By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal solo (flute 1and2, oboe, clarinet 1and2, bassoon, F horn 1/2and3, trumpet 1/2and3, trombone 1and2, trombone 3/tuba, percussion 1and2/3and4, rhythm, harp, violin 1and2, viola, cello, string bass)

Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA09038

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038).

ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.

Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.

This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).

The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.

This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (Soprano Voice Solo, Mezzo Voice Solo, 4Tenor Voice Solo, BarSolo, 3Bass Voice Solo, Mixed choir: SSTTBB, 2 Fl, 2 Ob, 2 clarinet, 4 bassoon, 4Hn, 4Trp, 2 Pist, 3trombone, Op, 3timpani, percussion, 4harp, Str, Buhnenmusik: 2 guitar, 2 Trp, percussion)

SKU: BA.BA05441

Opéra comique. Principal versions Paris 1, Paris 2 and Weimar. Part volumes a-d. Composed by Hector Berlioz. Edited by Hugh MacDonald. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 1a-d. Oper (Opera). Complete edition, Score. Hol 76. Duration 2 hours, 45 minutes. Baerenreiter Verlag #BA05441_00. Published by Baerenreiter Verlag (BA.BA05441).

ISBN 9790006494996. 33.2 x 26 cm inches. Text Language: French. Text: Wailly, Léon de.

Benvenuto Cellini, premiered in 1838, is inspired by the life of the legendary Florentine goldsmith and Renaissance figure. The premiere was a disatster yet even by Berliozâ??s high standards it contains music of exceptional inventiveness and beauty.

The work is challenging not least due to the three versions which exist:

I The original version (Paris 1) as Berlioz composed it
II The version premiered in Paris (Paris 2) after rehearsal and copied into an archival full score
III The Weimar version based on the revival in 1852 following changes suggested by Liszt

Our edition offers a solution to the problem of publishing operas which have been heavily revised by their composers, so that any of its many versions may be adopted on stage today.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir , Fl, 2 recorder, 2 Ob, bassoon, 2 Trp, trombone, 4V, Va, Vagb, Bassi (Vc, double bass, Erzlaute, Lt-B, harpisc.))

SKU: BA.BA04096

Oratorio in two parts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series I, Volume 3. Complete edition, Score. HWV 47. Duration 1 hour, 50 minutes. Baerenreiter Verlag #BA04096_00. Published by Baerenreiter Verlag (BA.BA04096).

ISBN 9790006550098. 33 x 26 cm inches. Text Language: Italian. Preface: Terence Best. Text: Carlo Sigismondo Capece.

The Italian oratorio La Resurrezione (The Resurrection) was written during Handel’s time in Rome. It was performed on Easter Sunday 1708 with great splendour and extravagance by a large orchestra conducted by Arcangelo Corelli in the Palazzo Bonelli, the Roman palazzo of Handel’s patron the Marchese Francesco Maria Ruspoli.
In its dramatic structure and characterisation of the protagonists, the work displays a striking affinity with Italian opera. Lucifer’s raging sixty fourth notes call to mind the demon characters in Venetian opera and Maddalena’s arias are so full of expressive power and virtuosity that Handel later incorporated one of them into his opera Agrippina. The unusual musical richness of this work and the virtuosic and masterly shaping of the arias make it a welcome addition to any concert programme.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Cantata for the 4th Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For ATB vocal soli, SATB choir, 2 recorders f1, 2 oboe d'amore, 2 violins, viola, basso continuo. This edition: Paperbound. E-Moll (E minor). German title: Jesus schlaft, was soll ich hoffen. Cantatas, Epiphany. Level 3. Vocal score. Language: German/English. Composed 1724. BWV 81. 32 pages. Duration 19 minutes. Published by Carus Verlag

(Soli,Ch,Orch)

SKU: BA.BA05938-01

Composed by Johann Sebastian Bach. Edited by Manuel Bärwald. This edition: Edition of selected works, Urtext edition. Linen. Johann Sebastian Bach. Neue Ausgabe samtlicher Werke. Revidierte Edition (NBArev) 6. Edition of selected works, Score. Composed 1725. BWV 245. Baerenreiter Verlag #BA05938_01. Published by Baerenreiter Verlag (BA.BA05938-01).

ISBN 9790006556335. 33 x 26.2 cm inches. Language: German. Preface: Barwald, Manuel.

The St. John Passion, Bach's first passion oratorio, can hardly be understood asonework. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composer's direction and for every one of these occasions it was revised - sometimes quite substantially.

Thi s edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety.

Most recently found sources - in particular the libretto print of the passion rediscovered in 2015 - are taken into consideration in this edition for the first time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103805

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Choral Score. Composed 1724. BWV 38. 12 pages. Duration 21 minutes. Carus Verlag #CV 31.038/05. Published by Carus Verlag (CA.3103805).

ISBN 9790007042769. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103803

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Vocal score. Composed 1724. BWV 38. 40 pages. Duration 21 minutes. Carus Verlag #CV 31.038/03. Published by Carus Verlag (CA.3103803).

ISBN 9790007042752. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103800

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Full score. Composed 1724. BWV 38. 48 pages. Duration 21 minutes. Carus Verlag #CV 31.038/00. Published by Carus Verlag (CA.3103800).

ISBN 9790007042745. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103819

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 38. Duration 21 minutes. Carus Verlag #CV 31.038/19. Published by Carus Verlag (CA.3103819).

ISBN 9790007136093. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103807

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir. Sacred vocal music, Cantatas. Study score. Composed 1724. BWV 38. 48 pages. Duration 21 minutes. Carus Verlag #CV 31.038/07. Published by Carus Verlag (CA.3103807).

ISBN 9790007042776. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103813

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Viola. Composed 1724. BWV 38. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.038/13. Published by Carus Verlag (CA.3103813).

ISBN 9790007042813. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103811

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Violin 1. Composed 1724. BWV 38. 4 pages. Duration 21 minutes. Carus Verlag #CV 31.038/11. Published by Carus Verlag (CA.3103811).

ISBN 9790007042790. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103809

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.038/21 oboe 1, 1x 31.038/22 oboe 2, 1x 31.038/31 trumpet 1, 1x 31.038/32 trumpet 2, 1x 31.038/33 trombone 1, 1x 31.038/34 trombone 2, 1x 31.038/35 trombone 3, 1x 31.038/36 trombone 4. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not schrei ich zu dir 8. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1724. BWV 38. 20 pages. Duration 21 minutes. Carus Verlag #CV 31.038/09. Published by Carus Verlag (CA.3103809).

ISBN 9790007042783. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and parts available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103814

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Cello/Double Bass. Composed 1724. BWV 38. 8 pages. Duration 21 minutes. Carus Verlag #CV 31.038/14. Published by Carus Verlag (CA.3103814).

ISBN 9790007042820. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [4 trombones], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3103812

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Hymns by Martin Luther: Aus tiefer Not schrei ich zu dir. German title: Aus tiefer Not. Sacred vocal music, Cantatas. Single Part, Violin 2. Composed 1724. BWV 38. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.038/12. Published by Carus Verlag (CA.3103812).

ISBN 9790007042806. Key: E phrygian. Language: German. Text: Luther, Martin. Text: Martin Luther.

The opening movement of Bach's chorale cantata on Luther's In deepest need I cry to you BWV 38, which was composed for the 21st Sunday after Trinity Sunday, belongs to a group of cantatas whose opening choruses are not concertante but have been kept in the style of a motet; the instruments merely amplify the vocal parts. The archaic character of the movement is emphasized by the addition of a trombone quartet. An exciting recitative and an aria full of pungent harmonies is followed by an entirely unusual recitative in which the chorale melody forms the bass foundation for the vocal part. A second aria - which is no less unusual -is a trio which is only accompanied by the continuo; it leads into the concluding chorale which, pursuant to the 1st line of text Ob bei uns ist der Sunden viel, already begins with a brusque dissonance. Score and part available separately - see item CA.3103800.

Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc)

SKU: CA.5165203

Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203).

ISBN 9790007294243. Key: D minor. Latin.

The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.

Armanâ? ?s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.

For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.

Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.

- World premiere by the Bavarian Radio Choir
- Enthusiastically received by audience and press.

Soloists, Choir, Orchestra (Soli,Ch,Orch,Instr-Tast)

SKU: BA.BA10573-01

Composed by Bohuslav Martinu. Edited by Paul Wingfield. This edition: complete edition, urtext edition. Linen. The Bohuslav Martinu Complete Edition VI/2/2. Complete edition, Score, anthology. Baerenreiter Verlag #BA10573_01. Published by Baerenreiter Verlag (BA.BA10573-01).

ISBN 9790260107922. 33.3 x 26.3 cm inches. Text Language: Czech. Preface: Wingfield, Paul.

The present volume of the Bohuslav Martinu Complete Edition (BMCE) contains two vocal-instrumental works. TheField Mass(1939) with a text by Jiri Mucha incorporating bible and liturgy quotes was created in reaction to the outbreak of the Second World War and intended for outdoor performances. The cantataThe Spectre's Bridewith a text by Karel Jaromir Erben was composed in 1932 as part of the balletSpalicek(meaningcha pbook); the composer later took out the cantata, making it into a stand-alone concert piece.

The autograph scores served as primary sources for both works. The edition of theField Mass(including its performance materials) also contains the original version of the ending with a quote from the Czech medieval hymnJezu Kriste, stedry kneze(Jesu Christ, bountiful priest) and a number of contemporary translations.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Solo voices, mixed choir, orchestra Urtext based on the new Complete Edition. Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave and Michael Struck. Breitkopf and Haertel #OB 16109-30. Published by Breitkopf and Haertel

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

By Carl Orff. Arranged by Wilhelm Killmayer. (Score). Schott. Book only. Size 9x12 inches. 144 pages. Published by Schott.

Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged by Paul Horn. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections, Christmas, Praise and thanks. Full Score. Composed 1713/1717. RV 589. Duration 29 minutes. Carus Verlag #CV 40.001/50. Published by Carus Verlag

Composed by Antonio Vivaldi (1678-1741). Edited by Gunter Graulich. Arranged by Paul Horn. Stuttgart Urtext Edition: Vivaldi-Archiv. Sacred vocal music, Mass sections, Christmas, Praise and thanks. Vocal score. Composed 1713/1717. RV 589. Duration 29 minutes. Carus Verlag #CV 40.001/53. Published by Carus Verlag