(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For Soli SATB, SATB Choir, Oboe, Bassoon, Strings (Violin, 2 Viola), Organ. This edition: paperbound. BWV 131. Cantatas, German Psalms; Use during the church year: Special Days; Stuttgart Urtext Editions. Score. Language: German/English. Composed 1707/1708. 48 pages. Duration 24 min. Published by Carus Verlag

(19th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. This edition: Paperbound. G-Moll (G minor). German title: Wo soll ich fliehen hin. Cantatas. Level 4. Full score. Language: German/English. Composed 1724. BWV 5. Duration 23 minutes. Published by Carus Verlag

(Cantata for the 9th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 oboes, horn, 2 violins, viola, basso continuo. This edition: Paperbound. G-Moll (G minor). German title: Herr, gehe nicht ins Gericht. Cantatas. Level 3. Vocal score. Language: German/English. Composed 1723. BWV 105. 40 pages. Duration 25 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100613

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Viola Solo + Viola. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/13. Published by Carus Verlag (CA.3100613).

ISBN 9790007041755. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100614

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Cello Solo +. Composed 1725. BWV 6. 12 pages. Duration 26 minutes. Carus Verlag #CV 31.006/14. Published by Carus Verlag (CA.3100614).

ISBN 9790007041762. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100609

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.006/21 oboe 1, 1x 31.006/22 oboe 2, 1x 31.006/23 oboe da caccia. German title: Bleib bei uns, denn es will Abend werden 3. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Set of Orchestra Parts. Composed 1725. BWV 6. 14 pages. Duration 26 minutes. Carus Verlag #CV 31.006/09. Published by Carus Verlag (CA.3100609).

ISBN 9790007041724. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and parts available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100611

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 1. Composed 1725. BWV 6. 8 pages. Duration 26 minutes. Carus Verlag #CV 31.006/11. Published by Carus Verlag (CA.3100611).

ISBN 9790007041731. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

Orchestra SATB vocal soli, SATB choir, 2 oboes, oboe d'caccia (viola), 2 violins, viola, cello piccolo, basso continuo - Grade 3

SKU: CA.3100612

Easter Monday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. German title: Bleib bei uns, denn. Sacred vocal music, Cantatas, Easter and Eastertide, Morning, midday, evening. Single Part, Violin 2. Composed 1725. BWV 6. 4 pages. Duration 26 minutes. Carus Verlag #CV 31.006/12. Published by Carus Verlag (CA.3100612).

ISBN 9790007041748. Key: C minor / g minor. Language: German/English.

Bac h composed the cantata Stay with us, for it draws on toward evening BWV 6 for Easter Monday 1725. In fact, it is certain that a chorale cantata had been planned for that feast day, but for some unknown reason, the annual cycle of chorale cantatas broke off just before Easter 1725. For BWV 6, Bach fell back on a text by an author whose texts he had already set numerous times in his first Leipzig annual cycle of cantatas (which are conspicuous by their ever constant structure and use of two chorale settings). From the gospel for Easter Monday, the story of the Emmaus disciples, only the disappearing daylight and the fear of being left alone are made the subject of discussion. A truly magnificent choral movement opens the cantata. The first chorale for soprano and violoncello piccolo, which Bach later included in his Schubler-Chorale, is also well-known outside of the cantata. Score and part available separately - see item CA.3100600.

(Kantate am Fest Mariae Reinigung, oder am dritten Osterfesttag). By Johann Sebastian Bach (1685-1750). Edited by Hans Grischkat. For SB vocal soli, SATB choir, oboe, violin, basso continuo. This edition: Paperbound. Score available separately - see item CA.3115800. Cantatas, Special days, Easter and Eastertide. Level 2. Vocal score (G/E). Language: German/English. Composed 1723/1735. BWV 158. 12 pages. Duration 12 min. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: viola 2. Language: German/English. Composed 1707/1708. BWV 131. 4 pages. Duration 24 min. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: viola 1. Language: German/English. Composed 1707/1708. BWV 131. 4 pages. Duration 24 min. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. This edition: Paperbound. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Vocal score. Language: German/English. Composed 1707/1708. BWV 131. 40 pages. Duration 24 min. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: violin 1. Language: German/English. Composed 1707/1708. BWV 131. 4 pages. Duration 24 min. Published by Carus Verlag

(Kantate fur einen Bussgottesdienst (Fassung in g)). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext editions. Score available separately - see item CA.3113100. Cantatas, Psalms, German, Special days. Part: cello/double bass. Language: German/English. Composed 1707/1708. BWV 131. 8 pages. Duration 24 min. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, [cornet], flute, oboe d'amore, strings, organ - Level 3

SKU: CA.3109907

Cantata for the 15th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Was Gott Tut, Das Ist Wohlgetan I. Sacred vocal music, Cantatas. Study score. Composed 1724. BWV 99. 60 pages. Duration 21 minutes. Carus Verlag #CV 31.099/07. Published by Carus Verlag (CA.3109907).

ISBN 9790007047108. Key: G major. Language: German/English. Text: Rodigast, Samuel. Text: Samuel Rodigast.

G-Dur (G major). Score available separately - see item CA.3109900.

(Cantata for a penitential service). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, oboe, bassoon, violin, 2 violas, basso continuo. G-Moll (G minor). Stuttgart Urtext Edition. German title: Aus der Tief Part: organ Cantatas, Psalms, German, Special days

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Parts: violin solo + violin 1 Cantatas

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part Cantatas, Trinity

(Cantata for the 22nd Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, flute, oboe d'amore, [horn], 2 violins, viola, cello piccolo, basso continuo. G-Dur (G major). German title: Mache dich, mein Geist, bereit. Cantatas, Trinity. Level 3. Cello piccolo part. Language: German/English. Composed 1724. BWV 115. 2 pages. Duration 22 minutes. Published by Carus Verlag

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part: cello/double bass Cantatas, Trinity

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part Cantatas, Trinity

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll set of instrumental parts (except strings) Cantatas

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t Part: viola Cantatas, Trinity

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part Cantatas

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part: cello/double bass Cantatas

(Cantata for the 17th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, horn, flute, 2 oboes, [horn], 2 violins, viola, basso continuo. G-Moll (G minor). German t set of instrumental parts (except strings) Cantatas, Trinity

(19th Sunday after Trinity). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Reinhold Kubik. For SATB vocal soli, SATB choir, 2 oboes, tromba da tirarsi, 2 violins, viola, basso continuo. G-Moll (G minor). German title: Wo soll Part: viola solo + viola Cantatas

(Cantata for the 3rd Sunday of Christmas (1st version)). Composed by Johann Sebastian Bach (1685-1750). Edited by Diethard Hellmann. For SATB vocal soli, SATB choir, flute, oboe d'amore, 2 violins, viola, basso continuo. This edition: Paperbound. G-Dur (G major). Stuttgart Urtext Edition. German title: Susser Trost, mein Jesus kommt Neuausgabe. Cantatas, Christmas. Vocal score. Language: German. Composed 1725. BWV 151. 16 pages. Duration 19 minutes. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 Oboes, 2 Violins, Viola, Basso continuo - Grade 3

SKU: CA.3111105

3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Was Mein Gott Will, Das Gscheh Allzeit. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1725. BWV 111. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.111/05. Published by Carus Verlag (CA.3111105).

ISBN 9790007048198. Key: A minor. Language: German/English. Text: von Preussen, Albrecht. Text: Albrecht von Preussen.

Score available separately - see item CA.3111100.