(Pauken-Messe). By Franz Joseph Haydn (1732-1809). Edited by Hochstein, Wolfgang. For Soli SATB, SATB Choir, Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: paperbound. Hob. XXII:9. Masses, Latin. Level 3. Score. Language: Latin. Composed 1796. 224 pages. Duration 40 min

(Kyrie-Gloria-Messe (Lutherische Messe)). By Johann Sebastian Bach (1685-1750). Edited by Leisinger, Ulrich. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Oboes, 2 Violins, Viola, Basso continuo. This edition: paperbound. BWV 236. Full score available separately - see item CA.3123600. Masses, Latin, Incomplete Masses (also Kyrie and Gloria); Stuttgart Urtext editions. Level 3. Piano/Vocal score. Language: Latin. Composed 1742 (terminus ante quem). 52 pages. Duration 30 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Janz, Bernhard. Arranged by Paul Horn. For Soli SATB, SATB Choir, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 275 (272b). Missa brevis, Latin; Stuttgart Urtext editions. Level 3. Score. Language: Latin. Composed 1777. 52 pages. Duration 24 min

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Graulich, Gunter. For Soli STTBB, SATB Choir, 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ. This edition: paperbound. Psalms, German; Stuttgart Urtext editions; Occasions: Psalms; Use during chuch year: Trinity. Level 3. Score. Language: German/English. Composed 1837. 42. 96 pages. Duration 24 min

By Franz Joseph Haydn (1732-1809). Edited by Kalisch, Volker / Ballstaedt, Andreas. For Soli SATB, SATB Choir, 2 Oboes, Bassoon, 2 Trumpets, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: paperbound. Hob. XXII:8. Full score available separately - see item CA.4060600. Masses, Latin. Level 3. Piano/Vocal score. Language: Latin. Composed 1782. 56 pages. Duration 34 min

By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)

Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3

SKU: CA.1025000

Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000).

ISBN 9790007251826. Key: D major. English.

�??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!�?� �?? this exclamation opens the final chorus of Henry Purcell�??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Cecilia�??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexander�??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Cecilia�??s Day, HWV 76 (Carus 55.076).Purcell�? ?s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the �??Orpheus Britannicus�?�, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century

Orchestra Soli STB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb, Org - Grade 3

SKU: CA.4068700

Composed by Robert Schumann. Edited by Hansjörg Ewert. Carus digital: Extra digital products. Full Score. Composed 1852. Op. 147. Duration 40 minutes. Carus Verlag #4068700. Published by Carus Verlag (CA.4068700).

ISBN 9790007239701. Key: C minor. Latin.

A mass setting by Robert Schumann? This is still likely to cause surprise among audiences �?? after all, Schumann is not generally viewed as a sacred composer. Indeed, his little-known late work, the Missa sacra, Op. 147, is a discovery not just for listeners but often for the performers themselves. The mass combines an acute fascination with sacred liturgy typical of Schumann�??s time with the pragmatism of its intended use by a local choral society. The composer employs his considerable skills to create a captivating and varied score that is almost ethereal in the Kyrie, leading to passages of an intimate and lyrical piano that alternate with fortissimo for words of praise, while always displaying the utmost sensitivity and a delight in dissonance. The composer declared his setting to be �??fashioned with great love�?�. The demanding orchestral mass can be realized with limited means. The solo parts can be filled from the choir. The work, which the composer himself did not have published, is here reissued on the basis of Schumann�??s partial autograph score. Carus has also produced an arrangement of the work for choir and organ, enabling performances without orchestra in smaller venues (Carus 40.687/45).

Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3

SKU: CA.2732111

Composed by Niccolo Jommelli. Edited by Julia Rosemeyer. Violin 1. Sacred vocal music, Requiem. Part. Duration 48 minutes. Carus Verlag #CV 27.321/11. Published by Carus Verlag (CA.2732111).

ISBN M-007-25435-3. Latin.

The best-known setting of the Requiem Mass before Mozart's unfinished work is by the celebrated opera composer Niccolo Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli's time as Kapellmeister at the court of the Wurttemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in the solo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli's composition, the Appendix contains settings by another composer from his circle, Nicola Sala. * The best-known setting of the Requiem Mass before Mozart * First critical edition * Effective choral movements with numerous suspended dissonances and solo/tutti alternation * Scored for small instrumental forces of strings and organ.

Soprano voice solo, SATB choir, congregation, violin, viola, organ - Level 3

SKU: CA.5040619

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: Meinen Jesum lass ich nicht. Sacred vocal music, Wedding, Baptism. Set of Orchestra Parts. Composed 1906. Op. WoO V/4 Nr. 4. Duration 9 minutes. Carus Verlag #CV 50.406/19. Published by Carus Verlag (CA.5040619).

ISBN 9790007138363. Key: G major. Language: German/English.

The chorale cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are the only major works in this field by one of the foremost composers of his time. In order to make Reger's choral works more widely usable in English-speaking countries, the publishers have added a singable English translation to the voice parts. Score and parts available separately - see item CA.5040600.

2 solo soprano voice, Mixed choir-SATB (Soprano solo (2), Mixed choir (SATB)) - Level 3

SKU: BA.BA00753

Motette zum Reformationsfest. Composed by Hugo Distler. Stapled. Aus Geistliche Chormusik op. 12 (1934-1941). Sacred. Choral score. No. 3. Baerenreiter Verlag #BA00753_00. Published by Baerenreiter Verlag (BA.BA00753).

ISBN 9790006405183.

Prin t on demand (POD).

Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2 violins, viola, basso continuo, [timpani]. Stuttgart Urtext Edition. German title: Dixit Dominus. Cantatas, Motets, Epiphany, Daily hours. Level 4. Complete orchestral parts. Language: Latin/English. RV 594. Duration 25 minutes. Published by Carus Verlag

(Psalmkantate). By Georg Philipp Telemann (1681-1767). Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 1-2 Recorders f1, 2 Oboes, Trumpet, 2 Violins, Viola, Basso continuo. This edition: Paperbound. F-Dur (F major). Stuttgart Urtext editions. Cantatas, Psalms, German, Praise and thanks, Psalms. Level 4. Full score. Language: German/English. TVWV 7:14. 80 pages. Duration 25 min. Published by Carus Verlag

By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, SATB Choir, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. This edition: paperbound. Full score available separately - see item CA.4045500. Oratorios; French Sacred Music; Use during church year: Christmas. Level 3. Piano/Vocal score. Language: Latin. 12. 52 pages. Duration 40 min

By Heinrich Schutz (1585-1672). Edited by Graulich, Gunter. Arranged by Paul Horn. For SATB/SATB Favorit-Chor (Antiphonal/Chamber Choir), [8 Instruements], Basso Continuo. This edition: paperbound. SWV 463. Psalms, German, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Psalms; Use during chuch year: Easter and Eastertide. Level 3. Score. Language: German/Latin. Composed 1650-51. 8 pages. Duration 3 min

By Antonio Vivaldi (1678-1741). For Solo Soprano, SATB/SATB Choir 2 Orchestras: 2 Violins, Viola, Basso continuo, [Oboe]. This edition: paperbound. RV 593. Stuttgart Urtext editions; Occasions: Daily hours. Level 3. Score. Language: Latin/English. 36 pages. Duration 8 min

By Michael Haydn (1737-1806). Edited by Sherman, Charles H.. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, 2 Trumpets, (3 Trombones), Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 155. Requiem; Sacred Music from Salzburg; Occasions: Mourning, Death. Level 3. Score. Language: Latin. Composed 1771. 120 pages. Duration 35 min

By Johann Ernst Bach. For Soli SATB, SATBB Choir, 2 Violins, Viola, Basso continuo. This edition: paperbound. Magnificat; Use during church year: Christmas. Level 3. Score. Language: German/English. 40 pages. Duration 13 min