Saxophone Alto Et Piano-My First Eight Solos by Armando Ghidoni is a set of eig...(+)
Saxophone Alto Et Piano-My First Eight Solos by Armando Ghidoni is a set of eight Alto Saxophone solos for beginners with Piano accompaniment. These pieces all quite melodic and entertaining enable young players to work on solo pieces aside from the regular studies and exercises. The solos also appear in order of increasing difficulty: 1. Très simple (Very easy) 2. Noir et blanc (Black and White) 3. En Harmonie (In harmony) 4. Promenade en roller (On rollers) 5. Broadway et moi (Broadway and me) 6. En bateau le Mississipi (The Mississipi on a boat) 7. Sous les étoiles deSanta Fé (Under the stars in Santa Fé) 8. Grand Canyon Express (Grand Canyon Express) This set of solos can also be played by a Tenor or a Soprano Saxophone. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He is edited since 1989 by Alphonse Leduc.
Famous Pieces By G. F. Handel For Eb Alto Saxophone And Piano – Vol. 2 is...(+)
Famous Pieces By G. F. Handel For Eb Alto Saxophone And Piano – Vol. 2 is an anthology of four pieces arranged for Alto Saxophone and Piano by Marcel Mule. This second book features four sonatas all composed initially by G. F. Handel and part of the collection “Saxophone Classics” by Mule. - First sonata: Flute and Piano - Second sonata: Violin and Piano - Fourth sonata: Flute and Piano - Sixth sonata: Violin and Piano Each sonata should be played separately and their level of difficulty is quite challenging which would match the abilities ofupper intermediate / advanced players who have mastered their breathing. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou Études' 'Exercices Journaliers d’après Terschack' or '30 Grands Exercices ou Études d’après Soussmann' (in two books) among others.
Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) was a small c...(+)
Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) was a small concerto for alto-saxophone and eleven instruments: Flute Bassoon Oboe Horn Trumpet and Strings. This score is for Alto Saxophone and Piano. This Concertino is in two movements Allegro con moto and Larghetto – Animato Molto is dedicated to the saxophonist Sigurd Rascher and is standing out for its large use of the Alto-Saxophone. It can be technically challenging and has a strong lyrical part. Its author Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed manysymphonic suites operas and seven orchestras including Angelique (1926) and Divertissement (1930). He was also in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with his Flute Concerto (1934) also published by Alphonse Leduc.
Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi ...(+)
Composed in 1949 the Concerto pour saxophone alto et orchestra by Henri Tomasi (1901-1971) was dedicated to Marcel Mule a renowned French Saxophonist. It was written as a Paris Conservatoire Contest piece and was performed by Mule himself in 1949. This publication is the Alto Saxophone and Piano adaptation of the Concerto. Written in two movements it begins with a secretive introduction leading to a cadenza that reminds of the introduction. It follows on the second part with an Allegro which finishes unexpectedly on an intense suite of fast notes to congregate on a strong Largo. Henri Tomasi is the French composer conductor and winner of the Grand Prix de Rome in 1927 He composed a variety of concerti (16) for Trumpet Violin Viola Clarinet Trombone Horn Oboe Flute as well as Ballets Orchestra Ballades and other pieces.
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...(+)
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
Prélude Cadence Et Finale is a piece for Alto Saxophone and Piano written by A...(+)
Prélude Cadence Et Finale is a piece for Alto Saxophone and Piano written by Alfred Desenclos in 1956 as a Paris Conservatoire Contest piece. Dedicated to Marcel Mule the famous French Saxophonist Prélude Cadence et Finale is divided into three parts and presents many compositional techniques characteristic of the Impressionist period. Prélude the first section introduces recurring rhythmic parts and develops themes that will reappear throughout the piece. The second section Cadence corresponds to a dynamic Saxophone cadenza. The Finale is quite dramatic and uses some of the elementsthat previously appeared in the piece. Alfred Desenclos (1912-1961) is a French Composer who won the Prix de Rome in 1942. He also composed masses such as Messe de Requiem and other pieces for Double Bass Harp Flute Trumpet or French Horn.
Aria written in 1930 by Jacques Ibert (1890-1962) is a small study initially f...(+)
Aria written in 1930 by Jacques Ibert (1890-1962) is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge ofthe Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.
Groove Lab is a series designed and composed by Andy Hampton and David Motion fo...(+)
Groove Lab is a series designed and composed by Andy Hampton and David Motion for the development of jazz playing and improvisation skills. While the books are aimed at individual learning, they can be flexible and can also accommodate a large group or class situation.
Groove Lab (Alto Sax/CD) is ideal for teaching children with basic musical understanding the art of improvisation and some jazz technique. This book, with CD backing, will give saxophone players the chance to play familiar, popular styles and rhythms at relatively early stage. Books are also available for electronic keyboard, flute , clarinet and alto sax. Each book is accompanied by a CD of backing tracks for an enhanced learning experience.
6 Favourite Pieces: Adagio Larghetto et Final from Violin Sonata No.4; Allegro...(+)
6 Favourite Pieces: Adagio Larghetto et Final from Violin Sonata No.4; Allegro from Flute Sonata No.3; Allegro Largo et Final from Violin Sonata No.3; Gavottes; Largo; Sicilienne et Gigue from Flute Sonata No.5
Take the lead Flute on these classic ballads carefully selected and edited for a...(+)
Take the lead Flute on these classic ballads carefully selected and edited for alto saxophone with chord symbols in concert pitch. The accompanying CD includes full backing tracks professionally arranged and recorded and full demonstration recordings to help you learn the songs.
The complete resource for the Grade 4 saxophonist. Par . La série Grade By Grad...(+)
The complete resource for the Grade 4 saxophonist. Par . La série Grade By Grade (De degré par degré) explore le catalogue riche et diversifié des répertoires classique, contemporain et pédagogique dont dispose Boosey and Hawkes et met l?accent sur des compositeurs tels que Serge Prokofiev, Dimitri Chostakovitch, Karl Jenkins, Carol Barratt et Christopher Norton, à côté d?arrangements de musiques traditionnelles du monde entier réalisé, entre autres, par Peter Wastall et Vera Gray. Compilée minutieusement par Janet Way, cette anthologie pratique fournit un répertoire complet à l?apprenti saxophoniste de niveau 4 et constitue un ensemble idéal regroupant démarche pédagogique, préparation aux examens et pièces de concert. Chaque volume contient : un choix de morceaux, et d?études brèves, complété de conseils pour la pratique et l?interprétation les gammes et arpèges correspondent au répertoire de chaque niveau détaillés dans des exercices spécifiques de tous nouveaux exercices de déchiffrage e d?improvisation des pratiques inédites de formation auditive un cahier d?accompagnements de piano Des démonstrations interprétatives complètes, des pistes d?accompagnement de piano et des ressources de sensibilisation auditive pour différents niveaux sont disponibles en streaming ou téléchargement. nterprète réputée et pédagogue émérite, Janet Way est professeur à la section LRAM (Licenciate of the Royal Academy of Music) du département des bois de la Royal Academy of Music. Elle a exercé les fonctions de conseillère et d?examinatrice de l?Associated Board of the Royal Schools of Music. Elle dirige l?Oxford Flute Summer School (Académie d?été de flûte d?Oxford) de renommée mondiale, dont elle est la fondatrice. / Niveau : Facile / Date parution : 2024-01-06/ Recueil / Saxophone Alto et Piano
Teachers seeking further material for their pupils to relish and enjoy but witho...(+)
Teachers seeking further material for their pupils to relish and enjoy but without searching through quantities of music that is technically too challenging or inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces suitable for the first 3 - 4 years of tuition from classical to modern and studies of all kinds. The pieces are presented in three groups: levels 1 2 and 3 providing a variety of tempting repertoire at each level. These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp. Selections include works by G. P.Telemann G. F. Handel W. A. Mozart Ludwig van Beethoven Franz Schubert Pyotre Tchaikovsky Erik Satie Béla Bartók and Arvo Pärt. Further pieces include: The Skye Boat Song ord of the Dance Morning has Broken Londonderry Air and The Irish Washerwoman. Pieces in jazzy and latin styles by James Rae and John Reeman.