| 4ème Quatuor A
Cordes Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Bote and Bock
Après une période de stagnation de la composition dans les années 1950, ce qu...(+)
Après une période de stagnation de la composition dans les années 1950, ce qui était dû principalement à la santé et les conséquences psychologiques des conditions de vie à Auschwitz et dans les camps de travail allemands, Laks connu dans les années 1960, une fois un mariage de composition avant son travail en réaction à la guerre des Six Jours en 1967 et les pogroms en Pologne en 1968 à nouveau venu à un arrêt. Les oeuvres des années 1960 ont vu des spectacles d'artistes renommés et ont remporté des prix importants, tels la composition en tant que quatrième en 1962 causé Quatuor à cordes, qui en 1965 emporta le premier prix dans la 'Reine Elizabeth' concurrence à Bruxelles. Le président du jury Roland Manuel fait l'éloge du savoir-faire magistral, une structure claire et sophistiqué de la musique et a souligné leurs racines dans la tradition française et polonaise. / Quatuor A Cordes / 88 pages / Partition
32.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| String Quartet No. 4
(LERDAHL FRED) Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées] Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...(+)
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music.
My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern.
My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
167.61 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Bent Sørensen: String
Quartet No.2 'Adieu':
String Quartet:
Instrumental Work Quatuor à cordes: 2 violons,
alto, violoncelle Wilhelm Hansen
Score available: KP30120 The composer writes:The slow choral-like music which in...(+)
Score available: KP30120 The composer writes:The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval munks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral and the agitating figures inthe first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.
34.99 GBP - vendu par Musicroom GB |
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| Bent Sørensen: Adieu -
String Quartet No. 2:
String Quartet: Study
Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Wilhelm Hansen
Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow chora...(+)
Study score to Bent Sørensen's Adieu for String Quartet (1986).The slow choral-like music which initiates 'Adieu' was the result of an image or almost a dream that I had. Without being able to explain why I imagined a procession of people maybe medieval monks wearing large gray mantles with Ku-Klux-Klan-like white cowls on their heads something like a funeral procession. The title Adieu is partly a comment on this funeral procession but also used because the piece is split up by three slow-ascending glissandi a kind of 'farewell glissandi' which removes the intervening music. The first absorbing glissando is soft and removes both the slow funeral choral andthe agitating figures in the first half of the piece. The second glissando is given only to the cello and crawls out from the elegiac melodies in the middle part. The third and 'final' glissando is intense and agitating and prepares the way for the end of the piece. This end primarily deals with the relationship fast - slow. This relationship is turned topsy turvy: the music gets faster and faster until it is so fast that it suddenly becomes slow so slow in fact that it is very quickly able to become extremely fast again.Bent Sørensen
15.50 GBP - vendu par Musicroom GB |
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| Per Nørgård: String
Quartet No.8 'Night
Descending': String
Quartet: Study Score Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur d'étude / Miniature] Wilhelm Hansen
This is the Study Score edition of Per Nørgård's String Quartet No.8 'Nigh...(+)
This is the Study Score edition of Per Nørgård's String Quartet No.8 'Night Descending'. Programme note: This piece is based on 5 sections from my chamber opera Nuit des homme where a string quartet is the leading instrumental ensemble. Even though the subject is The Great War (1st World War) the plot is on a psychological level and follows the development of a couple - in poems of Guillaume Apollinaire. The couple's war enthusiasm in the beginning is replaced by horror and in the end dehumanizing. The five movements of the quartet express phases in this process: from the Eulogy of the prologue praise of the The Sun of Gold above the humananimal - a rhythmic tense and still more and more militaristic movement - to The Journey whose enlargement of conscience due to the exhausting tempo of the new era is suddenly stopped in the fourth movement carrying the title of the piece and expressing the calm before storm not as a blessing of peace but as a latent anxiety. In the epilogue of the fifth movement the theme of the prologue reappears but it is changed from hymn to elegy. The quartet is dedicated to the Zapolsky Quartet who took part in the world premiere of the opera in September 1996. Per Nørgård 1997
26.99 GBP - vendu par Musicroom GB |
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| Russian Gypsy Song
(NAULAIS JEROME) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Avancé Editions Marc Reift (Swiss import)
Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Difficile / Rép...(+)
Arrangement: Naulais Jérôme. Par NAULAIS JEROME. / Niveau : Difficile / Répertoire / Quatuor à Cordes (2 Violons, Alto et Violoncelle)
33.20 EUR - vendu par LMI-partitions Délais: 7-9 jours |
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| HeiSSA Troika (Russian
Gipsy Waltz) (COURREGES
ERIC) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire Martin, Robert
Par COURREGES ERIC. 1'45 / Niveau : Cycle 3 / Musique de Chambre / Répertoir...(+)
Par COURREGES ERIC. 1'45 / Niveau : Cycle 3 / Musique de Chambre / Répertoire / Quatuor à Cordes
11.74 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Rasposchol Russian Gypsy
Air (COURREGES ERIC) Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] - Intermédiaire Martin, Robert
Par COURREGES ERIC. 2'20 / Niveau : Cycle 3 / Musique de Chambre / Répertoir...(+)
Par COURREGES ERIC. 2'20 / Niveau : Cycle 3 / Musique de Chambre / Répertoire / Quatuor à Cordes
17.28 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Gypsy Baron Overture Quatuor à cordes: 2 violons,
alto, violoncelle Theodore Presser Co. 23.00 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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