Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion)

SKU: BA.BA05441

Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441).

ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de.

Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.

The work is challenging not least due to the three versions which exist:

I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt

Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB vocal soli, SATB choir, congregation, 2 violins, viola, cello, contrabass, organ

SKU: CA.5040515

Chorale cantata. Composed by Max Reger. Edited by Gunther Massenkeil. German title: O wie selig seid ihr doch. Sacred vocal music, Mourning, death. Single Part, Double Bass. Composed 1903. Op. WoO V/4 Nr. 2. 2 pages. Duration 15 minutes. Carus Verlag #CV 50.405/15. Published by Carus Verlag (CA.5040515).

ISBN 9790007081751. Key: D minor. Language: German/English.

The choral cantatas are Reger's most personal and most substantial contribution to one of the principal categories of Protestant church music, and they are only major works in this field by one of the foremost composers of his time. This is true despite the fact that Reger himself does not appear to have considered the cantatas to figure among his principal compositions, as he gave them no opus numbers. In contrast to the three other chorale cantatas of Reger which exist in a definitive form, there is no record of the place or date of the first performance of O wie selig, or indeed of any performance of it during the composer's lifetime. Score and part available separately - see item CA.5040500.

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. Full score available separately - see item CA.9100900. Church music of the Viennese Classical. Choral score. Language: Latin. Composed 1760/1768. 16 pages

(Offertorium in festo Sti Benedicti). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Eberhard Kraus. For Soprano Voice Solo, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. This edition: Paperbound. C-Dur (C major). Stuttgart Urtext editions. Score available separately - see item CA.4004200. Cantatas, Special days. Level 3. Vocal score. Language: Latin. Composed circa 1766/76. KV 34. 12 pages. Duration 4 min. Published by Carus Verlag

SATB vocal soli, SATB choir, 2 violin, 2 trumpet, [timpani], basso continuo

SKU: CA.9100909

Composed by Michael Haydn. Edited by Otto Biba. 2x 91.009/31 trumpets 1 and 2, 1x 91.009/41 timpani. Sacred music of the Vienna classic. German title: Missa Sti Gabrielis Mh 17 1000501. Sacred vocal music. Set of Orchestra Parts. Composed 1760/1768. MH. Carus Verlag #CV 91.009/09. Published by Carus Verlag (CA.9100909).

ISBN 9790007230036. Key: C major. Language: Latin.

The Gabriel Mass, greatly loved during Johann Michael Haydn's lifetime, exists in two versions, in the original the Gloria and Credo are very short, then is the second version these two movements were enlarged by Haydn himself. This edition contains both versions. Therefore this Mass can be performed as a Missa Brevis with a small orchestra, or as a full-length Mass with a larger orchestra. Score and parts available separately - see item CA.9100900.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119213

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/13. Published by Carus Verlag (CA.3119213).

ISBN 9790007210267. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119212

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 2. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/12. Published by Carus Verlag (CA.3119212).

ISBN 9790007210250. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119214

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Praise and thanks. Single Part, basso continuo. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/14. Published by Carus Verlag (CA.3119214).

ISBN 9790007210274. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119211

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Violin 1. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/11. Published by Carus Verlag (CA.3119211).

ISBN 9790007210243. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

By Michael Haydn (1737-1806). Edited by Biba, Otto. For SATB Soli, SATB Choir, 2 Violin, 2 Trumpet, [Timpani], Basso Continuo. This edition: paperbound. Church music of the Viennese Classical. Score. Language: Latin. Composed 1760/1768. 48 pages

Piano reduction by Antonin Dvorak. Composed by Antonin Dvorak (1841-1904). Edited by Jan Kachlik / Miroslav Srnka. This edition: urtext edition. Paperback. Barenreiter Urtext. Version in 10 movements. Classical. Vocal score. With Language: Latin, Text Language: Czech/English/German. Opus 58. Duration 1 hour, 27 minutes. Editio Baerenreiter Praha #H07920. Published by Editio Baerenreiter Praha

Soloists, Choir, Orchestra (7Sg-S-solo,5Sg-T-solo,4S g-B-solo,Mixed Choir-SATB,2Fl-picc,2Fl,2 Ob,Muset,2bassoon,2Trp,ti mp.,2V,Va,Vc,Bc)

SKU: BA.BA08860-01

Ballet héroïque with a prologue and four acts. Composed by Jean-Philippe Rameau. Edited by Sylvie Bouissou. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/2+7. Version 1736. Complete edition, Score. RCT 44. Baerenreiter Verlag #BA08860_01. Published by Baerenreiter Verlag (BA.BA08860-01).

ISBN 9790006558131. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Text: Louis Fuzelier.

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fully coherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 complements.

Sylvi e Bouissou's new edition differs markedly from previous modern editions and all existing recordings. With its complements she does justice to the performer's need for Rameau's various revisions while finally making accessible a version actually authorised by Rameau. For the first time it is presented in its complete stylistic and dramatic context.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding