Streichquartett Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
String Quartet SKU: BT.PWM9836010 Composed by Tadeusz Baird. Classical. S...(+)
String Quartet
SKU:
BT.PWM9836010
Composed by Tadeusz
Baird. Classical. Set
(Score & Parts). 91
pages. Polskie
Wydawnictwo Muzyczne
#PWM9836010. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM9836010).
Abba Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1216351-070 Three Chart Topp...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1216351-070
Three Chart
Toppers. Arranged by
Nico Dezaire. De Haske
Pops for String Quartet.
Pop and Rock. Set (Score
and Parts). Composed
2021. De Haske
Publications #DHP
1216351-070. Published by
De Haske Publications
(BT.DHP-1216351-070).
The Named Angels Quatuor à cordes: 2 violons, alto, violoncelle Peermusic Classical
(String Quartet). Composed by Mohammed Fairouz. For String Quartet (Score and Pa...(+)
(String Quartet).
Composed by Mohammed
Fairouz. For String
Quartet (Score and
Parts). Peermusic
Classical. Peermusic
#70089-759. Published by
Peermusic
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-270 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-270
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Score Only. 36
pages. De Haske
Publications #DHP
1135315-270. Published by
De Haske Publications
(BT.DHP-1135315-270).
String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
String Quartet No.4 was composed by Hans Abrahamsen in 2012. Commissioned by Wes...(+)
String Quartet No.4 was
composed by Hans
Abrahamsen in 2012.
Commissioned by
Westdeutscher Rundfunk
and Wigmore Hall For the
ArdittiQuartet. Programme
note: The basic idea for
my Fourth String Quartet
was very clear to me: It
should be quiet and soft
music or to put it in a
german term: hoch im
Himmel gesungen ... (High
singing in heaven). Each
of the four movements has
a different
scordatura/pitch. The
first movement begins -
like my work 'Schnee' -
sky-high with an airy and
soft melody by the first
violin. The second
movement is fast and
movement and joy-like. It
consists of two duets and
a reverse style
counterpoint. While the
sections were
progressively longer in
the first movement they
are getting shorter and
shorter in the second.
Dark, heavy and earthy is
the third movement and
its pizzicato recalls big
black raindrops falling
to the ground. It is the
dark and grainy
counterpart to the first
movement whereas the
fourth movement
corresponds to the
second. The fourth
movement was planned as a
dark and heavy
counterpart but it turned
out to be like babbling
music of a child. My
Fourth String Quartet has
become in its way a
serene and cool piece. So
the Quartet has been
finished luckiyly after
twenty years - it was
already in 1990 that I
was commissioned by
Wittener Tage fur Neue
Musik to write the piece
for Arditti Quartet. Hans
Abrahamsen
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
Chorale Fantasy Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Peermusic Classical
(String Quartet). By Mohammed Fairouz. For String Quartet (Score and Parts). Pee...(+)
(String Quartet). By
Mohammed Fairouz. For
String Quartet (Score and
Parts). Peermusic
Classical. 10 pages.
Peermusic #70047-759.
Published by Peermusic
Four Disney Quartets Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
Mary Poppins Returns - Beauty & the Beast - Moana - Aladdin. Arranged by...(+)
Mary Poppins Returns -
Beauty
& the Beast - Moana -
Aladdin.
Arranged by Nico Dezaire.
De
Haske Pops for String
Quartet.
TV-Film-Musical-Show. Set
(Score & Parts).
Composed
2023. De Haske
Publications
#DHP 1226444-070.
Published by
De Haske Publications
Lamentation and Satire Quatuor à cordes: 2 violons, alto, violoncelle Peermusic Classical
String Quartet SKU: BT.PMC3932 String quartet. Composed by Mohamme...(+)
String Quartet
SKU:
BT.PMC3932
String
quartet. Composed by
Mohammed Fairouz. Set
(Score & Parts). Composed
2013. Peermusic Classical
#PMC3932. Published by
Peermusic Classical
(BT.PMC3932).
A
grim commentary on the
contemporary Middle East,
Lamentation and Satire
is, in the composer's
words, born out of a
reaction to a part of the
world that is over the
edge. Advanced Level.