Composed by Christian Mason. World premiere: Paris, Cite de la musique, January 14, 2020. Breitkopf and Haertel #EB 9377. Published by Breitkopf and Haertel

Arranged by Carlo Matelli. Part(s); Quartet; Score; String Quartet. Faber Edition. Intermediate. Published by Faber Music

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

2 Violins, Viola and Cello, with optional Violin 3 (for Viola) & Arco Bass Parts - Moderate

SKU: LP.9780834178168

Traditional Carols with a Popular Twist. Composed by Ed Hogan. This edition: Paperback. Instrumental Collections & Church Orchestras. Preludes, offertories, recitals, talent contests, personal worship, and instruction. Multicultural and Sacred. Published by Lillenas Publishing Company (LP.9780834178168).

ISBN 9780834178168.

Look ing for an innovative way to incorporate your instrumentalists into your Christmas worship services? Our Creative Carols Series is just for you! We've arranged five of your favorite Christmas carols for three different small ensemble.

First violin, second violin, viola, cello (1. Violin, 2. Violin, Viola, Violoncello) - Level 3

SKU: BA.BA11543

Composed by Leos Janacek. Arranged by Kryštof Maratka. In a folder. Set of parts. 10/10/10/10 pages. Baerenreiter Verlag #BA11543_00. Published by Baerenreiter Verlag (BA.BA11543).

ISBN 9790260108509. 31 x 24.3 cm inches.

This piece reflects Janácek’s memories of childhood and youth in his native Hukvaldy and the Augustinian Abbey in Brno. Kryštof Maratka, a Czech composer resident in France and a great admirer of Janácek, has arranged the original version to produce a welcome addition to the string quartet repertoire.

Youth for wind sextet, is a masterpiece from Janácek’s late period (1924). Maratka has successfully managed to transform the concise winds’ sound that give this work its unique flavour into the timbre of the strings, thereby creating a “third string quartet” of the composer.

Composed by Leos Janacek (1854-1928). Arranged by Krystof Maratka. Stapled. Study score. Baerenreiter Verlag #TP00521. Published by Baerenreiter Verlag

Parts supplied with fingerings and bowing marks by Engelbert Rontgen. Composed by Ludwig van Beethoven (1770-1827). Edited by Engelbert Rontgen. The Breitkopf Originals series opens up a fascinating view into the Breitkopf and Hartel publishing-house archives. The focus is on its rarities and treasures, together with milestones in the history of interpretation for works of the . Breitkopf and Haertel #KM-254. Published by Breitkopf and Haertel

First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola, Violoncello, Drums ad libitum) - Level 4

SKU: BA.BA11525

Composed by Pavel Haas. Edited by Ondrej Pivoda. This edition: urtext edition. In a folder. Barenreiter Urtext. With percussion ad libitum. Set of parts. Opus 7. 16/15/13/12/3 pages. Baerenreiter Verlag #BA11525_00. Published by Baerenreiter Verlag (BA.BA11525).

ISBN 9790260108868. 31 x 24.3 cm inches.

Pavel Haas was one of Leoš Janácek’s most gifted students. His String Quartet No. 2 “From the Monkey Mountains” is considered to be one of the first high points of his oeuvre.

In this work, Haas combined elements of Janácek’s compositional technique with jazz, particularly in the fourth movement’s instrumentation for string quartet and percussion ad libitum. This version was premiered in Brno in 1926; later, the work was revised for string quartet only. For this edition Ondrej Pivoda has reconstructed the original version, bringing to light passages that were never published until now.

This is the first critical edition of the work. It is based on all relevant sources, taking sketches of the final version of the score and contemporary performance material into account. It includes an extensive Foreword (Cz/Eng/Ger) as well as a Critical Commentary (Eng).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding