2 violins, viola, violoncello SKU: FG.55011-874-4 Composed by Tiina MyllÃ...(+)
2 violins, viola,
violoncello
SKU:
FG.55011-874-4
Composed by Tiina
Myllärinen. Classical,
contemporary. Score &
parts. Fennica Gehrman
#55011-874-4. Published
by Fennica Gehrman
(FG.55011-874-4).
Tiina
Myllärinen's (b. 1979)
(Bad) Dreams come true
for strings quartet
(2022) was composed when
war broke out in Europe.
The composer tells: The
shock, and the daily news
barrage of battles could
not help making an
impression on my work and
its material. I wondered
what dreams and plans
people had in Ukraine
before the war, and how
everything became a
nightmare in a single
night. Terror, fear and
tension found their way
into the work, along with
memories of life in the
past and dreams of a
different future. The
work is dedicated to the
people of Ukraine; to the
dreams that will
hopefully soon come
true.
This product
includes the full score
and a set of
parts.
Tiina
Myllärinen’s
music has been described
as cheerfully
inquisitive, vigorous and
original. Her works
include Squarcio for
ensemble, the orchestral
what? (2010) and Traces
(2013, commissioned by
the Pro Musica Foundation
and premiered at the
Helsinki Music Centre on
5 June 2014) and Three
Songs for voice, guitar
and cello (2007).
Over the Rainbow Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] Santorella Publications
(from The Wizard of Oz ). Composed by Harold Arlen. Arranged by Michael Tarro. ...(+)
(from The Wizard of Oz
). Composed by Harold
Arlen. Arranged by
Michael Tarro. For string
quartet. Score and 2
play-along CDs. Published
by Santorella
Publications
Come Along With Me Quatuor à cordes: 2 violons, alto, violoncelle - Facile Editions Marc Reift (Swiss import)
String Quartet - Grade 2+ SKU: MA.EMR-58116 Composed by Jan Pfeiffer. Arr...(+)
String Quartet - Grade 2+
SKU: MA.EMR-58116
Composed by Jan Pfeiffer.
Arranged by Jirka Kadlec.
Score and parts. Duration
2'40. Editions Marc Reift
#EMR 58116. Published by
Editions Marc Reift
(MA.EMR-58116).
Critical Edition
Hardcover. Composed
by Karol Szymanowski.
PWM. Classical.
Hardcover. 60 pages.
Polskie Wydawnictwo
Muzyczne #9267030.
Published by Polskie
Wydawnictwo Muzyczne
(HL.370494).
ISBN
9781705147009. UPC:
840126994025.
The
First String Quartet in C
major, Op. 37, was
written in the autumn of
1917 and earned
Szymanowski the first
prize in a competition
organized by the Ministry
of Religious and in a
competition organized by
the Ministry of Religious
and Educational Affairs
in January 1922. The
First String Quartet is
notable for its clar and
simple construction. The
first movement is in the
formof a sonata allegro;
the Andantino semplice
(in modo iuna canzone) in
the middle is a cross
between ternary and
variation form. The final
Scherzando alla burlesca
also keeps to the form of
a sonata allegro. The
combinations and
proportions of formal
factors and the treatment
of thematic material
betray a fairly
conventional adoption of
classical models.
Similarly, the expressive
and structural use of
melodic material shows a
respect for traditional
norms. Szymanowski
created, in other works
from the same period, his
own individual type of
melodic line, which was
strongly expressive and
achieved its effect
chiefly by its tonal
qualieties; nevertheless
in this Quartet he
returns to a fluid,
cantilena-like,
symmetrically shaped
melodic line, which runs
along in broad phrases of
a concentrated,
reflective character.
Melody becomes the chief
factor in the development
of the form, both in
thematic usage and in the
application of a more
polyphonic texture.
Harmonic and tonal means
are considerably
simplified in the Quartet
[]. Most of the writing
is linear, or horizontal,
with individual treatment
of each part, the
parallel continuation of
the four sound planes,
almost a matter of
principle. The functions
of the particular
instruments in realizing
these planes are
constantly changing,which
accounts for the even
greater variedy of
tone-colour. The decision
to forego experiment with
forms and sonorities is
reflectedin the overall
approach to musical
expression. The
predominant atmosphere of
restrained emotion, quiet
lyricism and serenity is
strongly suggestive of
classical aestetic
models. (Based on Zofia
Helman Commentary on
Szymanowski Complete
Edition, Vol. B6) (II)
The ''Second String
Quartet'' represents an
interesting attempt to
revert to classical form
coupled with the new
harmonic and tonal
vocabulary worked out
previously in the
''Slopiewnie'', ''Stabat
Mater'' and ''Mazurkas''.
It was also the first
time the composer had
used folk elements in the
framework of a major
classical form. The
''Second String Quartet''
is in a special category
among Szymanowski's
works. Though it dates
from the composer was
still occupied with folk
music, it nevertheless
shows him returning to
classical models, but at
the same time using an
aesthetic of subjective
expression, which gives
the work its own
individual stamp. The
''Second String Quartet''
synthesis of the various
directions in which
Szymanowski was
attempting to develop.
The sonority and texture
used in the first.
Fo(u)r Strings Quatuor à cordes: 2 violons, alto, violoncelle Deutscher Verlag für Musik
String Quartet SKU: BR.DV-31105 20 Easy to Intermediate Pieces for Str...(+)
String Quartet
SKU:
BR.DV-31105
20
Easy to Intermediate
Pieces for String
Quartet. Composed by
Eva-Maria Neumann.
Chamber music; Folder.
Deutscher Verlag.
For
a successful approach to
quartet playing
Music pedagogy. Score and
parts. 152 pages.
Deutscher Verlag fur
Musik #DV 31105.
Published by Deutscher
Verlag fur Musik
(BR.DV-31105).
ISBN
9790200415810. 9 x 12
inches.
Making
music in a quartet
uniquely nurtures young
string players' musical
development, ensemble
playing, listening to
each other, and
intonation. So, what
could be more obvious
than introducing the
scoring of this genre,
often referred to as
chamber music's supreme
discipline, as early as
possible.
Indeed,
composers have all along
advised the classical
string quartet's
outstanding compositions,
but they are hardly easy
to play for beginners.
Here, with the present
collection, is where
Eva-Maria Neumann comes
in.
The two
volumes
include
A
total of 20 easy to
intermediate arrangements
of pieces from Bach to
Bartok, together with
specifically composed
ones in string-quartet
friendly keys
Reading
scores and individual
parts
additionall
y, individual part for
violin III instead of
viola
Tips on
warming up, intonation,
bowing, fingering,
tempos, dynamics, and
playing
musically
Specifi
c instructions for the
individual
pieces
Lists of
supplementary original
literature
The
pieces are also effective
as scored for
chorus.
Fo(u)r Strings Quatuor à cordes: 2 violons, alto, violoncelle Deutscher Verlag für Musik
String Quartet SKU: BR.DV-31106 20 Easy to Intermediate Pieces for Str...(+)
String Quartet
SKU:
BR.DV-31106
20
Easy to Intermediate
Pieces for String
Quartet. Composed by
Eva-Maria Neumann.
Chamber music; Folder.
Deutscher Verlag.
For
a successful approach to
quartet playing
Music pedagogy. Score and
parts. 176 pages.
Deutscher Verlag fur
Musik #DV 31106.
Published by Deutscher
Verlag fur Musik
(BR.DV-31106).
ISBN
9790200415827. 9 x 12
inches.
Making
music in a quartet
uniquely nurtures young
string players' musical
development, ensemble
playing, listening to
each other, and
intonation. So, what
could be more obvious
than introducing the
scoring of this genre,
often referred to as
chamber music's supreme
discipline, as early as
possible.
Indeed,
composers have all along
advised the classical
string quartet's
outstanding compositions,
but they are hardly easy
to play for beginners.
Here, with the present
collection, is where
Eva-Maria Neumann comes
in.
The two
volumes
include
A
total of 20 easy to
intermediate arrangements
of pieces from Bach to
Bartok, together with
specifically composed
ones in string-quartet
friendly keys
Reading
scores and individual
parts
additionall
y, individual part for
violin III instead of
viola
Tips on
warming up, intonation,
bowing, fingering,
tempos, dynamics, and
playing
musically
Specifi
c instructions for the
individual
pieces
Lists of
supplementary original
literature
The
pieces are also effective
as scored for
chorus.