Demofoonte (Mailand 1743) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] Barenreiter
(Dramma per musica in drei Akten). Composed by Christoph Willibald von Gluck (17...(+)
(Dramma per musica in
drei Akten). Composed by
Christoph Willibald von
Gluck (1714-1787). Edited
by Tanja Golz. Arranged
by Eckhart Kuper. For
solo voices, choir,
orchestra (3 soprano
voice solos/2 solo alto
voices/2 tenor solo
voices/children's choir/2
flutes/2
oboes/[bassoon]/4
horns/timpani/strings/har
psichord). This edition:
Complete edition, Urtext
edition. Linen. Christoph
Willibald Gluck. Complete
Works. Series III, Volume
3. Mailand 1743. Score.
Published by Baerenreiter
Verlag
ISBN
9790006558223. 27 x 19 cm
inches. Text Language:
French. Preface: Kocevar,
Ã?rik. Text: Charles
Colle.
The heroic
pastoral Daphnis et Egle
was performed only once,
on 29 October 1753, for
the entertainment of King
Louis XV at Fontainebleau
and remained unpublished
until today.
This
edition is based on
Rameau's autograph
manuscript, a copy of the
separate parts, and the
libretto published by
Ballard in 1753. A
comparison of the sources
reveals two versions of
the work: the original
version and the one
revised for
Fontainebleau, whereby
the differences lie
mainly in the final
divertissement. This
edition recommends the
Fontainebleau
version--which is
actually more complete in
its musical form, in
particular with its
overture and two
ariettas--but also
reconstructs the original
state of the final
divertissement (presented
in the appendix) before
it was revised.
For
Soli, SATB Chorus &
Orchestra. Composed
by Paul Moravec.
Vocal/Choral, Opera,
Orchestra, Piano
Reduction. Piano Vocal
Score. Subito Music
Corporation #91770971.
Published by Subito Music
Corporation
(SU.91770971).
An oratorio
based on the writings of
William Still, a
conductor for the
Underground
Railroad.Libretti by Mark
CampbellInstrumentation:
Soli, SATB Chorus &
Orchestra [2,1 222; 4331;
timp, perc, hp; stgs]
Duration: 46'
Composed: 2017
Published by: Subito
Music Publishing Also
available:CHORUS SCORE -
$12.95 (Item
#91770972)STUDY SCORE -
$75.00 (Item
#91770970)Discount
(CHORUS SCORE only)
available to
organizations renting the
orchestra materials. For
more information call
(973) 857-3440 or email
rental@subitomusic.com.
p>
For
Soli, SATB Chorus &
Orchestra. Composed
by Paul Moravec.
Vocal/Choral, Opera.
Choral Score. Subito
Music Corporation
#91770972. Published by
Subito Music Corporation
(SU.91770972).
An oratorio
based on the writings of
William Still, a
conductor for the
Underground
Railroad.Libretti by Mark
CampbellInstrumentation:
Soli, SATB Chorus &
Orchestra [2,1 222; 4331;
timp, perc, hp; stgs]
Duration: 46'
Composed: 2017
Published by: Subito
Music Publishing Also
available:VOCAL SCORE -
$39.95 (Item
#91770971)STUDY SCORE -
$75.00 (Item
#91770970)Discount
(CHORUS SCORE only)
available to
organizations renting the
orchestra materials. For
more information call
(973) 857-3440 or email
rental@subitomusic.com.
p>
Missa Sancti Alberti Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
SATB choir, vocal soli, orchestra SKU: CA.2708400 Composed by Joseph Leop...(+)
SATB choir, vocal soli,
orchestra
SKU:
CA.2708400
Composed
by Joseph Leopold Eybler.
Edited by Armin Kircher.
This edition: urtext.
Stuttgart Urtext Edition.
Sacred vocal music,
Masses, Latin. Full
score. Composed 1835. 64
pages. Duration 22
minutes. Carus Verlag #CV
27.084/00. Published by
Carus Verlag
(CA.2708400).
ISBN
9790007164652. Language:
Latin.
Mozart and
Haydn greatly admired the
church music of their
friend, the composer and
Vienna court
Kapellmeister Joseph
Eybler. With its
lyrical-pastoral mood,
his Missa Sancti Alberti
contrasts with his
large-scale mass
settings; in structure,
extent, and orchestration
it recalls Franz
Schubert's well-known
Mass in G major. Apart
from two solo quartets
which can be performed by
soloists from the choir)
the chorus is the main
carrier of the musical
action; the concise
setting of the mass text
is mainly set
homophonically. Starting
with a basic string
group, the orchestra can
be expanded ad libitum by
the addition of two
oboes, two bassoons, two
trumpets, and timpani,
enabling the work to be
presented in its masterly
orchestration.
2
Teilbande. Composed
by Hector Berlioz. Edited
by David Charlton and
Julian Rushton. This
edition: complete
edition, urtext edition.
Linen. New Berlioz
Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 12. Chorwerke
(Choral). Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05452_00.
Published by Baerenreiter
Verlag (BA.BA05452).
ISBN 9790006471522. 33
x 26 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Requiem (Arman-Fassung) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc)
SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219).
ISBN
9790007313883. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâs Requiem.
âAnother one?â
you might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional SüÃmayr
version. Yet such is the
enormous power of
Mozartâs score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard
Armanâs additions to
Mozartâs great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâs brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâs unique
sound is given an
opportunity to shine.
Armanâs Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â in the
spirit of Mozart â
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozartâs fragment
ends with the Hostias,
and so does Armanâs
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to SüÃmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâs
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.