4 saxophones (SATBar or AATBar) SKU: M7.DOHR-17674 English Christmas C...(+)
4 saxophones (SATBar or
AATBar)
SKU:
M7.DOHR-17674
English Christmas
Carols. Arranged by
Albert Loritz. Sheet
music. Score and parts,
sax culture Vol. 24. 40
pages. MDS (Music
Distribution Services)
#DOHR 17674. Published by
MDS (Music Distribution
Services)
(M7.DOHR-17674).
ISBN
9790202036747.
Vier
im Charakter sehr
unterschiedliche
englische
Weihnachtslieder wurden
hier zu einem
wirkungsvollen festlichen
Rondo zusammengestellt:
Once in royal David's
city (Melodie von Henry
Gauntlett) bildet den
Refrain. Dazwischen
stehen drei traditionelle
englische
Weihnachtslieder: Here we
come a-wassailing God
rest you merry, gentlemen
I saw three ships come
sailing (Albert
Loritz).
4 Saxophones SATBar SKU: AP.1-ADV7638 For SATBar Saxophone Quartet...(+)
4 Saxophones SATBar
SKU: AP.1-ADV7638
For SATBar Saxophone
Quartet. Composed by
Valentin Hude. Quartet;
Solo Small Ensembles;
Woodwind - Saxophone
Quartet. Advance Music.
Jazz. Score and Part(s).
Advance Music
#01-ADV7638. Published by
Advance Music
(AP.1-ADV7638).
UPC:
805095076387.
English.
Frequently
, one is in search of a
suitable ensemble piece
where each member can
present himself with a
playable solo part.
Welcome to New Orleans
offers you and your
musicians this
possibility. Using a fast
swing rhythm, the author
describes in this
composition the modern
and the old New Orleans
and its colorful history.
Due to its
compatibility---available
are editions for
saxophone, clarinet, and
brass quartet---this
piece enables you to put
together your own small
New Orleans band, e.g.
consisting of a clarinet,
a trumpet, a tenor
saxophone, and a
trombone. That's almost
like playing music in the
good old times!
Irish
Folksong (for
SATBar/AATBar Saxophone
Quartet). Arranged by
Frank Reinshagen.
Quartet; Solo Small
Ensembles; Woodwind -
Saxophone Quartet.
Advance Music. Folk;
Traditional. Score and
Part(s). Advance Music
#01-ADV7623. Published by
Advance Music
(AP.1-ADV7623).
UPC:
805095076233. English.
Traditional.
Writin
g these arrangements,
Frank Reinshagen has
created little
masterpieces, which
broaden the rhythmical
and harmonic context of
the original tunes in an
interesting manner
without detracting from
their archaic and
melancholic character.
These original tunes have
been borrowed from the
Irish, Scottish, and
Gaelic musical tradition.
These through-composed
arrangements are rather
easy to perform from the
rhythmical and technical
point of view. Yet, they
are quite demanding in
respect of the key they
are written in, their
intonation and,
especially, their
interpretation. Their
different
instrumentations are
fully compatible with
each other and, due to
their overall structure,
they are also suitable to
be played with
multi-scored parts. The
original of The Sons of
Liberty is of a more
recent date and goes back
to the time when the King
of England forced the
Irish farmers' sons to go
to war in America against
their own fellow
countrymen who were
striving for freedom
there. The arrangement
conveys the impression of
a vigorous forward motion
created by a recurring
and changing riff.
Although it is written in
a somewhat more difficult
key (E minor), it is not
too exacting from the
technical point of
view.