| Philip Glass:
Spiritwalking: String
Quartet: Score and Parts Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Dunvagen Music Publishers
Spiritwalking is a work for String Quartet by Philip Glass commissioned by Ned...(+)
Spiritwalking is a work for String Quartet by Philip Glass commissioned by Nederlands Dans Theater and the Norwegian National Opera and Ballet for the world premiere of the ballet 'Spiritwalking'by Lightfoot León on 7th June 2014 at Market Hall in Amsterdam. This is the Score and Parts.
39.99 GBP - vendu par Musicroom GB |
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| Nico Muhly: Diacritical
Marks: String Quartet:
Score and Parts Quatuor à cordes: 2 violons,
alto, violoncelle St Rose Music Publishing
'Diacritical Marks was written for the Chiara Quartet in 2011 and is in eight s...(+)
'Diacritical Marks was written for the Chiara Quartet in 2011 and is in eight short movements. I have a huge anxiety about string quartets; they are normally meant to be giant expressions of a composer’s emotional life. Here I focused on details: a tiny dot above a letter a tiny swivel of the bow. The first and last movements are energetic and driving and the middle movements are more lyrical rhapsodic and/or floating. The quartet is bound together by a piece of drone music found in movements 3 5 and 7 in which the second violin and the viola play an interlocking repeating pattern ad infinitum while the cello and first violin spin very long outrageous lines on top. The piece lasts just under 20 minutes.' —Nico Muhly
22.99 GBP - vendu par Musicroom GB |
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| Vagn Holmboe: Quartetto
Sereno - String Quartet
No.21 Op.197: String
Quartet: Quatuor à cordes: 2 violons,
alto, violoncelle Wilhelm Hansen
Holmboe's last quartet work which is unofficially also String Quartet No. 21 ...(+)
Holmboe's last quartet work which is unofficially also String Quartet No. 21 was the last work he ever composed and was unfinished on his death in 1996. His pupil Per Nørgård has finished the quartet and himself characterizes his contribution by saying that the score existed “in an only partly completed form which could however be written out with only a few cases of doubt”. With only two movements and a playing time of about nine minutes it is at its existing length the shortest of Holmboe's string quartets. The first movement takes the form of one long arch in a rocking triple time which constantly shiftsamong different tempo and pulse sensations. At the same time the rhythmic energy increases until the movement in a faster Con moto tempo accelerates to a more flowing 12/8 time coloured both rhythmically by cross-rhythms in duple time and timbrally by harmonics in the viola. In its middle section Con fuoco the movement culminates in both tempo and expression until it falls calm in brief recapitulations in reverse order of the first two sections. The rocking feeling continues in the second movement but now at a more extroverted level from the outset Allegro and pizzicato. The energy builds up further as the mood intensifies to Con fuoco while all instruments go over to bowed playing but like the first movement this movement ends Adagio here however not as a gradual attenuation but through a sudden shift in tempo to a calm imitative passage before the movement slowly thins out to the almost inaudible through a last dense open sounding chord with a brief violin solo above it. The quartet is dedicated to Holmboe's wife MeLa May Holmboe and was given its first performance by the Kontra Quartet on 22nd March 1997 at the Carl Nielsen Academy of Music in Odense Denmark.
22.99 GBP - vendu par Musicroom GB |
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| Streichquartett Nr. 1:
String Quartet: Score and
Parts Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Bote and Bock
For Isang Yun String Quartet No. 3 from 1959 marked the beginning of his Europe...(+)
For Isang Yun String Quartet No. 3 from 1959 marked the beginning of his European creative phase and of his official canon of works. Now it is possible to encounter Yun's early works from his Korean period in the form of his String Quartet No. 1 (1955). Three important 10-minute movements containing references not only to Asia but also to Ravel Bartók and Eastern European folk music and having an idiosyncratic structure: Yun lines up forms and figures makes them emerge from each other in a contrasting manner and assembles them into a mosaic-like whole seeking for integration laying down his material in layer upon layer and ending themovements with a rhythmic unison. […] Even then he probably regarded a work of art as an energetic stream of sounds and as a reflection of a world whose diverging parts weave into a harmonic whole. (Walter-Wolfgang Sparrer)
47.99 GBP - vendu par Musicroom GB |
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| Wolfgang Amadeus Mozart:
String Quartets Volume
IV: String Quartet: Score
and Quatuor à cordes: 2 violons,
alto, violoncelle G. Henle
Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wol...(+)
Hoffmeister Quartet and Prussian Quartets-Over the next few years all 26 of Wolfgang Amadeus Mozart?s String Quartets will be published by Henle in an Urtext Edition of both score and parts. All previous editions have left much to be desired for example asconcerns the correct placement of dynamic markings.Henle?s edition made with the artistic collaboration of the Armida Quartet draws upon the large body of modern knowledge concerning Mozart philology andperformance practice. We begin with what are chronologically speaking the final four quartets: the so-called ?Hoffmeister? Quartet K. 499 and the three ?Prussian? Quartets K. 575 589 and 590.It is possible that the impulse behind the composition of these last three works was the Prussian King Friedrich Wilhelm II who was an excellent cellist. Modern cellists will find many beautiful melodies to enjoy in thesequartets.
27.25 GBP - vendu par Musicroom GB Délais: En Stock |
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| David Matthews: To what
God shall we chant: Mixed
Choir: Vocal Score Quatuor à cordes: 2 violons,
alto, violoncelle Faber Music Limited
To what God shall we chant our songs of battle? was commissioned by James Oâ...(+)
To what God shall we chant our songs of battle? was commissioned by James O’Donnell and Westminster Abbey for a service of solemn commemoration on 4 August 2014 marking the centenary of the outbreak of the First World War.Stark and gritty yet always rooted in tonality Matthews’s expressive harmonies bring a potent immediacy to the bitter disillusioned words of war poet Harold Monro and the two lyrical solos for soprano and tenor which set passages from the Book of Lamentations and St Luke’s Gospel. Beginning with a violent and impassioned energy this anthem ultimately offers little consolation. In the words of James O’Donnell it ‘leaves you standing on theedge of an abyss’ its impetus petering out in a series of hushed troubled questions.
3.50 GBP - vendu par Musicroom GB |
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