By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Soprano, Alto, Tenor, Bass Soli, SSATB Chorus, Piano. Baroque, Sacred, Choral. Sheet Music. 204 pages. Published by Novello and Co Ltd.

By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, SATB Choir, Piano Accompaniment. Baroque. Sheet Music. 168 pages. Published by Novello and Co Ltd.

Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.

Vocal Score. Composed by Ludwig van Beethoven (1770-1827). Edited by Michael Pilkington. New Novello Choral Edition. Classical. Book Only. 62 pages. Novello and Co Ltd. #MUSNOV072490. Published by Novello and Co Ltd.

By George Frideric Handel. For Soprano, 2 Alto, Tenor, 2 Bass, SATB Choir, Piano. Baroque, Sacred, Choral. Sheet Music. 52 pages. Published by Novello and Co Ltd.

(Arrangement for soli, choir and organ). Composed by Charles Francois Gounod (1818-1893). Edited by Barbara Grolmann. Arranged by Zsigmond Szathmary. For SATB vocal soli, SATB choir, organ. This edition: Paperbound. C-Dur (C major). Choir and Organ. German title: Requiem. End of the church year, Mourning, death. Full score. Language: Latin. Posth.. 48 pages. Duration 35 minutes. Published by Carus Verlag

By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Sopranos, Alto soli, SATB Choir, Piano Accompaniment. Baroque, Sacred. Sheet Music. 144 pages. Published by Novello and Co Ltd.

By Claudio Monteverdi. For SATB soli, SATB Choir, Organ. Sacred, Renaissance, Choral. Sheet Music. 224 pages. Published by Novello and Co Ltd.

By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music. 120 pages. Published by Novello and Co Ltd.

Soli, chorus and piano

SKU: LM.JJ66460

Composed by Paul Paray. Classical. Score. Editions Jobert #JJ66460. Published by Editions Jobert (LM.JJ66460).

ISBN 9790230866460.

By David Conte (1955-). For Tenor and Baritone Vocal Soli, TTBB choir, Piano 4-hands, opt. Percussion and Timpani. Choral, general, christmas. Moderately Difficult. Piano/vocal score. Composed 2010. 20 pages. Duration c. 7 minutes. Published by E.C. Schirmer Publishing

Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arranged by Andreas Kohs. For alto voice solo, tenor voice solo, bass voice solo, SSATB choir, piano reduction. This edition: urtext edition. Paperback. Level 3. Vocal score. HWV 283. Published by Baerenreiter Verlag

Composed by Marjorie Merryman. For TB vocal soli, SATB choir, orchestra. General, Choral. Piano/vocal score. 56 pages. Published by Ione Press

(15 tweetsin 3 acts). Composed by James Eakin III. For vocal soloists, SATB choir, piano. Collegiate, Multi-Movement/Large Choral Work. Secular. Medium. Piano/choral score. Published by Galaxy Music Corporation

By Mark Hayes. For baritone voice solo, mixed choir and piano accompaniment. Choral score. Duration 35 minutes. Published by Beckenhorst Press

Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Piccolo, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Contrabassoon, Horn (4), Trumpet (2), Trombone (3), Kettledrum, Drums, Strings. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Op. 125. Duration 65'. Published by Baerenreiter-Taschenparti turen (German import).

(Vocal Score). By Sir Arthur Drummond Bliss (1891-1975). For Mezzo-Soprano, SATB Choir, Piano (SATB). Music Sales America. 20th Century, Choral. 64 pages. Novello and Co Ltd. #NOV070059. Published by Novello and Co Ltd.

(Completed and edited by Robert D. Levin). By Wolfgang Amadeus Mozart / Robert D. Levin. Edited by Robert D. Levin. For Soli SSTB, SATB/SATB Choir Flute, 2 Oboes, 2 Bassoons, 2 Horns, 2 Clarinos/Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Basso continuo. This edition: Paperbound. C-Moll (C minor). Stuttgart Urtext Edition. German title: Missa in c (arr. Levin). Masses, Latin. Full score. Language: Latin. KV 427. 304 pages. Duration 80 minutes. Published by Carus Verlag

By George Frideric Handel. For SMATB Soli, SATB Choir, Piano Accompaniment. Baroque, Choral. Sheet Music. 244 pages. Published by Novello and Co Ltd.

By Felix Mendelssohn; Michael Pilkington (Editor). For Soprano, Alto, Tenor, Baritone, SATB Chorus, Piano Accompaniment. Romantic, Sacred, Classical, Choral. Sheet Music. 206 pages. Published by Novello and Co Ltd.

By Felix Mendelssohn. For 2 Soprano and 1 Tenor Soli, SATB Choir, Piano. Romantic, Choral, Sacred. Sheet Music. 84 pages. Published by Novello and Co Ltd.

By Giancarlo Aquilanti. For SATB soli, SATB choir, brass, timpani, percussion. Accomplished church, college, community, professional choruses. Moderately difficult. Piano/Vocal Score. 77 pages. Duration c. 22:00. Published by E.C. Schirmer Publishing

(New revised version). By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. Arranged by Andreas Kohs. For 2 soprano voice solos, alto voice solo, tenor voice solo, bass voice solo, double SATB choir, 2 flutes, 3 oboes (2 oboes d'amore), 2 english horns, 2 bassoons, horn, 3 trumpets, timpani, 2 violins, viola, basso continuo (organ) (2 Solo Sopranos/Solo Alto/Solo Tenor/Solo Bass/Mixed Choir: SSAATTBB/2 Flutes/3 Oboes (2 Oboes d'amore)/2 English Horns/2 Bassoons/Horn/3 Trumpets or 3 Horns or 3 Clarinets/Timpani/2 Violins/Viola/Basso continuo (Organ)). This edition: Paperback, Urtext edition. Paperback. New revised version. Level 4. Piano reduction. Language: Latin. BWV 232. 243 pages. Duration 2 hours, 15 minutes. Published by Baerenreiter Verlag