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| Lalo Schifrin: Mission:
Impossible Theme: String
Quartet: Score & Parts
Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire
Hal Leonard
Pops For String Quartet-One of the hottest movie themes of all time is now avail...(+)
Pops For String Quartet-One of the hottest movie themes of all time is now available for string quartet.
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| Stringworks: Film Themes:
String Quartet:
Instrumental Album
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Chester
A series of popular music for working string quartets. Light enjoyable repertoir...(+)
A series of popular music for working string quartets. Light enjoyable repertoire pieces and entertaining encores. Each folio contains five pieces. Contents: 'Moon River' 'Schindler's List' 'Speak Softly Love' 'Theme FromE.T.' 'A Whole New World'.
Délais: En Stock |
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| Fiser Lubos - Variations
On An Unknown Theme - For
String Quartet
Quatuor à cordes: 2 violons,
alto, violoncelle
Barenreiter
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music i...(+)
Lubo? Fi?er (1935?1999) was one of the most distinctive figures of Czech music in the 20th century and composed the Variations on an Unknown Theme in 1976.
The ?unknown theme? was a prankish eight-bar theme from Fi?er?s student days. In the elation following the home-team win over Canada on 15 March 1959, he made a bet with his colleague Kalach to compose a concert piece for violin and orchestra with the working title ?Canada-Rondo?. The whimsical contest was abandoned, but Fi?er did not forget the theme and he later created variations on it for his new composition for the Talich Quartet.
The Variations on an Unknown Theme have now been published for the first time ever. This edition is based on the autograph of the score which is housed in the Czech Museum of Music in Prague.
Délais: Sur commande |
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| Wolfgang Amadeus Mozart:
Theme from Piano Concerto
KV467: String Quartet:
Score
Quatuor à cordes: 2 violons,
alto, violoncelle
Fentone Music
Elvira Madigan-This lovely theme from Mozart's Piano Concerto has been beautiful...(+)
Elvira Madigan-This lovely theme from Mozart's Piano Concerto has been beautifully arranged for string quartet.
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| Zygmunt Noskowski:
Variations and Fugue on a
Theme of Viotti: String
Quartet:
Quatuor à cordes: 2 violons,
alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Variations and Fugue on a Theme of Viotti
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| Michael Giacchino: The
Incredibles (Main Theme):
String Quartet
Quatuor à cordes: 2 violons,
alto, violoncelle
Hal Leonard
15.99 GBP - vendu par Musicroom GB |
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| Gustav Holst: Theme From
The Planets - String
Quartet: String Quartet:
Score &
Quatuor à cordes: 2 violons,
alto, violoncelle
Fentone Music
Jupiter’s Theme is probably the best known of melodies from the Gustav Ho...(+)
Jupiter’s Theme is probably the best known of melodies from the Gustav Holst epic orchestral work The Planets. This arrangement for string quartet will bring a feel of patriotism to any concert as it is also the melody to ‘I Vow To Thee My Country’.
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| Bernard Stevens: Theme &
Variations: String
Quartet: Score
Quatuor à cordes: 2 violons,
alto, violoncelle
Alfred Lengnick
9.99 GBP - vendu par Musicroom GB |
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| Bernard Stevens: Theme
and Variations: String
Quartet: Parts
Quatuor à cordes: 2 violons,
alto, violoncelle
Alfred Lengnick
14.99 GBP - vendu par Musicroom GB |
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| Streichquartett Nr. 1:
String Quartet: Score and
Parts
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Bote and Bock
For Isang Yun String Quartet No. 3 from 1959 marked the beginning of his Europe...(+)
For Isang Yun String Quartet No. 3 from 1959 marked the beginning of his European creative phase and of his official canon of works. Now it is possible to encounter Yun's early works from his Korean period in the form of his String Quartet No. 1 (1955). Three important 10-minute movements containing references not only to Asia but also to Ravel Bartók and Eastern European folk music and having an idiosyncratic structure: Yun lines up forms and figures makes them emerge from each other in a contrasting manner and assembles them into a mosaic-like whole seeking for integration laying down his material in layer upon layer and ending themovements with a rhythmic unison. […] Even then he probably regarded a work of art as an energetic stream of sounds and as a reflection of a world whose diverging parts weave into a harmonic whole. (Walter-Wolfgang Sparrer)
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