(Cantata for the 4th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Tobias Rimek. For SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo. This edition: paperback. Stuttgart Urtext edition. Cantatas, Whitsun. Vocal score. Text language: German/English. Composed 1732. BWV 177. 36 pages. Duration 28 minutes. Published by Carus Verlag

By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. Accomplished church, college, community, professional choruses. Moderately difficult. Piano/Vocal Score. 77 pages. Duration c. 22:00. Published by E.C. Schirmer Publishing

Soloists, Mixed choir, Orchestra

SKU: BA.BA04025-01

Composed by George Frideric Handel. Edited by Georg-Friedrich-Händel -Gesellschaft e. V. Risinger and Mark. This edition: Complete edition. Linen. Complete edition, Score. HWV 58. Baerenreiter Verlag #BA04025-01. Published by Baerenreiter Verlag (BA.BA04025-01).

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ?? s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Hande lâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912709

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. 1x 39.127/21 oboe 1, 1x 39.127/22 oboe 2. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Set of Orchestra Parts. TVWV 7:16. Duration 12 minutes. Carus Verlag #CV 39.127/09. Published by Carus Verlag (CA.3912709).

ISBN 9790007215774. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and parts available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912700

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Full score. TVWV 7:16. 36 pages. Duration 12 minutes. Carus Verlag #CV 39.127/00. Published by Carus Verlag (CA.3912700).

ISBN 9790007164416. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep).

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114919

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. BWV 149. Duration 22 minutes. Carus Verlag #CV 31.149/19. Published by Carus Verlag (CA.3114919).

ISBN 9790007141233. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and parts available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117714

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violoncello. Sacred vocal music, Cantatas, Whitsun. Single Part, Cello. Composed 1732. BWV 177. 12 pages. Duration 13 minutes. Carus Verlag #CV 31.177/14. Published by Carus Verlag (CA.3117714).

ISBN 9790007209841. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117712

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 2. Composed 1732. BWV 177. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.177/12. Published by Carus Verlag (CA.3117712).

ISBN 9790007209827. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117711

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Whitsun. Single Part, Violin 1. Composed 1732. BWV 177. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.177/11. Published by Carus Verlag (CA.3117711).

ISBN 9790007209810. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114914

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, basso continuo. BWV 149. 12 pages. Duration 22 minutes. Carus Verlag #CV 31.149/14. Published by Carus Verlag (CA.3114914).

ISBN 9790007208592. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117709

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. 1x 31.177/21 oboe 1, 1x 31.177/22 oboe 2, 1x 31.177/23 bassoon. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. 16 pages. Duration 13 minutes. Carus Verlag #CV 31.177/09. Published by Carus Verlag (CA.3117709).

ISBN 9790007209803. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114912

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 2. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/12. Published by Carus Verlag (CA.3114912).

ISBN 9790007208578. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114949

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Organ. BWV 149. 16 pages. Duration 22 minutes. Carus Verlag #CV 31.149/49. Published by Carus Verlag (CA.3114949).

ISBN 9790007208608. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

Orchestra SATB vocal soli, SATB choir, 2 oboe, bassoon solo, violin solo, trumpet, basso continuo

SKU: CA.3117707

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Study score. Composed 1732. BWV 177. 52 pages. Duration 13 minutes. Carus Verlag #CV 31.177/07. Published by Carus Verlag (CA.3117707).

ISBN 9790007142865. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117719

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Complete orchestral parts. Sacred vocal music, Cantatas, Whitsun. Set of Orchestra Parts. Composed 1732. BWV 177. Duration 13 minutes. Carus Verlag #CV 31.177/19. Published by Carus Verlag (CA.3117719).

ISBN 9790007140267. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and parts available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912714

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, basso continuo. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/14. Published by Carus Verlag (CA.3912714).

ISBN 9790007215811. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912703

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Vocal score. TVWV 7:16. 24 pages. Duration 12 minutes. Carus Verlag #CV 39.127/03. Published by Carus Verlag (CA.3912703).

ISBN 9790007164423. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912712

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 2. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/12. Published by Carus Verlag (CA.3912712).

ISBN 9790007215798. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114905

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Choral Score. BWV 149. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.149/05. Published by Carus Verlag (CA.3114905).

ISBN 9790007161958. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912713

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Viola. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/13. Published by Carus Verlag (CA.3912713).

ISBN 9790007215804. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117713

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1732. BWV 177. 4 pages. Duration 13 minutes. Carus Verlag #CV 31.177/13. Published by Carus Verlag (CA.3117713).

ISBN 9790007209834. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117705

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Choral Score. Composed 1732. BWV 177. 8 pages. Duration 13 minutes. Carus Verlag #CV 31.177/05. Published by Carus Verlag (CA.3117705).

ISBN 9790007209797. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912711

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 1. TVWV 7:16. 8 pages. Duration 12 minutes. Carus Verlag #CV 39.127/11. Published by Carus Verlag (CA.3912711).

ISBN 9790007215781. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912749

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Single Part, Organ. TVWV 7:16. 12 pages. Duration 12 minutes. Carus Verlag #CV 39.127/49. Published by Carus Verlag (CA.3912749).

ISBN 9790007164492. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and part available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114911

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Single Part, Violin 1. BWV 149. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.149/11. Published by Carus Verlag (CA.3114911).

ISBN 9790007208561. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and part available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117749

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Organ. Sacred vocal music, Cantatas, Whitsun. Single Part, Organ. Composed 1732. BWV 177. 20 pages. Duration 13 minutes. Carus Verlag #CV 31.177/49. Published by Carus Verlag (CA.3117749).

ISBN 9790007209858. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata. Score and part available separately - see item CA.3117700.

SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo

SKU: CA.3912719

Psalm 121. Composed by Georg Philipp Telemann. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. Ich Hebe Meine Augen Auf (Psalm 121). Sacred vocal music, Psalms, German, Psalms. Set of Orchestra Parts. TVWV 7:16. Duration 12 minutes. Carus Verlag #CV 39.127/19. Published by Carus Verlag (CA.3912719).

ISBN 9790007164508. Language: German.

Telemann's setting of Psalm 121 I lift up mine eyes to the hills reveals him to be an admirer of French music. Constructed on the example of a grand motet, each of the movements is patterned after the French model: the model of an overture for the first movement, the echoes of a chaconne in the second, the dotted gigue rhythms of the Canarie in the third. In addition there is the lively exchange between choir and solo ensemble, and much more. The music is full of poetic imagery, whenever the occasion arises, as at the very beginning with the words Ich hebe meine Augen auf, or in a later passage with the text Siehe, der Hüter Israel schläft noch schlummert nicht (Behold, he that keepeth Israel shall neither slumber nor sleep). Score and parts available separately - see item CA.3912700.

SATB vocal soli, SATB choir, 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3114909

Cantata for St. Michael. Composed by Johann Sebastian Bach. Edited by Ingrid Jach. Arranged by Paul Horn. This edition: urtext. 1x 31.149/21 oboe 1, 1x 31.149/22 oboe 2, 1x 31.149/23 oboe 3, 1x 31.149/24 bassoon, 4x 31.149/31 trumpet/timpani. Stuttgart Urtext Edition: Bach vocal. German title: Man singet mit Freuden vom Sieg. Sacred vocal music, Cantatas, Special days. Set of Orchestra Parts. BWV 149. Duration 22 minutes. Carus Verlag #CV 31.149/09. Published by Carus Verlag (CA.3114909).

ISBN 9790007208554. Key: D major. Language: German/English. Text: Henrici (Picander), Christian Friedrich. Text: Christian Friedrich Henrici (Picander).

In composing the Cantata BWV 149 Bach reverted to parts of an earlier work: The opening chorus is a parody of the Jadgkantate BWV 208 (Hunting Cantata). In addition to smaller changes which were made necessary due to the text, Bach used trumpets instead of horns. For this purpose he transposed the movement from F major to C major. Musically, the form of the three arias and their instrumentation is rich in variety. The bass aria (2nd mvt.) is characterized by an active continuo accompaniment. After the secco recitative an extended dance like soprano aria with string accompaniment follows. The third aria (6th mvt.) is impressive due to the animated melody and the forming of a canon between the voices, and especially through the entry of the bassoon as the instrumental counterpart to a duet between the alto and tenor. Score and parts available separately - see item CA.3114900.

SATB vocal soli, SATB choir, 2 oboes, oboe da caccia, bassoon solo, violin solo, strings, basso continuo

SKU: CA.3117700

Cantata for the 4th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Tobias Rimek. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Whitsun. Full score. Composed 1732. BWV 177. 52 pages. Duration 13 minutes. Carus Verlag #CV 31.177/00. Published by Carus Verlag (CA.3117700).

ISBN 9790007140113. Text language: German/English.

The cantata Ich ruf zu dir, Herr Jesu Christ begins with an expansive chorale arrangement, for which Bach reverted to a proven model: The four voices of the solo ensemble take over the chorale, in which the melody lies in the soprano. For stanzas 2-4 Bach chooses the aria form with a highly differentiated scoring from movement to movement, ranging from a continuo Aria (1st movement), up to an aria accompanied by the violin, with obbligato bassoon and continuo. A straightforward four-part chorale movement concludes the cantata.