This second volume in the Classical Piano Solos series features 22 original pieces from the masters, suitable for pianists at a Grade 2 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Petzold's 'Minuet in G Major? from the Anna Magdelena Notebook, Schumann's 'Soldier's March,? and Beethoven's 'Ecossaise in G Major? as well as lesser-known gems like d'Indy's modern 'Three-Finger Partita? and Rebikov's ominous 'Limping Witch Lurking in the Woods.? / Piano

Classique / Sélection : Charles Hervé et Jacqueline Pouillard / Partition / Spirale /

Bartók Béla: Mikrokosmos pour piano 1
New Definitive Edition
Edité par Bartók Péter
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education.
The word Mikrokosmos may be interpreted as a series of pieces in many different styles, representing a small world. Or it may be interpreted as world of the little ones, the children.
Contenu
1.
Mélodie a l'unisson

2.
Mélodie a l'unisson

3.
Mélodie a l'unisson

4.
Mélodie a l'unisson

5.
Mélodie a l'unisson

6.
Mélodie a l'unisson

7.
Notes pointées

8.
Répétition (1)

9.
Rythme syncopé (1)

10.
Mains alternées

11.
Mouvement parallele

12.
Mouvements et reflets

13.
Changement de position

14.
Question et réponse

15.
Chanson villageoise

16.
Mouvement parallele avec changement de position

17.
Mouvement contraire (1)

18.
Mélodie a l'unisson

19.
Mélodie a l'unisson

20.
Mélodie a l'unisson

21.
Mélodie a l'unisson

22.
Imitation et contrepoint

23.
Imitation et inversion (1)

24.
Pastorale

25.
Imitation et inversion (2)

26.
Répétition (2)

27.
Rythme syncopé (2)

28.
Canon a l'octave

29.
Reflet d'imitation

30.
Canon a la quinte inférieure

31.
Danse en forme de canon

32.
En mode dorien

33.
Danse lente

34.
En mode phrygien

35.
Choral

36.
Canon libre / Partitions classique / Piano - instruments à clavier / Piano / EMB (Editio Musica Budapest)

This fifth volume in the Classical Piano Solos series features 19 original pieces from the masters, suitable for pianists at a Grade 5 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Beethoven's 'Moonlight? sonata (1st mvmt) and Rachmaninoff's famous C-sharp prelude, as well as lesser-known gems from Samuel Coleridge-Taylor ('They Will Not Lend Me a Child?), Anatoly Lyadov ('Prelude in B Minor?), and Rameau ('Les niais de Sologne?). All four main periods are represented.Editor's note: The final section of the Rachmaninoff prelude is presented on one visually-accessible page - the Chopin waltz (Op. 69/1) is based on original autographs rather than the oft-performed Fontana edition. / Piano

This third volume in the Classical Piano Solos series features 20 original pieces from the masters, suitable for pianists at a Grade 3 standard.This series was compiled to correlate loosely with the Modern Course method and can be used to supplement any teaching method or situation. This volume features a mix of well-known pieces such as Burgmüller's 'Ballade? and Rebikov's 'Playing Soldiers? as well as lesser-known gems like CPE Bach's 'Presto? - a fast, motivating recital piece, and the lovely, lyrical 'Piece Romantique? by Cecile Chaminade. / Piano

Bartók wrote these one-to three-page intermediate-level works to supply piano students with easy contemporary pieces. Each selection, including the familiar Evening in the Country and Bear Dance, explores a different technique such as modal scales, tritones, repeated notes, changing meters, folk melodies and rhythms.

Béla Bartók Chants de Noël roumains Editeur: László Somfai Doigtés: Béla Bartók Les «Chants de Noël roumains» de Bartók reposent sur des mélodies populaires associées à un rite païen de la célébration du solstice d'hiver et avaient fait sur Bartók «une impression plutôt de sauvagerie guerrière que de piété religieuse». Il choisit cependant parmi ces «Colinde» vingt mélodies pour les publier en tant que chants de Noël. Si dans la première édition, en 1918, ces dernières étaient encore conçues pour de petites mains d'enfant «sans empan d'octave», Bartók enrichit toutefois son édition révisée de 1936, que nous présentons ici, d'une annexe avec des «modifications pour l'exécution en concert» qui atteste que ces miniatures étaient désormais parfaitement abouties. L'édition Urtext qui repose sur l'intégrale des 'uvres de Bartók intègre pour la première fois ces variantes de concert directement dans la partition. Par ailleurs les mélodies et la traduction des «Colinde» donnent un aperçu des racines de cette musique de Noël un peu différente.