Tired of carrying multiple collections and assorted sheet music to every wedding you play' This comprehensive collection is a one-stop destination for pianists who play for weddings. Featuring styles ranging from Classical to contemporary, this anthology is a must-have for today?s bride and groom, and contains service music for preludes, processionals, bridal marches, unity candle lightings, recessionals and postludes. Although each piano selection can be played as a solo, there are optional instrumental obbligatos for some pieces, featuring parts for Cello, Oboe, Trumpet, Flute and Violin. In addition, Well-Tempered Weddings contains several classic and contemporary vocal selections suitable for use before and during the wedding ceremony.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

To Mediterrane Meditiationer / Two Mediterranean Meditations for Piano solo was composed by Per Nørgård in 1980. Dedicated Ragnhild Toft.  1. Græsk motiv (Greek motif)  2. Medstrømme (Cocurrent)  The piano pieces (Two Mediterranean meditations) was inspired by a little town Isternia in the Greek island Tinos. During a stay there I was captured by the timeless peace that emitted from the shimmering white sculptured steps and by the sounds in the narrow streets creating an atmosphere of balanced activity on the background of a meditative silence. The pianopieces are related to the work “Isternia” (1979 for cimbalon solo later rewritten for other instruments); the music seems to possess a certain timeless or rather ´genre-less´ character; this is effected through the use of archetypal melodies and meters changed in a rather ´cubistic´ way. In this respect the work is related to my “Sonora” (for flute and harp) and the duet “Medstrøms og modstrøms” (“Cocurrent & countercurrent”)  Per Nørgård   

Green Hills is a work for solo Piano by William Alwyn. Written in 1936 it is dedicated to Hugo Anson (1894-1958) a New Zealand born composer and pianist who taught at the Royal College ofMusic from 1925 onwards. William Alwyn (1905-1985) was a British composer conductor and pedagogue. He was professor of composition at the Royal Academy of Music from 1926 to 1955 and also played Flute with theLondon Symphony Orchestra. He wrote five symphonies and over sixty film scores but also composed several Piano works for young players some of which were used as exam pieces.

This piano book offers advancing students a selection of 16 Mozart pieces designed to help solidify their playing skills. Tunes include: 'Minuet (from 'Don Giovanni')' 'Arie des Papageno (from 'The Magic Flute'’)' and many more.

A selection of jazz pieces arranged for Keyboard and Guitar (both chord symbols and tablatures are included). For every piece you will find three versions: A simplified version: with the melody in the right hand and an easy accompanying line in the left hand (for beginners) A version for organ: with the melody in the right hand chords in the left and bass line for the pedal a version for solo piano for use with the piano or keyboard (medium difficulty) VOICE: It is possible to use the version contained in the CD for singing the pieces. The texts are found in the sheets inserted at the end of the volume and themelodies are given in the keyboard parts (right hand) GUITAR: All the guitar boxes for the chords are given in the single sheets inserted at the end of the volume. The sheet for each piece contains besides the guitar chords the text and a table with the melodic line (right hand) of the keyboard versions. OTHER INSTRUMENTS: It is also possible to play the melody parts or to improvise with other instruments such as flute violin etc. It should be noted that for instruments such as the clarinet or the saxophone the melodies will have to be transposed. A bass can be added to the group playing from the pedal part of the organ versions.

The Collaborative Artist Chamber Music Series-This serene presentation of Silent Night offers an expressive chamber music performance for flute cello and piano. Arranged by Nancy Faber. (moderately advanced)

Early-Intermediate/Intermediate Composer Showcase-Impressionistic sonorities blend with hints of Native American flute melodies in this beautiful collection of six solos for the early-intermediate/intermediate-level pianist. Like the images they portray the pieces are filledwith contrast: soaring lyrical melodies interspersed with low earthy motives in open fifths; traditional rhythmic patterns juxtaposed with mixed meters; playful dance-like themes offset by the dark atonal timbres of hauntingspirits. Each solo stands alone but the entire book can also be played in recital as a suite with tempos that alternate in a pleasing way to create a tightly woven finely detailed desert landscape. detailed desert landscape.Level: Early-Intermediate/Intermediate (Hal Leonard Student Piano Library Levels 4-5); Range: full grand staff and leger lines; Meters: 2/2 3/4 4/4 7/8; Technical Features: broken chordaccompaniments some double-note intervals in both hands cross-hand patterns interlocked hand position legato pedal pedal points multiple textures. Length: 2-5 pages; Average performance time: 2 minutes 30 seconds. Performance time for entire suite: 10 minutes 3 seconds.6 solos: Canyon Spirits ' Dawn to Dusk ' Desert in Bloom ' Gecko Games ' Kokopelli (Invention in Phrygian Mode) ' MotherEarth Sister Moon.

Description J.S. Bach: Collected Transcriptions Collected piano transcriptions by great composers and pianists of classic Bach pieces. Songlist Aria (Cantata No. 36) [Bauer, Harold] Chaconne (Sonata For Violin No.4) [Brahms, Johannes] [Busoni, Ferruccio] Die Seele Ruht In Jesu Handen (Cantata No.127) [Bauer, Harold] Durch Adams Fall Ist Ganz Verderbt [Busoni, Ferruccio] Fantasy And Fugue In G Minor [Liszt, Franz] Gavotte (Sonata For Violin No.2) [Saint-Saens, Camille] Ich Ruf Zu Dir, Herr [Busoni, Ferruccio] In Dir Ist Freude [Busoni, Ferruccio] Jesus Bleibet Meine Freude (Cantata No. 147) [Kempff, Wilhelm] Komm Susser Tod [Bauer, Harold] Nun Freut Euch, Lieben Christen [Busoni, Ferruccio] Prelude (Partita In E Major For Violin) [Rachmaninov, Sergei] Prelude And Fugue In A Minor [Liszt, Franz] Prelude And Fugue In C Major [Liszt, Franz] Prelude And Fugue In D Major [Busoni, Ferruccio] Prelude And Fugue In E Flat Major (St. Anne's) [Busoni, Ferruccio] Prelude And Fugue In E Minor [Liszt, Franz] Prelude To The Ratswahl Cantata [Kempff, Wilhelm] Presto After J.S. Bach [Brahms, Johannes] Siciliano From Flute Sonata No.2 [Kempff, Wilhelm] Toccata And Fugue In C Major [Busoni, Ferruccio] Toccata And Fugue In D Minor [Busoni, Ferruccio] Wachet Auf Ruft Uns Die Stimme [Busoni, Ferruccio] [Kempff, Wilhelm]

Twenty-five exemplary classical pieces arranged by Stephen Duro for easy Piano with chord symbols. Includes Eine Kleine Nachtmusik The Magic Flute and Ave Verum Corpus.

The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop.This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C.The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles.Titles include:Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI

This songbook matches the 2005 Narada release featuring David Lanz on piano and Gary Stroutsos on flute. Includes: Serenada * Satori * Between Worlds * Oguerre * Spirit Romance * Soliloquy * Return to Altair (a 5-part suite). Includes an intro by David Lanz.