| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
46.30 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
20.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
54.40 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
22.50 EUR - vendu par LMI-partitions Délais: En Stock | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
18.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Partition] Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
9.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Requiem K. 626 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
How practical! Towering masterpieces of choral music history are now appearing i...(+)
How practical! Towering masterpieces of choral music history are now appearing in handy and affordable scores to complement the substantial linen-bound complete edition volumes.The tried-and-tested musical text remains the same, whilst the Forewords have been revised and supplemented by an English translation. - The tried-and-tested content of the complete edition volumes now in affordable soft-cover scores- Forewords in German and now also in English / Solistes, Choeur Et Orchestre
60.50 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa C Major K.
317Coronation Mass Latin Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Barenreiter
La scène chorale est dans un état de changement! D'une part, les choeurs de pl...(+)
La scène chorale est dans un état de changement! D'une part, les choeurs de plus en plus défaut dans les voix masculines, mais dans le même temps, des choeurs de plus en plus de femmes sont à la recherche de haute qualité au-delà de la littérature harmonisations de chansons folkloriques. Bärenreiter répond à ces tendances générales, avec la publication des dispositions pour trois parties choeur de femmes (SMA) de bien connu, les oeuvres réalisées fréquemment.Les premières éditions publiées sont 'Messe du Couronnement' de Wolfgang Amadeus Mozart K. 317 (BA 5691), un ouvrage très exécutée dans le répertoire classique et les 'Missa brevis in D major' K. 194 (BA 5690-90), une alternative de charme pour une utilisation dans les services religieux. Avec beaucoup d'habileté et de sensibilité à la musique, Heribert Breuer a soigneusement conservé la substance de l'oeuvre originale, en même temps, en leur donnant une qualité sonore tout à fait nouveau.- Dispositions pour choeur de femmes (SMA) basé sur le Urtext de la 'Nouvelle édition Mozart'- Réductions pour piano idiomatiquesl'arrangeurHeribert Breuer fut professeur de direction chorale et la théorie musicale à l'Université des Arts de Berlin jusqu'en 2010. Il est le fondateur et directeur de l'Académie de Berlin Bach, et s'est fait un nom pour lui-même avec ses nombreux arrangements d'oeuvres de Bach à Schubert. / Choeur De Femmes (SMezA)
47.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Wolfgang Amadeus Mozart:
Missa brevis in D major:
Mixed Choir: Vocal Score Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Barenreiter
The choral scene is in a state of change! On the one hand more and more choirs ...(+)
The choral scene is in a state of change! On the one hand more and more choirs are lacking in male voices yet at the same time more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart’s “Coronation Mass” K.317 (BA 5691) a much-performed work within the standard repertoire and the “Missa brevis in D major” K. 194 (BA 5690-90) a charmingalternative for use in church services. With great skill and sensitivity to the music Heribert Breuer has carefully retained the substance of the original works at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the “New Mozart Edition”- Idiomatic Piano reductionsThe arranger Heribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie and has made a name for himself with his numerous arrangements of works from Bach to Schubert.
9.00 GBP - vendu par Musicroom GB | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
6.30 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
14.90 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
13.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
40.80 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
7.50 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
16.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
6.30 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozar...(+)
Arrangeur: Willi Schulze. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
6.30 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa Brevis In G (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very s...(+)
G-Dur. Par MOZART WOLFGANG AMADEUS. The G major mass of Mozart followed a very special type of mass pattern, namely, that of the 'Missa pastoralis'. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Violons, Violoncelle
14.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
47.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
19.00 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
6.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
14.09 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often helpto clarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
14.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
44.70 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
6.60 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often helpto clarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.50 EUR - vendu par LMI-partitions Délais: Sur commande | |
| Missa In C (MOZART
WOLFGANG AMADEUS) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erron...(+)
Krönungsmesse. Par MOZART WOLFGANG AMADEUS. Mozart’s Missa in C K. 317, erroneously dubbed the “Coronation Mass, ” is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakó w. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass [by Fügerl], since such later copies often help toclarify questions concerning historical performance practice. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Cors, 2
7.10 EUR - vendu par LMI-partitions Délais: Sur commande | |
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