(Kantate fur den 2. Sonntag nach Epiphanias). By Johann Sebastian Bach (1685-1750). Edited by Doht, Julia. For SATB Soli, SATB Choir, 2 Recorder, Oboe da caccia, 2 Violin, Viola, Basso Continuo. This edition: paperbound. BWV 13. Stuttgart Urtext editions; Use during church year: Epiphany. Score. Language: German/English. Composed 1726. 32 pages. Duration 21 min

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101305

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Choral Score. Composed 1726. BWV 13. 2 pages. Duration 21 minutes. Carus Verlag #CV 31.013/05. Published by Carus Verlag (CA.3101305).

ISBN 9790007102944. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score available separately - see item CA.3101300.

SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo

SKU: CA.3101319

Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Julia Doht. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Meine Seufzer, meine Tranen. Sacred vocal music, Epiphany. Set of Orchestra Parts. Composed 1726. BWV 13. Duration 21 minutes. Carus Verlag #CV 31.013/19. Published by Carus Verlag (CA.3101319).

ISBN 9790007138950. Language: German/English.

Bac h's cantata BWV 13 (from the third cycle of Leipzig cantatas) was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia: these wind instruments are used to convey the dominant affections of sighing and pain in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score and parts available separately - see item CA.3101300.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0055

Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae, 21st Century, Heaven, Lament/Grief/Sorrow. Duration 4 minutes, 4 seconds. MorningStar Music Publishers #56-0055. Published by MorningStar Music Publishers (MN.56-0055).

UPC: 688670220586. English.

Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. For soprano solo and SATB choir, this movement begins with the choir on the English text by Phineas Fletcher (1633). A 32-measure soprano solo follows, which covers the majority of the English text. The soloist then begins the “Recordare,� �¢â‚¬Â a calm, descending melodic line with the choir singing the opening “Drop, drop” motif as accompaniment. The choir then concludes with the slow, descending lines “Jesu pie, Jesu pie.” Duration 4:04.