By Elizabeth W. Greenleaf. For Piano. Composers In Focus. Contents include: It's Circus Time!; Topsy-Turvy Tumblers; Waltz of the Wonderful Bears; Happy Jugglers; Acrobats Afloat; Clowning Around. Circus. Level: Early Elementary. Book. Published by The FJH Music Company, Inc.

By Elizabeth W. Greenleaf. For Piano. Composers In Focus. Contents include: Come See the Circus!; The Amazing Dog Act; The Lion and the Lion Tamer; Popcorn A-Plenty; Trapeze Tricks; Baby Elephant Blues. Circus. Level: Elementary. Book. Published by The FJH Music Company, Inc.

By Nancy Faber. For Piano. Achievement Solo Sheets. Circus. Level: Mid Elementary/Level 2A. Solo Sheet. Published by The FJH Music Company, Inc.

Piano - Level 1

SKU: LM.27102

Composed by Hans Gunter Heumann. Pop, jazz. Score. Editions Henry Lemoine #27102. Published by Editions Henry Lemoine (LM.27102).

ISBN 9790230971027.

TRAD ITIONNEL : Aura Lee - Down by the Riverside - Morning has Broken - Midnight Special - Scarborough Fair - FOSTER : Camptown Races - HEUMANN : Crazy about Ice-cream - Petite musique pop - Pop Circus - Popcorn juggler - Pop Fun - Pop Parade - Pop Piano Ballad - JOPLIN : Maple Leaf Rag TRADITIONNEL : Aura Lee - Down by the Riverside - Morning has Broken - Midnight Special - Scarborough Fair - FOSTER : Camptown Races - HEUMANN : Crazy about Ice-cream - Petite musique pop - Pop Circus - Popcorn juggler - Pop Fun - Pop Parade - Pop Piano Ballad - JOPLIN : Maple Leaf Rag.

Piano

SKU: FP.FSF02

Composed by Ferguson Smith. Published by Forsyths Publications (FP.FSF02).

ISBN 979-0-57050-276-9.

Ten descriptive pieces for piano. Suggested grade 2-3.

By Catherine Rollin. For Piano. Piano Collection. Level: Late Elementary (grade 2). Book. 24 pages. Published by Alfred Publishing.

Piano

SKU: VD.ED11320

A Tribute to Monty Python's Flying Circus. Composed by Ulrich Kallmeyer. Classical. Score. Composed 2010. 10 S. pages. Verlag Dohr #ED11320. Published by Verlag Dohr (VD.ED11320).

ISBN 9790202023204. 12 x 9 inches.

By Dennis Alexander. For Piano. Piano Solo; Sheet; Solo. Signature Series. Late Elementary. 4 pages. Published by Alfred Music Publishing

Hal Leonard Student Piano Library Late Elementary Showcase Solo. Educational Piano Library. Size 9x12 inches. 4 pages. Published by Hal Leonard.

By Denes Agay (Editor). For Piano. Published by Music Sales. Ideal for the young Pianist. Includes Birds in the Morning, Having Fun, Little March, Interplay, Parade of the Clowns, Here Comes the Circus, Monkey Dance and many more!

Later Elementary to Early Intermediate Duet / 1 Piano, 4 Hands. Composed by Carolyn Miller. Willis. Duet. Softcover. 8 pages. Published by Willis Music (HL.159718).

By David Karp. For Piano. Composers In Focus. These pieces for students of all ages are easy to learn, fun to practice, and exciting to perform. Contents include: Song of Spring; Gypsy Dance; Morning Prayer; A Mysterious Moment; Petite Ballade; Festival in Granada; Tropical Paradise; Walk and Talk Rag; Macy's Tune; Circus Frolics. Level: Late Elementary/Early Intermediate. Book. Published by The FJH Music Company, Inc

Late-Elementary Level Composer Showcase. By Mona Rejino. Educational Piano Library. Size 9x12 inches. 16 pages. Published by Hal Leonard.

By Christopher Goldston. For Piano. Composers in Focus. The wide variety of sounds and styles in Book 3 expands the range of the keyboard, while the accessible patterns make these pieces easy to learn and memorize. Students and teachers alike will find these solos as pleasing to the ear as they are fun to play. Contents include: Stomping Dance; Russian Circus; Open Seas; Dreamer's Waltz; Morning Mist; Mars Landing; Cotton Candy; Ragtag Rag. Level: Late Elementary / Early Intermediate. Book. Published by The FJH Music Company Inc.

By Christopher Goldston. For Piano. Written For You. Circus. Solo Sheet. Published by The FJH Music Company Inc.
Level: SMP Primer Level (Early Elementary); NFMC Level: Pre-Primary Class.

By Joaquin Turina. (Piano). Schott. Size 9x12 inches. 52 pages. Published by Schott.

By Manfred Schmitz. For Piano. Accompaniment. AMA Verlag. Pop. Level: Multiple Levels. Book. Size 9x12. 72 pages. Published by AMA Verlag.

Piano

SKU: BT.KME0906128PKA1ST

Composed by Christine Benoot. Book Only. Composed 2009. Kameleon Editions #KME0906128PKA1ST. Published by Kameleon Editions (BT.KME0906128PKA1ST).

ISBN 9789043140409. Dutch.

Het boek Joepiano bestaat uit twee helften die elkaar aanvullen. De eerste helft heeft een inleiding en vijf hoofdstukken. Inleiding: Aangename kennismaking, een kennismaking met het klavier. Je speelt hier eerst met de handenapart, aanvankelijk enkel in solsleutel, ook in de linkerhand. De rechterhand staat met de duim op de hoge do. Hoofdstuk 1: Spiegeltje aan de wand ... hier spelen de handen, wat dacht je, in spiegelbeeld. Hoofdstuk 2: Samen uit,samen thuis! omdat je nu met beide handen dezelfde noten speelt en dus dezelfde kant uit gaat. Je speelt dan wel met verschillende vingers! Hoofdstuk 3: De gebroken spiegel ... je gaat met beide handen verschillende noten (en metverschillende vingers) spelen! Hoofdstuk 4: Op verplaatsing spelen, steeds weer in een andere positie! Je leert de kruis en de mol, mineur en majeur. Hoofdstuk 5: Duim op reis, hier leer je een toonladder spelen. Het hele klavierligt nu voor je open! De tweede helft van Joepiano, Circus en Zoo, geeft onderdak aan een bont allegaartje van artiesten uit het circus en het dierenrijk. Ze nodigen je uit om in hun voetsporen te treden en zullen je verder inwijdenin de geheimen van de pianotechniek. Het is de bedoeling dat je beide helften tegelijk gebruikt. Je start aleen wat later met Circus en Zoo. Alleszins ná de inleiding en als je hand al een stabiele, mooie houding heeft op devijf toetsen na elkaar. Je leerkracht zal dat bepalen. Wat je leert in de ene helft wordt gebruikt en toegepast in de andere helft.

Early to Later Elementary Level. Composed by William L. Gillock. Willis. Softcover. 48 pages. Published by Willis Music (HL.200896).

Piano

SKU: HL.14043733

Rhapsody in Rock. Composed by Robert Wells. Music Sales America. Classical, Modern, Rock. Softcover Audio Online. Composed 2015. 96 pages. Wise Publications #AM1007831. Published by Wise Publications (HL.14043733).

ISBN 9781783053773. 9.0x12.0 inches. English.

Book with audio download card.

By David Carr Glover and Louise Garrow. For Piano. Piano - Glover Library. Book. 48 pages. Published by Alfred Publishing.

(10 Piano Solos Inspired by Great Works of Art). Composed by Catherine Rollin. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Museum Masterpieces. Early Intermediate; Intermediate. 28 pages. Published by Alfred Music

(Short Works for Piano, Vol. 1). Composed by Charles Ives (1874-1954). For Piano. Peermusic Classical. Softcover. Published by Peermusic

Piano

SKU: M7.VHR-3416

47 little piano pieces for beginners. Composed by Karin Gross. Score with online audio files. Score with online audio files. 52 pages. Holzschuh Musikverlag #VHR 3416. Published by Holzschuh Musikverlag (M7.VHR-3416).

ISBN 9783864340550.

The 47 pieces in this edition tell about footballers, circus artists and crazy pigs to soporific maths lessons and much else. Small is Beautiful! is a cheerful collection of the easiest piano pieces for children - designed to awaken the fun and joy of playing the piano. Delightfully tuneful and well thought out, these short compositions build on each other in terms of difficulty and are therefore an ideal supplement to piano lessons.

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.