Edited by Amy Appleby. For Piano Solo. America's All-Time Favorite. Romantic. Level: Intermediate. Sheet Music. 320 pages. Published by Music Sales

By Eric Steiner. For Piano. Piano - Steiner Method Supplement. Book. 16 pages. Published by Alfred Publishing.

Piano

SKU: HL.14047764

CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #STUML2612. Published by Carisch Edition (HL.14047764).

ISBN 9788850709809.

Book Four. By Various. Arranged by Eric Hollis. (Piano). Boosey and Hawkes Piano. Size 8.25x11.75 inches. 32 pages. Published by Boosey & Hawkes.

Piano - Level 2

SKU: LM.27281

Composed by Hans Gunter Heumann. Classical. Score. Editions Henry Lemoine #27281. Published by Editions Henry Lemoine (LM.27281).

ISBN 9790230972819.

TRAD ITIONNEL : Greensleeves - Joshua Fit the Battle Of Jericho - Nobody's Knows the Trouble I've Seen - AZNAVOUR / GALL : La Mamma - BARBELIVIEN / MEHDI : Mademoiselle chante le blues - BETTI / HORNEZ / SEELEN : C'est si bon - BOCCHERINI : Menuet - BRAHMS : Danse hongroise n. 7 - CHOPIN : Polonaise heroique - DELIBES : Valse lente (Coppelia) - DVORAK : Humoresque - GAINSBOURG : La Javanaise - HASSLER : Prelude varie - HEUMANN : Feelin' The Blues - That's Real Boogie - KARAS : Le Troisieme homme - LAI / SIGMAN : Love Story - LEGRAND / MARNAY : Les Moulins de mon coeur (L'Affaire Thomas Crown) - MANCINI : Baby Elephant Walk (Hatari) - PUCCINI : Nessun Dorma - REVAUX / FRANCOIS / THIBAUT / ANKA : My Way (Comme d'habitude) - ROSSINI : La Danza.

Composed by Various. Arranged by Melody Bober, Carolyn Miller, Eric Baumgartner, and Glenda Austin. Willis. Classical, Duet. Softcover. Duration 180 seconds. Published by Willis Music

A Progressive Piano Method for the Christian Student. Shawnee Sacred. Christian, Educational. Softcover. Published by Shawnee Press

The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo. Music Sales America. Classical. Softcover. 400 pages. Music Sales #AM967549. Published by Music Sales

Piano (Piano)

SKU: HL.14003446

Music Sales America. Tuition. Book [Softcover]. 16 pages. Chester Music #CH55663. Published by Chester Music (HL.14003446).

ISBN 9780711954489. 9.0x12.0x0.088 inches. English.

Repertoire pieces for the young beginner, easy tunes compiled by Carol Barratt. Contents: Double Basses * Gigue * I Got Shoes * Minuet in C * Moderato * Naomi's Number * Ober the Hills and Far Away * Strolling Sam * Superfrog * The Bagpipers * The C Major Scale * The Fox Jumped Over the Person's Gate * The G Major Scale * The Juniper Tree * Twins * Variations On 'Ah Vous Dirai-Je, Maman?' (Twinkle, Twinkle, Little Star) * What You Will.

27 nach Schwierigkeitsgraden geordnete Stucke meist aus den Klavierbuchern fur Anna Magdalena und Friedemann, dazu 6 kleine Praludien BWV 933-938. By Johann Sebastian Bach. Edited by Doflein, Erich. For Piano. Playing Score. Published by Baerenreiter-Ausgaben (German import).

Piano. By Erich Wolfgang Korngold. Schott. Size 9x12 inches. 23 pages. Published by Schott.

Arranged by Melody Bober And Bernadine Johnson. For Piano. The FJH Sacred Piano Library. Contents include: I Am a C; Hallelujah! What a Savior!; We Three Kings; If You're Happy and You Know It; Jesus in the Morning; This Is My Commandment; America, the Beautiful; The Doxology; Fishers of Men. Sacred. Level: Early Elementary. Book. Published by The FJH Music Company Inc.

... of all times. Composed by Various Artists. Music Sales America. Classical. Book Only. 110 pages. Wise Publications #MUSAM987943. Published by Wise Publications

Piano - Grade 3

SKU: HL.14031962

Arranged by T.C. Kelly. Music Sales America. Folk British Isles. Book Only. 20 pages. Ossian Publications #OMB50. Published by Ossian Publications (HL.14031962).

ISBN 9780946005109. UPC: 884088433673. 8.75x11.5x0.095 inches. English.

This is a wonderful collection of traditional Irish Airs arranged for Piano by T.C. Kelly. Five classic, recognisable and favourite tunes from the vast treasure chest of Irish folk music.

Chamber Music Piano

SKU: PR.110418370

Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370).

ISBN 9781491135075. UPC: 680160686247.

Compo sed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture.
Composed when Charles Ives was a teenager, Variations on “America” is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking” elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022.

Edited by Victoria Mcarthur. For Piano. Piano Solo. Intermediate level piece for the APFS (American Patriotic and Folk Song Event) event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Patriotic. Level: Intermediate. 12 pages. Published by Alfred Publishing. (20768)

(Book/USB Flash Drive Play-Along Pack). By Various. For C Instruments. Real Book Play-Along. USB Flash Drive. 462 pages. Published by Hal Leonard

Piano

SKU: M7.DOHR-17605

Composed by Franz Joseph Haydn. Sheet music. Single sheet. 16 pages. MDS (Music Distribution Services) #DOHR 17605. Published by MDS (Music Distribution Services) (M7.DOHR-17605).

ISBN 9790202036051.

Von der Existenz der sieben verschollenen Klaviersonaten Hob. XVI: 2a-e und g-h wissen wir lediglich durch Haydns Eintragungen ihrer Incipits im sogenannten Entwurf-Katalog. Entstanden sind die fraglichen sieben Sonaten nach derzeitigem Forschungsstand vermutlich in der Zeit zwischen 1766 und 1772. Die vom Haydn-Spezialisten Thomas Enselein erstellten Rekonstruktionen dieser sieben Sonaten sind sowohl in Einzelausgaben wie auch in einem Sammelband (E.D. 17600) erhältlich. Zur jeder Neufassung hat Enselein einen Werkstattbericht (deutsch/englisch) erstellt, in dem er sein Vorgehen bei der Rekonstruktion der einzelnen Sonate erläutert.

By Various. Music Sales America. Softcover. 128 pages. Chester Music #CH72138. Published by Chester Music

Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World. Softcover collection (spiral bound). With fingerings (does not include words to the songs). 240 pages. Music Sales #AM967440. Published by Music Sales

Piano

SKU: HL.14029516

Composed by Alexander Scriabin. Music Sales America. Classical. Book [Softcover]. Composed 2002. 4 pages. Chester Music #CH01991. Published by Chester Music (HL.14029516).

8.25x11.75x0.04 inches.

Alex ander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime, but remained virtually unheard-of in the West and was quicklyforgotten after his death. His best known works are his 5 symphonies, but he also wrote hundreds of Preludes and Etudes.

Etu de in C Sharp Minor was one of Scriabin's earliest published works, beingthe first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys, and at a similar level to the Etudes of Chopin. A perfect recital item forany pianist who wants to master a piece by an under-performed composer.

Arranged by Nancy Faber, Randall Faber. For Piano. PreTime to BigTime Piano Supplementary Library. These traditional, ever-popular melodies are presented in pianistic arrangements for the intermediate piano student. The pieces are in the keys of C, F, G, D, A minor, and D minor, and feature a variety of sounds. Contents include: Beautiful Dreamer; Bill Bailey, Won't You Please Come Home?; Cielito Lindo; Clair de Lune; Fanfare on America; Good Morning Blues; Halloween Sonatine; I Love a Piano; I'm Henery the Eight, I Am; Morning Has Broken; Oh! You Beautiful Doll; The Spy; Tarantella Italiana; Theme from the Moonlight Sonata. Favorites. Level: 4. Book. Published by The FJH Music Company, Inc.

Piano Solo (Piano)

SKU: HL.14011257

Music Sales America. 60 pages. Editions Musicales Francaises #EMF100038. Published by Editions Musicales Francaises (HL.14011257).

9.0x12.0x0.373 inches.

Methode de piano pour enfants du plus petit au plus grand. Une vrai methode de piano qui debute comme une histoire, pour les jeunes debutants. Un repertoire de chansons enfantines, classees par nivaux de difficultes, pour faire passer en douceur la progression technique. A vous de jouer...

Three Novelettes (for Piano). By Francis Poulenc (1899-1963). Edited by Millan Sachania. For Piano. Music Sales America. 20th Century, Classical. Softcover. 16 pages. Chester Music #CH61584. Published by Chester Music

Keyboard (Masterworks Book). Alfred's Masterwork Piano Library and Standard Collections. Level: Intermediate/Advanced (4/5/6/6 ). Published by Alfred Publishing.

Written by Nancy Faber, Randall Faber. For piano. Format: instructional book. With introductory text, instructional text, musical examples, illustrations and performance notes. Instructional. This level introduces cross-hand arpeggios and the full major scale in the keys of C, G, and F.. 55 pages. 9x12 inches. Published by FJH.