Orchestra Soli STB, Coro SATB, Picc, 2 Fl, 2 Ob, 2 Clt, 4 Fg, 4 Cor, 2 Pist, 2 Tr, 3 Trb, Perc, Arpa, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2709504

Composed by Charles Francois Gounod. Edited by Frank Hondgen. XL in large print. Sacred vocal music, Masses, Latin, Whole church year / Omni tempore. Vocal score. CG 56. Duration 45 minutes. Carus Verlag #CV 27.095/04. Published by Carus Verlag (CA.2709504).

ISBN M-007-25274-8. Latin.

Shining rays stream from the 'Messe de sainte Cecile'. At first people were dazzled, then bewitched, then overcome. This is how the composer Camille Saint-Saens described his impression of what was probably Charles Gounod's best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cecile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality. Score available separately - see item CA.2709500.

Soli, SATB choir, orchestra (Soloists, Mixed choir (SATB), Orchestra) Composed by Camille Saint- Saens (1835-1921). Edited by Christina M. Stahl. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 12. Baerenreiter Verlag #BA11304. Published by Baerenreiter Verlag

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100313

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/13. Published by Carus Verlag (CA.3100313).

ISBN 9790007041465. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100312

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1725. BWV 3. 4 pages. Duration 27 minutes. Carus Verlag #CV 31.003/12. Published by Carus Verlag (CA.3100312).

ISBN 9790007041458. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100314

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, Epiphany. Single Part, Cello/Double Bass. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/14. Published by Carus Verlag (CA.3100314).

ISBN 9790007041472. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100319

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 3. Duration 27 minutes. Carus Verlag #CV 31.003/19. Published by Carus Verlag (CA.3100319).

ISBN 9790007135911. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100305

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/05. Published by Carus Verlag (CA.3100305).

ISBN 9790007041410. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score available separately - see item CA.3100300.

SATB vocal soli, SATB choir, 2 oboe d'amore, [horn, trombone], 2 violins, viola, basso continuo - Level 4

SKU: CA.3100309

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.003/21 oboe 1, 1x 31.003/22 oboe 2, 1x 31.003/31 horn, 1x 31.003/32 trombone. German title: Ach Gott, wie manches Herzeleid 4. Sacred vocal music, Cantatas, Epiphany. Set of Orchestra Parts. Composed 1725. BWV 3. 12 pages. Duration 27 minutes. Carus Verlag #CV 31.003/09. Published by Carus Verlag (CA.3100309).

ISBN 9790007041434. Key: A major. Language: German/English. Text: Moller, Martin. Text: Martin Moller.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and parts available separately - see item CA.3100300.

(2+1.2.2.4/4.2+2.3.0,timp ,perc,hp,org,str,STB soli,SATB chorus)

SKU: TM.05652SC

Composed by Charles Francois Gounod. Score. Lucks Music Library #A2607. Published by Lucks Music Library (TM.05652SC).

Org in set. Vocal Score I in Latin and includes Domine Salvam. Vocal Score II in Latin and English, but does not contain Domine Salvam. Clothbound score.

(2+1.2.2.4/4.2+2.3.0,timp ,perc,hp,org,str,STB soli,SATB chorus)

SKU: TM.05652SET

Composed by Charles Francois Gounod. Set Type: A. Set of parts. Lucks Music Library #A2607. Published by Lucks Music Library (TM.05652SET).

Org in set. Vocal Score I in Latin and includes Domine Salvam. Vocal Score II in Latin and English, but does not contain Domine Salvam. Clothbound score.

(2.2.2.4/4.0.0.0,str,T solo)

SKU: TM.02125SC

Composed by Victor-Antoine Edouard Lalo. Score. Lucks Music Library #A2878. Published by Lucks Music Library (TM.02125SC).

Vocal score same as mini score; contains piano reduction. Contains Chandos Anthems Nos. 4 and 5b.

(0.2.0.2/4.2.3.1,timp,str )

SKU: TM.03304SC

Composed by Felix Bartholdy Mendelssohn. Score. Lucks Music Library #A2901. Published by Lucks Music Library (TM.03304SC).

Transposed: Hn 3&4, Tpt 1&2, Tbn 1&2. Orig. Hn 1&2 in F. No. 36 = Go Return Upon Thy Way; Instr=0.2.0.2/4.2.3.1,tim p,str. No. 37 = For the Mountains Shall Depart; Instr=0.1.0.0/0.0.0.0,str .

(0.2.0.2/4.2.3.1,timp,str )

SKU: TM.03304SET

Composed by Felix Bartholdy Mendelssohn. Set Type: D. Set of parts. Lucks Music Library #A2901. Published by Lucks Music Library (TM.03304SET).

Transposed: Hn 3&4, Tpt 1&2, Tbn 1&2. Orig. Hn 1&2 in F. No. 36 = Go Return Upon Thy Way; Instr=0.2.0.2/4.2.3.1,tim p,str. No. 37 = For the Mountains Shall Depart; Instr=0.1.0.0/0.0.0.0,str .

Solo voices, choir, orchestra (Soprano Voice Solo, Tenor Voice Solo, Bass Voice Solo, Mixed choir: SSAATTBB, 2 Ob, 2 bassoon, 2 Hn, 3Trp, timpani, 3V, Va, Bassi, Org)

SKU: BA.BA04089

Oratorio in three parts. Composed by George Frideric Handel. Edited by Merlin Channon. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 23. Complete edition, Score. HWV 62. Duration 2 hours, 20 minutes. Baerenreiter Verlag #BA04089_00. Published by Baerenreiter Verlag (BA.BA04089).

ISBN 9790006550081. 33 x 26 cm inches. Text Language: English. Text: Newburgh Hamilton.

The “Occasional Oratorio” was composed as a reaction to a political event which shook the whole of England : the Jacobite rebellion of 1745-46 against the Hanoverian monarchy was crushed under the leadership of the Duke of Cumberland. Handel, who was working on the oratorio “ Judas Maccabaeus” at the time, composed the oratorio quickly and reused some movements from earlier works. With the choice of a libretto by Newburgh Hamilton he demonstrated his support for the monarchy. The work was first performed on 14 February 1746 at the Covent Garden Theatre in London .

For the first time this seldomly performed oratorio which nevertheless contains wonderful music is available in an Urtext edition based on the “ Halle Handel Edition” . All available sources have been consulted. Further movements which Handel added for later performances are included in the appendix.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By Benjamin Britten. (Vocal Score). Boosey and Hawkes Large Choral. Size 7.25x10.25 inches. 45 pages. Published by Boosey and Hawkes.

Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA09038

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038).

ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.

Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.

This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).

The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.

This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.