Study Score. Composed by Franz Schubert (1797-1828). Edited by Egon Voss. Henl...(+)
Study Score. Composed by
Franz Schubert
(1797-1828).
Edited by Egon Voss.
Henle
Study Scores. Classical.
Softcover. 28 pages. G.
Henle
#HN7317. Published by G.
Henle
String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.144407270
Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270).
UPC:
680160681891. 9 x 12
inches.
My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H.
String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440727S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440727S
Composed
by Sydney F. Hodkinson.
Sws. Full score. 44
pages. Duration 22
minutes. Merion Music
#144-40727S. Published by
Merion Music
(PR.14440727S).
UPC:
680160681907. 9 x 12
inches.
My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H.
Score and Parts. Composed by Evgeny Kissin. Sheet Music. Paperbound. Henle M...(+)
Score and Parts. Composed
by
Evgeny Kissin. Sheet
Music.
Paperbound. Henle Music
Folios. Classical. Set of
Parts. 28 pages. G. Henle
#HN1183. Published by G.
Henle
Composed by Cole Porter.
Arranged by Bert Ligon.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
LudwigMasters
Publications
#36-52703310. Published
by LudwigMasters
Publications
(AP.36-52703310).
ISBN
9781621569824. UPC:
660355109768.
English.
A
marvelous collection Cole
Porter classics that are
arranged to be both
accessible by younger
musicians and appropriate
for professionals.
Songs: 1. All of
You 2. Ev'ry Time
We Say Goodbye 3.
I've Got You Under My
Skin 4. I Love You
5. What Is This
Thing Called Love?
6. It's All Right
With me  .
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Cole Porter.
Arranged by Bert Ligon.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52703309. Published
by Latham Music
Enterprises
(AP.36-52703309).
ISBN
9781621569817. UPC:
746241259578.
English.
A
marvelous collection Cole
Porter classics that are
arranged to be both
accessible by younger
musicians and appropriate
for professionals.
 Songs: 1. All of You
 2. Ev'ry Time We Say
Goodbye  3. I've Got
You Under My Skin  4.
I Love You  5. What Is
This Thing Called Love?
 6. It's All Right
With me  .
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String Quartet SKU: SU.29110020 For String Quartet. Composed by Wy...(+)
String Quartet
SKU:
SU.29110020
For
String Quartet.
Composed by Wynton
Marsalis. Chamber Music,
String Quartet/Quintet.
Score. Subito Music
Corporation #29110020.
Published by Subito Music
Corporation
(SU.29110020).
At the Octoroon
Balls for string
quartet is based on
traditional Creole music
that surrounded the
composer while growing up
in New Orleans. The
octoroon balls were held
for white Creole men to
choose their Octoroon
(one-eighth Black
ancestry, with one Black
great-grandparent)
mistresses. Divided into
seven movements, the
piece includes fiddle
reels, hoe downs, jug
stomps, and marching
bands – even a
somber tone poem. Total
performance time is about
45 minutes.Score only.
Also available: Set of
Parts (Cat.
#29110021)String Quartet
Duration: 45' Composed:
1995 Published by: Wynton
Marsalis (administered by
Skayne's Music).
String quartet SKU: HL.49045639 Chaconne. Composed by Fred Lerdahl...(+)
String quartet
SKU:
HL.49045639
Chaconne. Composed
by Fred Lerdahl. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed 2016.
108 pages. Duration 990
seconds. Schott Music #ED
30174. Published by
Schott Music
(HL.49045639).
ISBN
9781540004796. UPC:
888680710774.
9.5x12.0x0.37
inches.
Chaconne
(2016), for string
quartet, was commissioned
by the Daedalus Quartet
to celebrate its 15th
anniversary. The
commission was supported
by New Music USA, made
possible by annual
program support and/or
endowment gifts from
Pennsylvania Council on
the Arts, Helen F.
Whitaker Fund, and Aaron
Copland Fund for Music.My
music has a substantial
history with Daedalus. I
composed the Third String
Quartet (2008) for them,
and subsequently they
performed my three string
quartets on several
occasions and recorded
them brilliantly on
Bridge Records (Bridge
9352: Music of Fred
Lerdahl, vol. 3).
Chaconne is in one
movement lasting 19
minutes. It is
effectively my fourth
string quartet. Quartets
1-3 form a unified cycle
lasting 70 minutes. When
I finished the cycle, I
thought I would never
write again for the
medium; yet I could not
resist the opportunity of
working again with
Daedalus. The issue was
how to compose another
string quartet unrelated
to the earlier cycle. The
solution came from my
solo cello piece There
and Back Again (2010),
which was based on a
four-bar variation
pattern from a
17th-century chaconne.
Unlike the asymmetrical
phrases and expanding
variations of much of my
music, the chaconne form
requires symmetrical
phrases and strictly
periodic variations. I
wished to work again with
these symmetries but on a
larger scale. Chaconne
also differs in character
and expression from the
three-quartet cycle. The
cycle is inward and
intense, a kind of
psychological excavation.
Chaconne is, for the most
part, transparent and
playful. Many of its
textures emerge from
little canons, not
completely unlike the
rounds that children
sing. Any composer who
writes in chaconne form
(one thinks above all of
the last movement of
Bach's D minor violin
partita and the finale of
Brahms's Fourth Symphony)
is confronted with the
challenge of how to
create a larger form out
of a constantly repeating
pattern.My Chaconne grows
from paired
antecedent-consequent
phrases, each variation
lasting eight bars. The
50 variations group into
three large rotations,
forming three arcs of
tension and relaxation,
with subtle parallel
connections across the
rotations.
Notwithstanding my
attraction to chaconne
form, I purposefully
disguised its symmetries
and periodicities in
order to build an overall
dramatic shape. Fred
Lerdahl.
String Quartet SKU: SU.29110021 For String Quartet. Composed by Wy...(+)
String Quartet
SKU:
SU.29110021
For
String Quartet.
Composed by Wynton
Marsalis. Chamber Music,
String Quartet/Quintet.
Set of Parts. Subito
Music Corporation
#29110021. Published by
Subito Music Corporation
(SU.29110021).
At the Octoroon
Balls for string
quartet is based on
traditional Creole music
that surrounded the
composer while growing up
in New Orleans. The
octoroon balls were held
for white Creole men to
choose their Octoroon
(one-eighth Black
ancestry, with one Black
great-grandparent)
mistresses. Divided into
seven movements, the
piece includes fiddle
reels, hoe downs, jug
stomps, and marching
bands – even a
somber tone poem. Total
performance time is about
45 minutes.Set of Parts.
Also available: Score
(Cat. #29110020)String
Quartet Duration: 45'
Composed: 1995 Published
by: Wynton Marsalis
(administered by Skayne's
Music).
When I'm Sixty-Four Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
As performed by The Beatles. Composed by John Lennon and Paul McCartney. Arran...(+)
As performed by The
Beatles.
Composed by John Lennon
and
Paul McCartney. Arranged
by
Nico Dezaire. De Haske
Pops
for String Quartet. Pop
and
Rock. Set (Score and
Parts).
Composed 2020. De Haske
Publications #DHP
1206259-
070. Published by De
Haske
Publications
String quartet (String Quartet) - difficult SKU: HL.49018716 Three Sma...(+)
String quartet (String
Quartet) - difficult
SKU: HL.49018716
Three Small Pieces for
String Quartet.
Composed by Richard
Ayres. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Score and parts. Composed
2003. 92 pages. Duration
12'. Schott Music
#ED13252. Published by
Schott Music
(HL.49018716).
ISBN
9790220132339.
9.25x12.0x0.3
inches.
Richard
Ayres' Three Small Pieces
for String Quartet each
have distinct characters
that illustrate the
composer's vivid
imagination and skill for
combining energetic,
touching and sometimes
wild music. The first
piece is a short tribute
to the Romanian singer
Maria Tanase, a long
forgotten performer who
was once a star in her
country. The second is a
rough, fast and folk-like
section in 11/16 time and
the third, subtitled
'Countess Eva von Spendu
(on a horse) gallops
through the forest
(pausing four times to
contemplate natural
splendour)', contains (in
the words of the
composer) 'hunting
gallops, a Feldmanesque
19 bar blues, some
devilish fiddling,
moments of repose and
contemplation, and a
lyrical finale.'.