harmonies employed create music that is as modern today as when the cycle was written.

The 153 pieces making up 'Mikrokosmos' are divided into six volumes arranged according to technical and musical difficulty. / Partition /

Two pieces for piano commissioned by Hungarian Radio on the occasion of the Bela Bartok celebration.

Liszt's first seven Hungarian Rhapsodies are arranged here for solo Piano as edited by Peter Raabe and assisted by Bela Bartok and Berthold Kellermann. Inlcudes an appendix of Candenzas for Hungarian Rhapsody No.2.

The 21 pieces in this collection represent some of the best miniature masterworks in piano literature. These pieces were carefully selected not only for their overall quality and musicality but because they advance very logically from the five-finger position pieces that preceded them in Pathways to Artistry: Masterworks Book 1. For maximum benefit students should work through the skills that are comprehensively presented in Pathways to Artistry: Technique Book 2. Titles: Alpine Dance (Heinrich Wohlfahrt) * Bouree (Felix Le Couppey) * The Cuckoo (Eduard Horak) * English Gigue (Samuel Arnold) * Etude in A Minor (Ludvig Schytte) * Hopak (Alexander Goedicke)* The King's Fanfare (William Duncombe) * Little Scherzo (Ludvig Schytte) * A Lovely Day (Daniel Gottlob Turk) * Melodic Etude Op. 108 No. 12 (Ludvig Schytte) * Minuet in F Major K. 2 (Wolfgang Amadeus Mozart) * Playful Dances (Jacob Schmitt) * A Pleasant Morning (Jean Louis Streabbog) * Quadrille (Franz Joseph Haydn) * Rain (Nicolai Lyubarski) * Royal Trumpet March (Jeremiah Clarke) * The Shepherd's Song (Nicolai Lyubarski) * Sonatina in C Major (William Duncombe) * Song from For Children (Bela Bartok) * Song without Words (Louis Kohler) * Trio (Anton Diabelli).

Volume contains standard works of the repertoire, and also works of composers rarely encountered within other collections. There are works from the baroque through the modern periods, and each piece is in its original form. / Piano Accompagnement