Piano

SKU: HL.14048264

For Piano Solo. Composed by Joby Talbot. Music Sales America. Classical. Softcover. Composed 2016. 8 pages. Chester Music #CH85470. Published by Chester Music (HL.14048264).

8.0x11.75 inches.

Released in 2005, the album Once Around The Sun is the outcome of Joby Talbot's residency with Classic FM. During his year in residence, Talbot composed a new piece of music each month, scored for up to five instruments. The resulting twelve compositions were then premiered on Classic FM and were recorded on CD. October - Cerberusk was the tenth piece to be composed and is scored here for solo Piano.

Composed by Chick Corea. For piano. Format: instrumental solo songbook. With piano score, introductory text and performance notes. Jazz. 120 pages. 9x12 inches. Published by Hal Leonard.

Composed by Robert Schumann. Edited by Holger M. Stüwe. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Opus 19, 18. Baerenreiter Verlag #BA10865. Published by Baerenreiter Verlag

Piano

SKU: BR.EB-9082

Composed by Jorg Birkenkotter. Solo instruments; Softcover. Edition Breitkopf.

World premiere: Seoul (Pan Music Festival), October 8, 1991

Music post-1945; New music (post-2000). Score. Composed 1991. 22 pages. Duration 12'. Breitkopf and Haertel #EB 9082. Published by Breitkopf and Haertel (BR.EB-9082).

ISBN 9790004179567. 11.5 x 16.5 inches.

Jorg Birkenkotter im Gesprach mit Carolin Naujocks (DeutschlandRadio Berlin, Juli 1994) zum Klavierstuck Schwebung und Strenge: Das Stuck ist ziemlich gefahrlich ..., wenn man es nicht in einem ganz guten Raum hort, mit einer Akustik, in der man wirklich diese Nachhallsachen alle hort, dann kann man ganz schnell sagen, dass ist so traditionelle Wiener Schule-Musik ... Und wenn man dahinter hort, dann hort man eben schon, dass all diese traditionellen Klavier-Figurationen, die so an der Oberflache da sind, standig diese Nachhall-Welt auslosen. Und die ist dann eben doch eine andere, die dahinter ist. Aber es ist eben beides und es halt sich ... in Schach irgendwie. Zumindest am Anfang hort man ganz aufmerksam zu ... sonst hort man nur die virtuose Oberflache. ... Ich wollte nur auf den Tasten spielen: Also ganz normales, konventionelles Klavierspiel, das ist das eine. Und dann, was das auslost bzw. wo das aufgefangen wird ..., da fangt die Klangspielerei an, die vom traditionellen Klavierspiel wegfuhrt. Bezug zur Tradition ist riskant. Aber das macht ja auch nichts. Mir wurde es naturlich etwas ausmachen, wenn das umkippt zur falschen Seite, wenn es doch eben nicht die Ohren auf eine neue Art von Wahrnehmung richtet, was ich schon mochte. Ich will nur nicht die neue Wahrnehmung in irgend einer Wuste suchen, die es, glaube ich, auch gar nicht mehr gibt ... Ich glaube nicht, dass das ein vermittelnder Ansatz ist: Es geht von bestimmten Dingen aus und versucht dann, woanders hin zu kommen. Was soll ich vermitteln: Tradition und Avantgarde? Es ist eine ganz komische Sache: Ich habe Lust, ganz abseits von diesen Sachen etwas auszuprobieren, Sachen zu machen, die ich noch gar nicht gemacht habe, dass diese Sachen bis zu einem gewissen Grad ausgereizt sind. Das ist jetzt alles Spekulation: Da muss ich selbst abwarten, was mit mir passiert. CDs: Schwebung und Strenge Hwa-Kyung Yim (piano) CD col legno WWE 20055 Thomas Oesterdiekhoff (percussion), Hwa-Kyung Yim (piano) CD Cavalli Records CCD 247 Bibliography: Birkenkotter , Jorg: Schwebung und Strenge fur Klavier, in: Noten und Notizen, Mitteilungen der Hannoverschen Gesellschaft fur Neue Musik, Nr. 27 (Juli 2000), pp. 4-11.

World premiere: Seoul (Pan Music Festival), October 8, 1991.

Piano

SKU: BR.BG-1250

Composed by Norbert Linke. This edition: paperback. Solo instruments; Softcover. Edition Gerig. World premiere Lindau, October 15, 1970. Music post-1945. Score. Composed 1972. 12 pages. Duration 9'. Breitkopf and Haertel #BG 1250. Published by Breitkopf and Haertel (BR.BG-1250).

ISBN 9790004122389. 0 x 0 inches.

World premiere Lindau, October 15, 1970.

Piano

SKU: BR.EB-9078

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers

Music post-1945; New music (post-2000). Score. Composed 1990. 4 pages. Duration 3'. Breitkopf and Haertel #EB 9078. Published by Breitkopf and Haertel (BR.EB-9078).

ISBN 9790004179536. 9 x 12 inches.

In ,,Beds and Brackets gibt es ein Stuck im Stuck: Statement zu einem Faustschlag Nonos. Kurz vor seinem Tod war ich mit Nono zusammen in einer Kompositionswettbewerbs-J ury. Wahrend dieser Tage schlug er manchmal mit der Faust schwere, massige Rhythmen elementarster Proportion auf den Tisch. Vierfaches Forte. Diese Befreiungsschlage hafteten die ganze Zeit wahrend der Arbeit an Statement in meinem Gedachtnis. Sie waren ganz aus dem Nahbereich des Machens und Wahrnehmens geboren. Solcher Nahbereich menschlicher Sinnenwelt ist auch musikalisches Ausfuhrungs- und Hormodell des ubrigen Stuckes. Die jeweiligen Tone werden aus der 88-tastigen Klaviatur aufgrund von Bewegungsentwurfen abgerufen, deren Streckenmasse und Geschwindigkeiten, multipliziert mit den jeweils zu bewegenden Organ(gewicht)en, Ton und Harmonik charakterisieren. Der horizontale, zeitliche Verlauf des Stuckes verwirrt zeitweise die Nahbereichswahrnehmung durch Wiederholung. In der Partitur zeigen numerierte Klammern das jeweilige Notentextfragment an, das an einer anderen Stelle in den musikalischen Verlauf eingeschoben werden soll, und zwar so, als wurde es zum ersten Mal erklingen. Es geht also nicht um psychisch-dynamische Weiterspinnung, sondern um eine live simulierte Wiederholung von Vergangenem, als ware es gar nicht vergangen. Derartige horizontale Bewegungsentwurfe betonen an Wiederholung eher das Fremde, Sprengende, nicht das Zusammenhangschaffende. Gegen Ende argumentiert der korperliche Nahbereich, schlagt um in ,,Umgebung: Lauft da nicht ein Radio, ein Fernseher, ein Kuhlschrank? Geht da nicht ein Wind draussen? Fahrt nicht ein Auto? Spielen da nicht Kinder? Tonbander sind nur eine schwache Simulation! Im Optimalfall sollen Fenster und Turen des Konzertsaales geoffnet und wieder geschlossen werden. (Nicolaus A. Huber, 1990) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD col legno AU 31821 CD Koch Aulos 3-1817-2 Bibliography : Birkenkotter , Jorg: Keine Kleinigkeiten: ,,Bagatellen, ,,Shrugs, ,,Statement ... Kurze Stucke im Werk Nicolaus A. Hubers, in: Nicolaus A. Huber, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge 168/169), Munchen: edition text + kritik 2015, pp. 153-175. Schat , Peter W.: Didaktische Brucken. Ein Kommmentar zu Nicolaus A. Hubers Beds and Brackets, Musik & Bildung 5/1995, pp. 49-51.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers.

Ballet in 3 Acts Piano Reduction. By Dmitri Shostakovich. Piano. Size 9x12 inches. 227 pages. Published by DSCH.

Piano

SKU: BR.EB-3201

Composed by Jean Sibelius. This edition: paperback. Solo instruments; Softcover. Edition Breitkopf. Early modern; Late-romantic. Score. 8 pages. Breitkopf and Haertel #EB 3201. Published by Breitkopf and Haertel (BR.EB-3201).

ISBN 9790004161609. 9 x 12 inches.

Some of the Ten Piano Pieces op. 58 were already successfully performed during the composers lifetime. At a concert in the Solemnity Hall of Helsinki University on 10 October 1911, two of the pieces (Scherzino No. 2, Serenade No. 9) had to be repeated because of the roar of applause.. Both Sibelius and Mrs. Sigrid Sundgren-Schneevoigt were called forth with storming applause. The reviews were good, describing the pieces as the most ingenious piano compositions reduced to a small form, that have been published in Finland.

Chamber Music Piano

SKU: PR.110418270

Composed by Chen Yi. Sws. Performance Score. 8 pages. Duration 4 minutes. Theodore Presser Company #110-41827. Published by Theodore Presser Company (PR.110418270).

ISBN 9781491134160. UPC: 680160684267. 9 x 12 inches.

Chen Yi’s exquisite PLUM BLOSSOM is a fantasy on the Cantonese children’s song “Moonlight.” The evocative title is inspired by plum blossoms which in Chinese culture symbolize nobility, elegance, perseverance, independence, and faithfulness. The 4-minute work weaves all these traits into a set of variations. PLUM BLOSSOM was commissioned as a compulsory work for the 2019 Hong Kong International Piano Competition.
Commissio ned by The Chopin Society of Hong Kong Ltd., my piano solo work PLUM BLOSSOM was written for the 5th Hong Kong International Piano Competition, for all 15 semi-finalists to perform as the compulsory piece in October 2019.In Chinese culture, the plum blossom symbolizes nobility, elegance, perseverance, independence, and faithfulness.The pitch material of the piece is taken from the beginning of the popular Cantonese children’s song “Moonlight.” There are developments of the initial material in variations throughout the piece, featuring expressions of the image with varied performing techniques for both hands, with the textures in layers.

Piano

SKU: ST.Y174

Composed by Morgan Hayes. Piano & keyboard music. 6 minutes. Score. Stainer & Bell Ltd. #Y174. Published by Stainer & Bell Ltd. (ST.Y174).

ISBN 9790220219849.

1st perf: Ian Pace, Conway Hall, London, 8 October 1999.

Piano

SKU: BR.EB-4323

Composed by Johann Sebastian Bach. Edited by Egon Petri and F. Busoni. Arranged by Ferruccio Busoni. Solo instruments; stapled. Edition Breitkopf. Baroque period. Score. 76 pages. Breitkopf and Haertel #EB 4323. Published by Breitkopf and Haertel (BR.EB-4323).

ISBN 9790004162774. 9 x 12 inches.

Busoni's Bach Advanced SchoolIn October 1909, Breitkopf & Hartel succeeded in winning Ferruccio Busoni for the edition of Johann Sebastian Bach's piano works. Busoni had studied the music of Bach more intensively than almost any other artist of his time had. As a pianist, arranger, theorist and pedagogue, Busoni was instrumental in bringing Bach out of the 19th century and into the 20th century. That same year, Busoni and two collaborators, Bruno Mugellini and Egon Petri, began work on the instructive edition, which was to comprise 25 volumes. The first volumes were published in the spring of 1916, and in May 1923, the Bach Advanced School project was finally completed. This also marked the end of Busoni's thirty-year-long creative involvement with Bach's works, the impact of which still reaches far beyond the Bach-Busoni formula.All alterations and additions pursue the educational intent of affording the student insight into the mechanism of the composition. Moreover, they illustrate and supplement the views presented only in a sketchy manner in the introductions. In several cases, it takes the sum of the comments on the various pieces to constitute the all-encompassing opinion on one and the same question. (Ferruccio Busoni).

Piano - Grade 4

SKU: FA.MFCD007PN

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD007PN. Published by Musik Fabrik (FA.MFCD007PN).

8.27 x 11.69 inches.

Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.

The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.

Unfortunat ely, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!