Par NANTE ALEX. Le rapport entre l'allure générale apparemment improvisatoire et une métrique incontournable fait de ces Trois nocturnes une excellente introduction, à l'univers de Claude Debussy. Cette oeuvre s'adresse aux élèves de 3e cycle des conservatoires régionaux qui recherchent une maîtrise très subtile des dynamiques au saxophone soprano. Ils auront plaisir à développer une véritable relation de musique de chambre avec leur partenaire pianiste pour acquérir calme et vigilance dans une conscience commune de l'équilibre des tempos. Claude Delangle / Niveau : 3ème Cycle / Répertoire / Saxophone Soprano et Piano

This is the first work composed by Dave Heath. It was written in 1978 after fellow flautist Richard Blake asked him to compose a jazz piece.Out of the Cool is based on the chords and rhythm of modern jazz fully notatedand in classical format.This version is for Soprano Saxophone and Piano.

Par ROKITA LIONEL. Oeuvre imposée au concours de Saxophone Parisien (3e édition) Pièce pour saxophone soprano ou ténor et piano collection Arc en Ciel / Niveau : Intermédiaire / classique / Répertoire / Saxophone et Piano

Par LONDEIX JEAN-MARIE. / Niveau : Elémentaire / classique / Répertoire / Saxophone Soprano et Piano

Arrangeur : Shrude, Marilyn / from Fearful Symmetries / soprano saxophone and piano

Par LONDEIX JEAN-MARIE. / Niveau : Débutant / classique / Répertoire / Saxophone Soprano et Piano

Par DOBBINS BILL. Cette oeuvre combine, assoeie les éléments musicaux des deux traditions contemporaines 'classique” et jazz. Elle fut écrite, en partie, avec l'intention de stimuler l'intérêt grandissant de franchir les frontières entre le jazz et la musique classique, et d'encourager les musiciens créatifs à devenir familier avec le vocabulaire et l'éxécution musicale des deux musiques./ Répertoire / Saxophone Soprano et Piano

Par PIGNOT YVES. Cette sonate a été écrite à la demande de Stéphane Sordet, professeur de saxophone au Conservatoire de Brest./ Répertoire / Saxophone Soprano et Piano

RANT! is a portrait of the saxophonist Jess Gillam: her energy, her sound and her presence, painted in music from her own part of England. A ?rant? in the tradition of English folk music is an energetic dance and means ?to make merry? a reflection of Jess?s fearless and exuberant performances. RANT! draws on Cumbrian folk tunes sourced from Ed Heslam?s unique folk music resource Music of Cumberland and Westmoreland, as well as several tunes composed by Ed himself. This advanced piece is suitable for soprano saxophone or clarinet with piano accompaniment.

for soprano saxophone and chamber orchestra. Par BRYARS GAVIN. The piece is dedicated to John Harle and the Bournemouth Sinfonietta, who commissioned it with funds made available by South West Arts. It makes use of the saxophone's ability to play long expressive melodic passages, and was written too, having seen the Sinfonietta perform, with some of its individual players in mind. Although played without a break, the piece does fall into a number of recognisable sections delineated by a change of tempo, or by a substantial shift of texture. For example, shortly before the end, there is a passage where the saxophone is accompanied by 21 solo strings - the entire string section playing divisi, followed by a coda, which contains simultaneous 'laments' (for saxophone, cor anglais, French horn, and solo violin). The Green Ray is the title of a romantic novel by Jules Verne, set in the West of Scotland, in which a peculiar atmospheric phenomenon plays the key part. A 'green ray' is seen at sunset in certain latitudes, and in certain coastal conditions, just as the sun touches the horizon and, for a brief moment, the orange sun emits a green ray of light. In the Verne story the simultaneous sighting of the ray will seal a couple's love, and the attempts of a young man to do this are constantly frustrated (by sudden clouds, by a yacht passing along the horizon, and so on). This part of Western Scotland is also the place where certain piping traditions originated. Male pipers practised in one cave on the seashore, females in another ( the 'piper's cave' and the 'pigeon's cave'). As they played their laments at twilight a triangulation, similar to that in the Verne story (male-ray-female) may well have occurred without the knowledge of the innocent participants, hence the sequence of simultaneous laments in the coda. On one occasion I witnessed the green ray in Southern California. I was returning along the coast after having climbed up Mt. Tecate, on the top of which is a house, now empty, where Evans-Wentz translated The Tibetan Book of the Dead. Gavin Bryars./ Répertoire / Saxophone Soprano et Piano

Par LAPERTEAUX FRANCIS. Langue: Deutsch/ Répertoire / Saxophone Soprano et Piano