Mass in C minor Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Carus Verlag
(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D...(+)
(Completed and edited by
Robert D. Levin). By
Wolfgang Amadeus Mozart /
Robert D. Levin. Edited
by Robert D. Levin. For
Soli SSTB, SATB/SATB
Choir Flute, 2 Oboes, 2
Bassoons, 2 Horns, 2
Clarinos/Trumpets, 3
Trombones, Timpani, 2
Violins, Viola, Basso
continuo. This edition:
Paperbound. C-Moll (C
minor). Stuttgart Urtext
Edition. German title:
Missa in c (arr. Levin).
Masses, Latin. Full
score. Language: Latin.
KV 427. 304 pages.
Duration 80 minutes.
Published by Carus Verlag
Missa in c Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(Waisenhausmesse). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by ...(+)
(Waisenhausmesse).
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Mathias Siedel. For SATB
vocal soli, SATB choir, 2
oboes, 2
clarinos/trumpets, 2
trumpets, 3 trombones,
timpani, 2 violins, 2
violas, basso continuo.
This edition: Paperbound.
C-Moll (C minor).
Stuttgart Urtext Edition.
German title: Missa in c
(Waisenhaus-Messe)
rev.2002. Latin Masses.
Vocal score. Language:
Latin. Composed circa
1768-69 (no later than
1770). KV 139 (114a). 72
pages. Duration 41
minutes. Published by
Carus Verlag
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur d'étude / Miniature] Carus Verlag
Composed by Michael Haydn (1737-1806). Edited by Charles H. Sherman. For SATB vo...(+)
Composed by Michael Haydn
(1737-1806). Edited by
Charles H. Sherman. For
SATB vocal soli, SATB
choir, 2
clarinos/trumpets, 2
trumpets, (3 trombones),
timpani, 2 violins, basso
continuo. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Requiem in c
(Schrattenbach) MH 155.
Requiem, Sacred music
from Salzburg Mourning,
death. Level 3. Study
score. Language: Latin.
Composed 1771. MH 155.
120 pages. Duration 35
minutes. Published by
Carus Verlag
Regina coeli in C major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Marienantiphon. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited b...(+)
Marienantiphon.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Berthold Over. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Regina Coeli In C
Rev.2000. Sacred vocal
music, Easter and
Eastertide, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily
hours. Vocal score.
Composed 1779. KV 276
(321d). 16 pages.
Duration 7 minutes. Carus
Verlag #CV 40.049/03.
Published by Carus Verlag
(CA.4004903).
Missa solemnis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bernhard Janz. Arrang...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Eberhard Kraus. This
edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa solemnis in C KV
337 rev.2003. Latin
Masses. Choral score
includes solo parts.
Composed 1780. KV 337. 16
pages. Duration 22
minutes. Published by
Carus Verlag
(CA.4061905).
Spaur Mass. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Be...(+)
Spaur Mass.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa In C Kv 258
(Spaur-Messe) Rev.2003.
Sacred vocal music,
Masses, Latin.
Orchestral Parts.
Composed circa 1775-1777.
KV 258. Duration 20
minutes. Carus Verlag #CV
40.627/19. Published by
Carus Verlag
(CA.4062719).
Dominicusmesse. Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged...(+)
Dominicusmesse.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Missa In C
(Dominicus-Messe)
Rev.2002. Sacred vocal
music, Masses, Latin.
Full score. Composed
1769. KV 66. 104 pages.
Duration 43 minutes.
Carus Verlag #CV
40.613/00. Published by
Carus Verlag
(CA.4061300).
Mass in C Major Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Carus Verlag
Composed by Franz Schubert (1797-1828). Edited by Manuela Jahrmarker. This editi...(+)
Composed by Franz
Schubert (1797-1828).
Edited by Manuela
Jahrmarker. This edition:
urtext. Stuttgart Urtext
Edition: Schubert. German
title: Messe In C
Rev.2000. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Study score.
Composed 1816. D 452. 72
pages. Duration 25
minutes. Carus Verlag #CV
40.658/07. Published by
Carus Verlag
(CA.4065807).
Mass in C major Soli, choeur mixte et accompagnement [Conducteur d'étude / Miniature] Carus Verlag
Spaur-Messe. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by B...(+)
Spaur-Messe.
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Bernhard Janz. Arranged
by Volker Blumenthaler.
This edition: urtext.
Stuttgart Urtext Edition:
Mozart. German title:
Missa in C KV 258
(Spaur-Messe) rev.2003.
Latin Masses. Study
score. Composed circa
1775-1777. KV 258. 64
pages. Duration 20
minutes. Published by
Carus Verlag
(CA.4062707).
Requiem in C Major Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Conducteur] Carus Verlag
(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (18...(+)
(Arrangement for soli,
choir and organ).
Composed by Charles
Francois Gounod
(1818-1893). Edited by
Barbara Grolmann.
Arranged by Zsigmond
Szathmary. For SATB vocal
soli, SATB choir, organ.
This edition: Paperbound.
C-Dur (C major). Choir
and Organ. German title:
Requiem. End of the
church year, Mourning,
death. Full score.
Language: Latin. Posth..
48 pages. Duration 35
minutes. Published by
Carus Verlag
By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-h...(+)
By David Conte (1955-).
For Tenor and Baritone
Vocal Soli, TTBB choir,
Piano 4-hands, opt.
Percussion and Timpani.
Choral, general,
christmas. Moderately
Difficult. Piano/vocal
score. Composed 2010. 20
pages. Duration c. 7
minutes. Published by
E.C. Schirmer Publishing
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068719.
Published by Carus Verlag
(CA.4068719).
ISBN
9790007311384. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Choral Score.
Composed 1852. Op. 147.
Duration 40 minutes.
Carus Verlag #4068706.
Published by Carus Verlag
(CA.4068706).
ISBN
9790007239725. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score available
separately - see item
CA.4068700.
Composed
by Robert Schumann.
Edited by Hansjörg
Ewert. Set of Orchestra
Parts. Composed 1852. Op.
147. Duration 40 minutes.
Carus Verlag #4068709.
Published by Carus Verlag
(CA.4068709).
ISBN
9790007311322. Key: C
minor. Latin.
A
mass setting by Robert
Schumann? This is still
likely to cause surprise
among audiences â
after all, Schumann is
not generally viewed as a
sacred composer. Indeed,
his little-known late
work, the Missa sacra,
Op. 147, is a discovery
not just for listeners
but often for the
performers themselves.
The mass combines an
acute fascination with
sacred liturgy typical of
Schumannâs time with
the pragmatism of its
intended use by a local
choral society. The
composer employs his
considerable skills to
create a captivating and
varied score that is
almost ethereal in the
Kyrie, leading to
passages of an intimate
and lyrical piano that
alternate with fortissimo
for words of praise,
while always displaying
the utmost sensitivity
and a delight in
dissonance. The composer
declared his setting to
be âfashioned with
great loveâ. The
demanding orchestral mass
can be realized with
limited means. The solo
parts can be filled from
the choir. The work,
which the composer
himself did not have
published, is here
reissued on the basis of
Schumannâs partial
autograph score.
Carus has also
produced an arrangement
of the work for choir and
organ, enabling
performances without
orchestra in smaller
venues (Carus
40.687/45).
.
Score and parts available
separately - see item
CA.4068700.
Solo voices, Mixed choir, Orchestra SKU: BA.BA11971-90 Composed by Wolfga...(+)
Solo voices, Mixed choir,
Orchestra
SKU:
BA.BA11971-90
Composed by Wolfgang
Amadeus Mozart. Edited by
Monika Holl. Arranged by
Andreas Kohs.
Bärenreiter Urtext.
Replaces BA 4880-90.
Piano reduction.
Baerenreiter Verlag
#BA11971-90. Published by
Baerenreiter Verlag
(BA.BA11971-90).
ISBN
9790006578795. 27 x 19 cm
inches.
- Vocal
score based on the New
Mozart Edition - With
an easy-to-play piano
part and spacious
layout - Compatible
with the full score
(BA04880) and performance
material
The
richly orchestrated Missa
in C minor K. 317 was
probably one of the first
church music works that
Mozart composed at the
beginning of 1779 as the
newly appointed Salzburg
court organist. With a
large orchestra, choir
and four soloists, the
composer impressively
demonstrates his skills.
The nickname Coronation
Mass has a long tradition
and is already mentioned
in the first edition of
the Köchel catalogue;
however, it does not go
back to the premiere,
which took place on one
of the Easter holidays in
April 1779. In all
probability, the mass was
performed in 1791 at the
coronation celebrations
in Prague for Leopold II
and â after his
unexpected death â
in 1792 for Franz I under
Antonio
Salieri.
For this
vocal score, Andreas
Köhs has provided an
improved orchestral
reduction which optimally
transfers the
instrumental parts to the
piano while ensuring
playability. The vocal
parts are based on the
Urtext of the New Mozart
Edition.
Messe in C.
Composed by Franz Xaver
Richter. Edited by
Gerhard Weinberger. C-Dur
(C major). Oboe 1. Sacred
vocal music, Masses,
Latin. Single Part, Oboe
1. 8 pages. Duration 20
minutes. Carus Verlag #CV
40.648/21. Published by
Carus Verlag
(CA.4064821).
ISBN
9790007075668. Key: C
major. Language:
Latin.
It may
assumed that this Mass
dates from the earlier
part of Richter's career.
The scoring is relatively
light, and in its overall
dimensions the C major
Mass belongs to the
category of the missa
brevis rather than that
of the cantata mass such
as Richter often
composed. Score and part
available separately -
see item CA.4064800.
Messe in C.
Composed by Franz Xaver
Richter. Edited by
Gerhard Weinberger. C-Dur
(C major). Oboe 2. Sacred
vocal music, Masses,
Latin. Single Part, Oboe
2. Composed circa 1770. 8
pages. Duration 20
minutes. Carus Verlag #CV
40.648/22. Published by
Carus Verlag
(CA.4064822).
ISBN
9790007075675. Key: C
major. Language:
Latin.
It may
assumed that this Mass
dates from the earlier
part of Richter's career.
The scoring is relatively
light, and in its overall
dimensions the C major
Mass belongs to the
category of the missa
brevis rather than that
of the cantata mass such
as Richter often
composed. Score and part
available separately -
see item CA.4064800.
Requiem in C minor Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
Composed by Michael
Haydn. Edited by Charles
H. Sherman. This edition:
urtext. 1x 50.321/31
clarino 1, 1x 50.321/32
clarino 2, 1x 50.321/33
trumpet 1, 1x 50.321/34
trumpet 2, 1x 50.321/35
trombone 1, 1x 50.321/36
trombone 2, 1x 50.321/37
trombone 3, 1x 50.321/41
timpani. Stuttgart Urtext
Edition: Johann Michael
Haydn. Requiem In C
(Schrattenbach) Mh 155.
Sacred vocal music,
Requiem, Mourning, death.
Set of Orchestra Parts.
Composed 1771. MH 155. 72
pages. Duration 35
minutes. Carus Verlag #CV
50.321/09. Published by
Carus Verlag
(CA.5032109).
ISBN
9790007081003. Key: C
minor. Language:
Latin.
Johann
Michael Haydn's Requiem
in C minor heavily
influenced W. A. Mozart's
Requiem. In just two
weeks Michael Haydn
composed his work in
December 1771, on the
occasion of the death of
his employer, Prince
Bishop Sigismund Count
Schrattenbach, who was
beloved among the people
and was a great patron of
the arts. The work was
written under the
impression of personal
tragedy: Haydn's only
child, Aloisia Josepha,
died in January 1771,
before completing her
first year of life. Parts
of the
Schrattenbach-Requiem
were played together with
the completed movements
from his second,
unfinished Requiem during
his own furneral service.
During the funeral
service in Vienna for
Joseph Haydn, parts of
his younger brother's
C-minor Requiem were also
performed. Score and
parts available
separately - see item
CA.5032100.
In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn. 1x
40.683/21 bassoon, 1x
40.683/31 clarino. Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1808. 8
pages. Duration 16
minutes. Carus Verlag #CV
40.683/09. Published by
Carus Verlag
(CA.4068309).
ISBN
9790007220273. Key: C
major. Language:
Latin.
The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and parts available
separately - see item
CA.4068300.
In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
German title: Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1808.
Duration 16 minutes.
Carus Verlag #CV
40.683/19. Published by
Carus Verlag
(CA.4068319).
ISBN
9790007138158. Key: C
major. Language:
Latin.
The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and parts available
separately - see item
CA.4068300.
Missa in C (Mass in C major) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Franz Schneider. Edited by Wolfgang Furlinger. For SATB vocal soli, ...(+)
Composed by Franz
Schneider. Edited by
Wolfgang Furlinger. For
SATB vocal soli, SATB
choir, 2 violin, 2
trumpet, [2 trombone],
timpani, basso continuo.
C-Dur (C major). South
German church music of
the Baroque. German
title: Missa in C
1102321. Violin 1 part.
Language: Latin. 8 pages.
Published by Carus Verlag