Soloists, Choir, Orchestra (singing voice, choir, Orchestra)

SKU: BA.BA10506-01

Commedia in due atti (comedy in two acts). Composed by Gioachino Rossini. Edited by Patricia B. Brauner. This edition: Edition of selected works, Urtext edition. Linen. Works of Gioachino Rossini, Volume 2. Edition of selected works, Score. Baerenreiter Verlag #BA10506_01. Published by Baerenreiter Verlag (BA.BA10506-01).

ISBN 9790006552009. 33 x 26 cm inches. Text Language: Italian. Text: Sterbini, Cesare.

Barenreiter 's publication of a new volume of theWorks of Gioachino Rossini, in collaboration with the Center for Italian Opera Studies at the University of Chicago, makes available an edition of the operaIl barbiere di Sivigliawhich meets modern demands. The editors have recently identified numerous carelessly edited places in the last critical edition by referring to additional sources. The greatest changes relate to the overture; for the new edition, no fewer than twenty different autograph manuscripts have been consulted.

A detailed appendix containing alternative vocal parts, advice on ornamentation and compositions by Rossini significant in the performance history of the opera complete the volume.

A 420-page Critical Commentary is published separately. With this, a critical edition is now available to interpreters, enabling them to perform Rossini's ,,Barber of Sevillewith the greatest possible confidence in the accuracy of the musical material. The performance material is available on hire, and a vocal score will be published at the end of 2009.

Through 1829 Rossini was an extraordinarily prolific composer of operas, comic, serious, and semiserious, in Italian and French, as well as of a great deal of vocal and instrumental music. He composed sacred music, vocal treatises, cantatas. Then, for many different reasons, he wrote very little music for more than twentyfive years, if we except some songs and the ' Stabat Mater' . Only after he left Italy definitively for Paris in 1855 did he find his voice again.

Between 1857 and 1868 a fresh group of masterpieces issued from his pen, the so-called ' Peches de vieillesse' (Sins of Old Age), including chamber music, songs, and the 'Petite Messe Solennelle'.

Philip Gossett, General Editor of Works of Gioachino Rossini, is the Robert W. Reneker Distinguished Service Professor at The University of Chicago and a professordi chiara famaat the University of RomeLa Sapienza. He is also general editor of The Works of Giuseppe Verdi.

Barenreiter in cooperation with the Center for Italian Opera Studies at The University of Chicago will publish ten volumes in the series Works of Gioachino Rossini, in critical editions, during the period 2007-2011. These are all volumes that were not issued in theEdizione critica delle opere di Gioachino Rossini.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. 256 pages. Duration 150 minutes. Carus Verlag #CV 55.056/02. Published by Carus Verlag (CA.5505602).

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. For SSATTBB vocal soli, SATB/SATB choir, 2 flutes, 2 fifari, 3 horns, 3 trombones, 2 violins, 3 violas, cello, violone, basso continuo. This edition: paperback. Stuttgart Urtext edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Study score. Text language: Latin. No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag

Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 18'. Published by Oxford University Press (OU.9780193411487).

Vespers 1610. Composed by Claudio Monteverdi (1567-1643). Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score (clothbound edition). No. 206. 192 pages. Duration 90 minutes. Published by Carus Verlag (CA.2780101).

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068200

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Mass, latin. German title: Grosse Orgelsolomesse. Sacred vocal music, Masses, Latin. Full score. 72 pages. Duration 35 minutes. Carus Verlag #CV 40.682/00. Published by Carus Verlag (CA.4068200).

ISBN 9790007088934. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068209

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. 1x 40.682/31 trumpet 1, 1x 40.682/32 trumpet 2, 1x 40.682/41 timpani. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/09. Published by Carus Verlag (CA.4068209).

ISBN 9790007220228. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinets/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068219

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 35 minutes. Carus Verlag #CV 40.682/19. Published by Carus Verlag (CA.4068219).

ISBN 9790007220266. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and parts available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068249

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Organ. Sacred vocal music, Masses, Latin. Single Part, Organ. Composed 1808. 24 pages. Duration 35 minutes. Carus Verlag #CV 40.682/49. Published by Carus Verlag (CA.4068249).

ISBN 9790007140069. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068211

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/11. Published by Carus Verlag (CA.4068211).

ISBN 9790007220235. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068203

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. This edition: Paperbound. Sacred vocal music, Masses, Latin. Vocal score. 48 pages. Duration 35 minutes. Carus Verlag #CV 40.682/03. Published by Carus Verlag (CA.4068203).

ISBN 9790007018771. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068212

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violin 2. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 12 pages. Duration 35 minutes. Carus Verlag #CV 40.682/12. Published by Carus Verlag (CA.4068212).

ISBN 9790007220242. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068205

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Sacred vocal music, Masses, Latin. Choral Score. 20 pages. Duration 35 minutes. Carus Verlag #CV 40.682/05. Published by Carus Verlag (CA.4068205).

ISBN 9790007110130. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score available separately - see item CA.4068200.

SATB vocal soli, SATB choir, organ solo, 2 clarinos/trumpets, timpani, 2 violins, basso continuo

SKU: CA.4068213

Composed by Johann Georg Zechner. Edited by Friedrich W. Riedel. Violoncello/double bass. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 16 pages. Duration 35 minutes. Carus Verlag #CV 40.682/13. Published by Carus Verlag (CA.4068213).

ISBN 9790007220259. Key: C major. Language: Latin.

Johann Georg Zechner is considered to be one of the most prolific Austrian composers of church music during the time of Maria Theresa. His ca. 250 surviving compositions, including works in practically all genre of church music, found a wide reception in many Austrian, Bohemian and Moravian monasteries and in pilgrimage churches. His Grosse Orgelsolomesse was probably composed in 1761 for the dedication of the organ in the monastery at Gottweig. As in other of his late works, the strict royal style, which essentially characterizes Zechner's compositions, is tempered through the use of elements of the galant style of composition. The organ plays solistically in all of the movements. Score and part available separately - see item CA.4068200.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300709

Composed by Anton Diabelli. 1x 23.007/21 flute, 1x 23.007/22 clarinet 1, 1x 23.007/23 clarinet 2, 1x 23.007/31 trumpet 1, 1x 23.007/32 trumpet 2, 1x 23.007/33 horn 1, 1x 23.007/34 horn 2, 1x 23.007/41 timpani. German title: Messe in Es 8. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Op. 107. 44 pages. Duration 25 minutes. Carus Verlag #CV 23.007/09. Published by Carus Verlag (CA.2300709).

ISBN 9790007037673. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and parts available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300713

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Viola. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/13. Published by Carus Verlag (CA.2300713).

ISBN 9790007037703. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300712

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 2. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/12. Published by Carus Verlag (CA.2300712).

ISBN 9790007037697. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300714

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/14. Published by Carus Verlag (CA.2300714).

ISBN 9790007037710. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

Orchestra SATB vocal soli, SATB choir, flute, 2 clarinets, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ [1 flute, 2 horns]

SKU: CA.2300711

Composed by Anton Diabelli. German title: Messe in Es. Sacred vocal music, Masses, Latin. Single Part, Violin 1. Op. 107. 12 pages. Duration 25 minutes. Carus Verlag #CV 23.007/11. Published by Carus Verlag (CA.2300711).

ISBN 9790007037680. Key: E flat major. Language: Latin.

In the musical-historical context Anton Diabelli is among a transitional group of Biedermeier composers who cannot be classed as either classical or romantic. Diabelli's intention was to publish this Mass in accordance with the tradition of his teacher Michael Haydn as a Country Mass, although its technical demands and also its length far exceeded those customary in a Country Mass and Missa brevis. The extant sources offer scope for performance in various different versions as regards the instrumentation used, all these versions having the right to be considered authentic. Score and part available separately - see item CA.2300700.

(Chiemsee-Messe). By Michael Haydn (1737-1806). Edited by Armin Kircher. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: paperbound. MH 546. Score available separately - see item CA.5454600. Latin Masses. Piano/Vocal score. Language: Latin. Composed 1793. 80 pages. Duration 40 min. Published by Carus Verlag

(Cantate for harvest festivals (Tempore Messis) and other festivals of thanksgiving). Composed by Georg Philipp Telemann (1681-1767). Edited by Jurgen Neubacher. For SATB vocal soli, SATB choir, flute (recorder), 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Nun danket alle Gott. Cantatas, Praise and thanks. Full score. Language: German/English. TVWV 1:1166. 32 pages. Duration 15 minutes. Published by Carus Verlag