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| Johann Sebastian Bach:
Cantata BWV 140 Wachet
auf ruft uns die Stimme:
Mixed
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...(+)
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the NewBach Edition Study score format 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
Délais: En Stock | | |
| Franz Schubert: Mass In
B-Flat Major Op.Post.141
D 324: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Barenreiter
Despite the pressures of his teaching position Franz Schubert created a particu...(+)
Despite the pressures of his teaching position Franz Schubert created a particularly large number of works in the year 1815. Besides around 140 new Lieder he composed the second and third symphonies four stage works the first important compositions for piano the String Quartet in G minor (D 173) and two Masses: the Mass in G major (D 167) and the Mass in B-flat major the object of this edition. Considering that the Mass in F major (D 105) was written from May to July 1814 and the Mass in C major (D 452) during June and July 1816 we can see that Schubert composed four of the six complete Mass settings which have survived from his hand within the short span of twoyears.The Mass was presumably first performed in Lichtental shortly after its completion. The fact that some partly autographic parts the organ part three soprano and three alto parts were made around 1820 seems to point to a second performance. And from Schubert’s brother Ferdinand we know that the Mass was performed a third time at the parish church in Hainburg at the beginning of October 1824 since Ferdinand played the organ on that occasion. The Mass was first issued in 1837 as Opus 141 by the Viennese publisher Tobias Haslinger.Urtext of the New Schubert EditionFull score performance material (BA5621) and vocal score (BA5621-90) available for sale
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| Johann Sebastian Bach:
Kantate 40 Dazu ist
erschien: Score
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
Kantate 40 Dazu ist erschien
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| Wolfgang Amadeus Mozart:
Missa brevis in G major
K.140: Mixed Choir: Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier [Partition]
Barenreiter
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that i...(+)
The Missa brevis K.140 (Anh. 235d = No. 5) occupies a special position in that it comes close to a pastoral mass a type not otherwise represented in Mozart?s mass oeuvre. As in no other setting of the Ordinary songlike graceful melodies predominate; only the main part of the Credo and the first section of the Agnus Dei stand out with their serious solemn mood.New important evidence for the work?s authenticity has come to light through the discovery of old parts that were written at a time in which a false attribution of another composer?s work to Mozart would not have been possible: a copy at Kremsmünster Monastery which according to Altman Kellner was writtenin Salzburg ?ca. (soon after) 1770? and a copy from Heilig Kreuz Kloster Augsburg of which thirteen parts contain autograph markings by W. A. Mozart. The master?s hand is unmistakable.Urtext of the New Mozart EditionFull score performance material (BA4736) and vocal score (BA4736-90) available for sale.
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| Johann Sebastian Bach:
Kantate 140 Wachet auf
ruft: Score
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
Kantate 140 Wachet auf ruft
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| Wolfgang Amadeus Mozart:
Missa brevis in G
KV140(C1.12): Score
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
Missa brevis in G KV140(C1.12)
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| Wolfgang Amadeus Mozart:
Missa brevis in G
KV140(C1.12): Study Score
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
Missa brevis in G KV140(C1.12)
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| Canticle Of Joy (RIDOUT
ALAN)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Kevin Mayhew
Par RIDOUT ALAN. Durée: 40',/ Recueil / Solistes, Choeur Mixte et Orchestre
Délais: 2-5 jours - En Stock Fournisseur | | |
| Kantate 140 Wachet Auf,
Ruft Uns Die Stimme (BACH
JOHANN SEBASTIAN)
Soli, choeur mixte et accompagnement [Partition]
Breitkopf & Härtel
Basso Continuo (Org.). Par BACH JOHANN SEBASTIAN. / Répertoire / Soliste, Choeu...(+)
Basso Continuo (Org.). Par BACH JOHANN SEBASTIAN. / Répertoire / Soliste, Choeur Mixte et Orchestre
Délais: 2-5 jours - En Stock Fournisseur | | |
| Kantate 40 Dazu Ist
Erschien
Soli, choeur mixte et accompagnement
Breitkopf & Härtel
/ Soliste, Choeur Mixte Et Orchestre
Délais: 2-5 jours - En Stock Fournisseur | | |
| Magnificat (TROTTA
MICHAEL JOHN)
Soli, choeur mixte et accompagnement
Walton Music
Luke 1:46-55. Par TROTTA MICHAEL JOHN. This seven-movement, 40-minute work for c...(+)
Luke 1:46-55. Par TROTTA MICHAEL JOHN. This seven-movement, 40-minute work for choir, soprano and bass soli, and orchestra delivers a tapestry of melodic richness to powerfully portray the anticipation of the wonder and mystery of the birth of a savior. The piano/vocal score may be performed in Latin or English based on the needs of the ensemble and performance. Movements are: Magnificat anima mea Dominum (SATB and orchestra); Quia fecit (soprano solo and orchestra); Ave rosa sine spinis (SATB, unaccompanied); Fecit Potentiam (SATB and orchestra); Ecce ancilla (SATB, unaccompanied);Esurientes (baritone solo and orchestra); Sicut locutus est (SATB and orchestra). Available with Chamber Orchestra (5-13 players) or Full Orchestra accopaniments. / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB, Solistes Soprano et Basse
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa In F (PLATTI
GIOVANNI BENEDETTO)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The firs...(+)
Tonalité : F-Dur - Horn, Paul (Arr.) -. Par PLATTI GIOVANNI BENEDETTO. The first edition of a Missa in F by Giovanni Platti [ca. 1690–1763] is a rarity. Platti served at the Court of the Counts of Schönborn-Wiesentheid, and during his more than 40 years of service at the Court he worked for more than five masters and each of them knew how to make use of his musical abilities. Thus, in addition to his position as a virtuoso oboist, singer and violinist, he was also entrusted with the musical education of musicians. The Missa in F major is primarily a composition for choir; it is very singable, its construction is transparent and it is accompanied by only four strings and an organ. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Alto et Bas
Délais: 2-5 jours - En Stock Fournisseur | | |
| Missa Sub Titulo Sancti
Francisci Seraphici
(Franziskus-Messe)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Clavier [Partition]
Carus Verlag
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worke...(+)
Tonalité : D-Dur - Mh 826. Par HAYDN JOHANN MICHAEL. Johann Michael Haydn worked for over 40 years at the Court of the Prince Bishop in Salzburg, in whose employment he composed most of his music. However, the Missa sub titulo Sancti Francisci Seraphici was composed in 1803 on commission from the Viennese Imperial Court, on the occasion of the name day of Emperor Franz I. Two years previously, his wife Empress Marie Theresia had already commissioned a large Mass with a gradual, an offertory and a Te Deum on the occasion of her own name day [Missa sub titulo Sanctae Theresiae, 50. 328]. Both Masses are impressive because of their size and their unusually large instrumental forces. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Trompett
Délais: 2-5 jours - En Stock Fournisseur | | |
| Hymn of Praise - Symphony
cantata - MWV A 18
(MENDELSSOHN-BARTHOLDY
FELIX)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Conducteur]
Carus Verlag
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann ...(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ?symphony for chorus and orchestra?? First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ?Everything which has breath, Praise the Lord?; one understands by this that first the instruments give praise in their own way, and then the chorus and the individual voices.' / Date parution : 2023-06-01/ Répertoire / Solistes [SST], SSAATB et Orchestre
Délais: 2-5 jours - En Stock Fournisseur | | |
| Elias
(MENDELSSOHN-BARTHOLDY
FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
Délais: 2-5 jours - En Stock Fournisseur | | |
| Elias
(MENDELSSOHN-BARTHOLDY
FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
Délais: 2-5 jours - En Stock Fournisseur | | |
| Elias
(MENDELSSOHN-BARTHOLDY
FELIX)
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Carus Verlag
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX....(+)
Ein Oratorium Nach Worten Des Alten Testaments. Par MENDELSSOHN-BARTHOLDY FELIX. Nur ein Jahr vor seinem Tod erzielte Felix Mendelssohn Bartholdy mit seinem Oratorium 'Elias' einen Erfolg, der ihn bis heute zu einem der beliebtesten Oratorienkomponisten gemacht hat. Von packender Dramatik und gleichzeitig von einer Innigkeit des Gottvertrauens, wie sie zu Mendelssohns Lebzeiten durchaus nicht mehr selbstverständlich war, bietet dieses Oratorium den Aufführenden eine Vielzahl an musikalischen Ausdrucksmöglichkeiten. Der alttestamentliche Bibeltext ist in den Rezitativen, Arien und Chorsätzen recht genau aufgenommen; um die Dramatik zu steigern, legt Mendelssohn ihn zum Teil dialogisch an und kommentiert ihn aus den Prophetenbüchern und demPsalter. Dadurch entsteht ein biblisches Drama, dessen 22 Abschnitte zu ausgedehnten, dramatischen Szenen zusammengefaßt sind. Allerdings können ohne weiteres auch einzelne Chorsätze aus dem 'Elias' herausgelöst und zu passenden liturgischen Gelegenheiten im Gottesdienst oder in geistlichen Konzerten aufgeführt werden. 'Bei einem solchen Gegenstand wie Elias . . . muß das Dramatische vorwalten. . . die Leute lebendig redend und handelnd eingeführt werden, . . . eine recht anschauliche Welt, wie sie im alten Testamente in jedem Kapitel steht, ' schrieb Mendelssohn an seinen Librettisten. Die 'anschauliche Welt' setzte er in packenden Baalschören, dramatisch durchkomponierten Szenen und schlichter Engelsmusik um. Die Carus-Neuausgabe von R. Larry Todd, Duke University/USA, gibt ausführliche Informationen über Entstehungsgeschichte und Quellenlage. / Oratorio / Répertoire / Solistes SATB, Choeur SATB, 2 Flûtes Traversières,
Délais: 2-5 jours - En Stock Fournisseur | |
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