| Sonate N04 Renaissance En Français Piano seul [Partition] Leduc, Alphonse
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musi...(+)
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Sonate N04 Renaissance de Blet S.. Cette partition qui est éditée par les éditions Leduc fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition
23.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Library Of Piano Classics
Vol.2 Piano seul [Partition] - Avancé Amsco Wise Publications
Une seconde collection des plus grands morceaux au monde, avec plus de 100 chefs...(+)
Une seconde collection des plus grands morceaux au monde, avec plus de 100 chefs d'oeuvres par les plus importants compositeurs, allant de la Renaissance au XXème siècle. / Piano / Partition
31.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Danse
Médiévale En Français Piano seul [Partition] Fertile Plaine Editions
Voici une partition musicale pour Piano que vous pouvez acquérir pour moins de ...(+)
Voici une partition musicale pour Piano que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Danse médiévale. C'est l'éditeur Fertile Plaine sous la référence FP 533 qui a les droits pour éditer cette partition. / Piano / Partition
10.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Moffatt: Molleda
Miniaturas Medievales
Piano: Piano:
Instrumental Album Español Piano seul [Partition] Unión Musical Ediciones
Miniaturas Medievales for the piano by J. Munoz Molleda.
9.99 GBP - vendu par Musicroom GB |
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| Renaissance Anthology A
Vol.4: Piano or Keyboard:
Instrumental Album Piano seul [Partition] Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Anthology A Vol.3: Piano:
Instrumental Album Piano seul [Partition] - Intermédiaire/avancé Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...(+)
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Keyboard Anthology 1:
Harpsichord or Piano:
Instrumental Piano seul Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Keyboard Anthology 2:
Harpsichord or Piano:
Instrumental Piano seul - Intermédiaire Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.99 GBP - vendu par Musicroom GB |
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| Carolyn C. Setliff:
Medieval Rondo: Piano:
Instrumental Work Piano seul - Intermédiaire Willis Music
Early Intermediate Level-Carolyn Setliff's Medieval Rondo definitely falls under...(+)
Early Intermediate Level-Carolyn Setliff's Medieval Rondo definitely falls under the category of fast and cool. It's wonderfully effective - it sounds difficult yet fits wonderfully under the fingers. Students will want to show their friends and family just how fast they can play! Teachers: make sure students perfect each scale and arpeggiated run before performing. Key: D Minor.
3.50 GBP - vendu par Musicroom GB |
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| Kevin Olson: The
Troubadour: Piano:
Instrumental Album Piano seul [Partition] - Intermédiaire FJH
This piece is a great piece for the study of changing meters. Beginning in 8/8 ...(+)
This piece is a great piece for the study of changing meters. Beginning in 8/8 changes between 7/8 6/8 and 9/8. It has a Renaissance melodic sound based on the The Troubadour—a Renaissance traveling musician. This piece is a great piece for the study of changing meters. Beginning in 8/8 changes between 7/8 6/8 and 9/8. It has a Renaissance melodic sound based on the The Troubadour-a Renaissance traveling musician.
2.95 GBP - vendu par Musicroom GB |
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| Kevin Olson: Showcase
Solos Book 2: Piano:
Instrumental Album Piano seul [Partition] - Intermédiaire FJH
Includes: Jazz Prelude with its walking bass line; Spanish Serenade with the sp...(+)
Includes: Jazz Prelude with its walking bass line; Spanish Serenade with the spirit and passion of the flamenco dances; and Medieval Festival written in the lydian mode. Also includes: Ghostdance; Coming Home.
3.50 GBP - vendu par Musicroom GB |
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| Maureen May: Fairy
Lights: Piano:
Instrumental Work Piano seul [Partition] - Intermédiaire FJH
Hear medieval minstrels come and play as rhythmic open fifths introduce the airy...(+)
Hear medieval minstrels come and play as rhythmic open fifths introduce the airy singing melody. The left hand plays a continuous ostinato while right-hand embellishments and thirds add melodic interest. This texture demands a delicate touch.
2.25 GBP - vendu par Musicroom GB |
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| Méthodes Et
Traités
Renaissance - Vol.3 -
Renaissance France Piano seul Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la Renaissance Française.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Anonyme (3 : Calvin ?) - EUCLIDE - Claude MARTIN - Michel de MENEHOU - Philibert JAMBE DE FER - PONTUS DE TYARD - Pierre VALLETTETable des matières :Tyard Pontus de : Solitaire second, ou prose de la musique - 1555Vallette Pierre : A tous fideles, desirans chanter - 1556Jambe de Fer Philibert : Epitome musical - 1556Martin Claude : Institution musicale - 1556Menehou Michel de : Nouvelle instruction familière - 1558Anonyme (attribué à J. Calvin) : Epistre à tous les chrestiens - c.1563Euclide : Le livre de la musique - 1566Téléchargez le catalogue Anne Fuzeau Classique / Méthodes Et Traîtés / 320 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
122.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Méthodes Et
Traités
Renaissance - Vol.4 -
Renaissance France Piano seul Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la Renaissance Française.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Anonyme (4-5-6) - Anthoine de BERTRAND (1-2-3) - Corneille BLOCKLAND de MONTFORT - Fabrice Marin - CAIETAIN - Guillaume COSTELEY - Pierre GREGOIRE - Cécile LE JEUNE - Claude LE JEUNE- Benedic MACE et Laurens DANDIN - PLUTARQUE - Pierre de RONSARD - Jean YSSANDONTable des matières :Costeley Guillaume : Musique (pièces liminaires) - 1570Anonyme : De horis canonicis et De musica (concile de Besançon) - 1571Plutarque : De la musique (traduit par J. Amyot) - 1572Ronsard Pierre de : Préface au Roy Charles IX - 1572Grégoire Pierre : De musica - 1576Bertrand Anthoine de : Au lecteur debonaire (preface au premier livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (second livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (troisiesme livre de chansons) - 1578Caïetain Fabrice Marin : Second livre d'airs (dédicace) - 1578 Macé Benedic et Dandin Laurens : Instruction pour apprendre à chanter - 1582Yssandon Jean : Traité de la musique pratique - 1582Anonyme : Traicte de musique - 1583Blockland de Montfort Corneille : Instruction méthodique - 1587Le Jeune Claude : Dodecacorde contenant douze pseaumes (dédicaces) - 1598Le Jeune Cécile et anonymes : Préface sur la musique mesurée et pièces liminaires du Printemps de Claude Le Jeune - 1603Anonyme (ms.) - : Regle Generalle, Et fort familière - Reigle des Douzes Modes - c.1598Téléchargez le catalogue Anne Fuzeau Classique / Méthodes Et Traîtés / 336 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
126.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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