Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Separate
instruments. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 138.
Duration 20 minutes.
Carus Verlag #CV
31.138/19. Published by
Carus Verlag
(CA.3113819).
ISBN
9790007208219. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Full score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/00. Published by
Carus Verlag
(CA.3113800).
ISBN
9790007183332. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Nach dir, Herr, verlanget
mich. Sacred vocal music,
Cantatas. Set of
Orchestra Parts. Composed
circa 1706. BWV 150.
Duration 17 minutes.
Carus Verlag #CV
31.150/19. Published by
Carus Verlag
(CA.3115019).
ISBN
9790007136819. Key: B
minor. Language:
German/English.
The
cantata Nach dir, Herr,
verlanget mich (O my
Lord, I long for thee)
BWV 150 is one of the
earliest cantatas from
Bach's Muhlhausen period.
Its authenticity was long
disputed, partly because
of the stylistic
characteristics of this
early work, but also
because the cantata only
survives in sources
dating from the period
after Bach's death.
However, in recent years
a hidden dedication to
Conrad Meckbach, a member
of the Muhlhausen town
council and patron of
Bach, has been
deciphered: the initial
letters of the free
poetry reveal the
acrostic Doctor Conrad
Meckbach (in the 18th
century spelling),
revealing a link to the
city of Muhlhausen and
almost certainly
confirming Bach's
authorship of the
cantata. The occasion of
the composition of the
work is still unknown.
The small instrumental
scoring for just two
violins, bassoon, and
continuo, plus the fact
that only the soprano is
given a solo movement,
suggest a performance
with modest resources.
Score and parts available
separately - see item
CA.3115000.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf. 1x
31.138/21 oboe d'amore 1,
1x 31.138/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
Trinity. Set of Orchestra
Parts. Composed 1723. BWV
138. Duration 20 minutes.
Carus Verlag #CV
31.138/09. Published by
Carus Verlag
(CA.3113809).
ISBN
9790007208165. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 2. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/12. Published by
Carus Verlag
(CA.3113812).
ISBN
9790007208189. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. Composed 1723. BWV
138. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.138/13. Published by
Carus Verlag
(CA.3113813).
ISBN
9790007208196. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata for the 15th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1723. BWV 138. 44 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/07. Published by
Carus Verlag
(CA.3113807).
ISBN
9790007242282. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/05. Published by
Carus Verlag
(CA.3113805).
ISBN
9790007183356. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Trinity. Single
Part, Violin 1. Composed
1723. BWV 138. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/11. Published by
Carus Verlag
(CA.3113811).
ISBN
9790007208172. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Organ. Composed 1723. BWV
138. 16 pages. Duration
20 minutes. Carus Verlag
#CV 31.138/49. Published
by Carus Verlag
(CA.3113849).
ISBN
9790007208226. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1723. BWV 138. 36 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/03. Published by
Carus Verlag
(CA.3113803).
ISBN
9790007183349. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score available
separately - see item
CA.3113800.
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Trinity.
Single Part, basso
continuo. Composed 1723.
BWV 138. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.138/14. Published by
Carus Verlag
(CA.3113814).
ISBN
9790007208202. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and part
available separately -
see item CA.3113800.
My Boy Jack Soli, choeur mixte et accompagnement Galaxy Music Corporation
Composed by David Ashley White (1944-). 21st Century. Duration 3 minutes, 30 ...(+)
Composed by David Ashley
White (1944-). 21st
Century.
Duration 3 minutes, 30
seconds. Galaxy Music
Corporation #1.3429.
Published by Galaxy Music
Corporation
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Cello. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/14. Published by
Carus Verlag
(CA.4068814).
ISBN
9790007220365. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Viola. Op. 86. 16
pages. Duration 50
minutes. Carus Verlag #CV
40.688/13. Published by
Carus Verlag
(CA.4068813).
ISBN
9790007220358. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. 1x
40.688/21 flute 1, 1x
40.688/22 flute 2, 1x
40.688/23 oboe 1, 1x
40.688/24 oboe 2, 1x
40.688/25 clarinet 1, 1x
40.688/26 clarinet 2, 1x
40.688/27 bassoon 1, 1x
40.688/28 bassoon 2, 1x
40.688/31 horn 1, 1x
40.688/32 horn 2, 1x
40.688/33 trumpet 1, 1x
40. Carus sheet music
series: Vocal scores XL.
Messe In C Op. 86.
Innovative practice aids,
Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
120 pages. Duration 50
minutes. Carus Verlag #CV
40.688/09. Published by
Carus Verlag
(CA.4068809).
ISBN
9790007220327. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800.
Missa in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Single
Part, Double Bass. Op.
86. 16 pages. Duration 50
minutes. Carus Verlag #CV
40.688/15. Published by
Carus Verlag
(CA.4068815).
ISBN
9790007220372. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and part
available separately -
see item CA.4068800.
Messe in C op. 86.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 86.
Duration 50 minutes.
Carus Verlag #CV
40.688/19. Published by
Carus Verlag
(CA.4068819).
ISBN
9790007097219. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score and
parts available
separately - see item
CA.4068800.
Messe in C.
Composed by Ludwig van
Beethoven. Edited by
Ernst Herttrich. Carus
sheet music series: Vocal
scores XL. Messe In C Op.
86. Innovative practice
aids, Sacred vocal music,
Masses, Latin. Choral
Score. Op. 86. Duration
50 minutes. Carus Verlag
#CV 40.688/05. Published
by Carus Verlag
(CA.4068805).
ISBN
9790007131012. Language:
Latin.
With its
tonal language of
subjective avowal, the
first of Beethoven's two
masses opens up new
worlds of expression for
the liturgical texts of
the Mass which are
expressly modern and
point towards the future.
Not to be considered a
preliminary work to the
Missa solemnis, it is an
entirely independent work
which set standards for
the further development
of settings of the Mass
in the 19th century. Its
newness, of which the
composer himself was
fully aware (I do not
speak gladly of my Mass,
or of myself, but I do
believe that I have
treated the text in a
manner in which only few
have treated it.), paves
a way to an hitherto
unknown, contemporary
avenue to faith which
today is still current.
Carus presents this
important work of church
music history in a new
critical edition by the
Beethoven expert Ernst
Herttrich. Score
available separately -
see item CA.4068800.
Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Galaxy Music Corporation
Composed by Ralph Vaughan Williams (1872-1958). 20th Century and British. Vocal ...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
20th Century and British.
Vocal score. 40 pages.
Galaxy Music Corporation
#1.5038. Published by
Galaxy Music Corporation
(1+1.1.2.1/2.2.1.0,perc,( 2 sax),str) SKU: TM.09024SET Arranged by Walthe...(+)
(1+1.1.2.1/2.2.1.0,perc,(
2 sax),str)
SKU:
TM.09024SET
Arranged
by Walther Lampe. Set
Type: D. Set of parts.
Published by Lucks Music
Library (TM.09024SET).
Introduction,
I'll Say She Does, I'm
Forever Blowing Bubbles,
My Chocolate Soldier,
Sammy Boy, You Cannot
Shake That Shimmie Here,
Old Sweetheart of Mine,
After All, Some Sunny
Day, Out of the East,
Finale. P/C in set.
Grade=MD.
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038).
ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper.
Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Seasons in Time Volume III Soli, choeur mixte et accompagnement Soli, chœur mixte et piano Transcontinental Music
Duets for Holiday and Life Cycle Celebrations. Performed by Michael Isaacson. Tr...(+)
Duets for Holiday and
Life Cycle Celebrations.
Performed by Michael
Isaacson.
Transcontinental Music
Folios. Size 8.5x11
inches. 36 pages.
Published by
Transcontinental Music
Publications.