Piano - easy

SKU: BT.BOE8013

Von Olivia Rodrigo bis Indiana Jones. Arranged by Hans Gunter Heumann. Piano Gefällt Mir! TV-Film-Musical-Show. Book Only. Composed 2021. 92 pages. Bosworth & Co. #BOE8013. Published by Bosworth & Co. (BT.BOE8013).

ISBN 9783954562848. German.

Von Olivia Rodrigo bis Indiana Jones

Nach dem großen Erfolg der Serie piano gefällt mir! präsentiert Hans-Günter Heumann unter dem Motto Die leichte Art Klavier zu spielen“, den Nachfolger zur gleichnamigen Serie mit neuem Outfit. Das große Anliegen des Autors ist es, mit einfachen, aber dennoch gut klingenden Arrangements, die Spielstücke sehr leicht zugänglich zu machen. Der 1. Spielband von piano gefällt mir! light enthält 20 Chart- und Film-Hits und bietet ein unkompliziertes Spielvergnügen für Anfänger*innen und Wiedereinsteiger* innen. Die Titelliste umfasst eine große Auswahl an populären Charthits, wie Wellerman, My Head & My Heart (Ava Max), Good 4 U (Olivia Rodrigo), Girls Like Us (Zoe Wees), The Winner Takes It All (ABBA). Dazu kommen bekannte Filmmusiken, u.a. Raiders March aus Indiana Jones“ sowie Theme from Jurassic Park aus Jurassic Park“. Alle Songs sind pädagogisch aufbereitet und mit Tempoangaben, Fingersätzen, Akkordsymbolen und dem Text versehen.

A bumper collection of film themes. Great Piano Solos. TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM982795. Published by Wise Publications

40 Pieces without Octaves. Composed by Barbara Arens. Barbara Arens is playing Small Hand Piano on YouTube. Book. Breitkopf and Haertel #EB-8987. Published by Breitkopf and Haertel

40 Pieces Arranged for Solo Piano. Composed by Various. Piano Collection; Piano Supplemental. Faber Edition. Movie; TV. Book. Faber Music #12-0571540589. Published by Faber Music

Piano Solo and Guitar

SKU: HL.14011259

Music Sales America. 84 pages. Editions Musicales Francaises #EMF100958. Published by Editions Musicales Francaises (HL.14011259).

9.25x12.0x0.463 inches.

Debutants? Tous styles? Cette Methode est pour vous! Toutes les facettes du piano. Accords, arpeges, accompagnement, salsa, bossa, blues, reggae, funk, musique de film, etc. De nombreux exemples rhythmiques, clairs et simples, de vrais morceaux du repertoire francais et international. Un CD sur lequel figure chacun des morceaux de cet ouvrage... A vous de Jouer!

Piano

SKU: BT.MUSAM1000868

By Jenni Wheeler. By Glee Cast. TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM1000868. Published by Wise Publications (BT.MUSAM1000868).

ISBN 9781849385893.

This great songbook features a selection of the best music from Season 1 of the hit show Glee. Re-live all the great moments as a group of ragtag performers is transformed into a Show Choir Nationalscompetingteam.
Features time-proven classics as well as modern hits, including the Bill Withers soul classic, Lean On Me, My Life Would Suck Without You by Kelly Clarkson, Cyndi Lauper's hit, TrueColoursand the hit single, Don't Stop Believin', originally by Journey.

Piano and Guitar (Piano)

SKU: HL.14005413

Composed by Geoffrey Burgon. Music Sales America. TV-Film-Musical-Show. Book [Softcover]. Composed 1996. 24 pages. Chester Music #CH59402. Published by Chester Music (HL.14005413).

ISBN 9780711929784. UPC: 884088491079. 8.25x11.75x0.087 inches.

Some of the most memorable themes from the best-loved TV dramas have been written by Geoffrey Burgon. This book contains arrangements for piano of the best-known of Burgon's themes including Theme From Bleak House and Aslan's Theme from The Chronicles of Narnia.

Piano

SKU: HL.50600859

For Solo Piano. Composed by Huang Ruo. Piano. Classical. Softcover. Ricordi London #RICL292. Published by Ricordi London (HL.50600859).

Huang Ruo has been lauded by the New Yorker as one of the worlds leading young composers and by the New York Times for having a distinctive style. His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folk music, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls Dimensionalism. Huang Ruo's diverse compositional works span from orchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film.

10 Movie Selections. Arranged by Mark Hayes. Piano Solo Songbook. Movies. Softcover. Published by Hal Leonard

Arranged by Phillip Keveren. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Softcover. 56 pages. Published by Hal Leonard.

Piano - intermediate

SKU: BT.RICL00029200

For solo piano. Composed by Huang Ruo. Book Only. Ricordi #RICL00029200. Published by Ricordi (BT.RICL00029200).

English.

Huang Ruo has been lauded by the New Yorker as one of the worlds leading young composers and by the New York Times for having “a distinctive style.” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic, Western avant-garde, experimental, noise, natural and processed sound, rock, and jazz to create a seamless, organic integration using a compositional technique he calls “Dimensionalism.â� �� Huang Ruo’s diverse compositional works span fromorchestra, chamber music, opera, theater, and dance, to cross-genre, sound installation, multi-media, experimental improvisation, folk rock, and film.

Arranged by Mona Rejino. Educational Piano Library. Softcover. 40 pages. Published by Hal Leonard

(Includes music from the feature films: Romeo and Juliet, Hamlet and Henry V). Arranged by Richard Harris. For Piano. Book; Piano Collection; Piano Supplemental. Faber Edition. Intermediate. 32 pages. Published by Faber Music

Piano

SKU: HL.14004250

Composed by Lord Berners. Music Sales America. Classical. Book [Softcover]. Composed 2000. 64 pages. Chester Music #CH61765. Published by Chester Music (HL.14004250).

ISBN 9780711982949. 9.0x12.0x0.22 inches.

This volume reflects two aspects of Lord Berners' work. Firstly his solo piano pieces from the period of the First World War, and secondly the applied music for films, plays or ballets of his later years. His genuine gifts were immediately recognised by Stravinsky and Casella, although from 1934 moved towards writing and painting. The quality of his music makes him a colourful figure in British music.

The Best Songs and Themes from Classic Films. Arranged by David Glen Hatch. Book; Piano Collection; Piano Supplemental. Popular Performer Series. Movie. 44 pages. Published by Alfred Music

Piano - Level 3

SKU: BA.BA08772

Composed by Edgar Knecht. Stapled. Performance score, anthology. 43 pages. Baerenreiter Verlag #BA08772_00. Published by Baerenreiter Verlag (BA.BA08772).

ISBN 9790006502349. 30 x 23 cm inches. Language: German/English. Preface: Knecht, Edgar.

Edgar Knecht is a jazz pianist who has created his own unique style. His dbut CD, “Good Morning Lilofee” (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, “Dance On Deep Waters”, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.

All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as “Es freit der wilde Wassermann” or “Die Gedanken sind frei” gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.

All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.


Th e Author
Edgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues.

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Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.