Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Viola. 8 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/13. Published
by Carus Verlag
(CA.3500513).
ISBN
9790007212902. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Vocal score. 20
pages. Duration 14
minutes. Carus Verlag #CV
35.005/03. Published by
Carus Verlag
(CA.3500503).
ISBN
9790007091699. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 1. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/11. Published by
Carus Verlag
(CA.3500511).
ISBN
9790007212889. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Full score. 40
pages. Duration 14
minutes. Carus Verlag #CV
35.005/00. Published by
Carus Verlag
(CA.3500500).
ISBN
9790007103439. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Duration
14 minutes. Carus Verlag
#CV 35.005/19. Published
by Carus Verlag
(CA.3500519).
ISBN
9790007144456. Text
language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
parts available
separately - see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Choral Score. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/05. Published by
Carus Verlag
(CA.3500505).
ISBN
9790007103446. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score
available separately -
see item CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Organ. 12 pages. Duration
14 minutes. Carus Verlag
#CV 35.005/49. Published
by Carus Verlag
(CA.3500549).
ISBN
9790007212926. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Violin 2. 8 pages.
Duration 14 minutes.
Carus Verlag #CV
35.005/12. Published by
Carus Verlag
(CA.3500512).
ISBN
9790007212896. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Kantate zum 1. Sonntag
nach Epiphanias.
Composed by Johann
Sebastian Bach. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Gedenke, Herr, wie es uns
gehet. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
Cello/Double Bass. 8
pages. Duration 14
minutes. Carus Verlag #CV
35.005/14. Published by
Carus Verlag
(CA.3500514).
ISBN
9790007212919. Language:
German/English.
Amo
ng the vocal compositions
incorrectly attributed to
Johann Sebastian Bach,
the cantata has a place
of its own, because its
tonal language approaches
the unmistakable style of
the Thomaskantor. This
applies especially to its
choral movements and
recitatives. In the
surviving sources, only
one of which dates back
to the 18th century,
there are certain
compositonal errors which
cannot possibly be
reconciled to Bach's
mature style. The
implication is that this
is not a genuine cantata
by the Leipzig
Thomaskantor, but an
ambitious piece by one of
his pupils. Score and
part available separately
- see item
CA.3500500.
Oratorio de Noel Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur d'étude / Miniature] - Facile Carus Verlag
By Camille Saint-Saens (1835-1921). Edited by Thomas Kohlhase. For Soli SMsATB, ...(+)
By Camille Saint-Saens
(1835-1921). Edited by
Thomas Kohlhase. For Soli
SMsATB, SATB Choir, 2
Violins, Viola, Cello,
Contrabass, Organ, Harp.
This edition: Paperbound.
French Sacred Music.
Score available
separately - see item
CA.4045500. Oratorios,
Christmas, French Sacred
Music. Level 3. Study
score. Language: Latin.
Opus 12. 64 pages.
Duration 40 min.
Published by Carus Verlag
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Kenneth Nott.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 30. Complete
edition, Score. HWV 70.
Baerenreiter Verlag
#BA04014_00. Published by
Baerenreiter Verlag
(BA.BA04014).
ISBN
9790006442935. 33 x 26 cm
inches. Text Language:
English. Preface: Nott,
Kenneth. Text: Thomas
Morell.
“Jeph
tha†is
Handel’s last
oratorio. Handel had to
break off from composing
several times because of
his increasing blindness
in 1751. The first
performance at the Covent
Garden Theatre in
February 1752 was the
last performance he
conducted before he went
completely blind. In
“Jephthaâ€,
Handel succeeded in
achieving the perfect
fusion between a biblical
plot and the spirit of
classical tragedy. With
great intensity and
dramatic expression he
highlighted in particular
the fates of Jephtha and
Iphis , thereby
portraying convincing and
complex
characters.
The
chorus “How Dark, O
Lord, are Thy
Decrees†at the end
of part two is of crucial
importance in the work
and is regarded as the
dramatic high point of
the oratorio.
The
vocal score is based on
volume I/30 of the
“Halle Handel
Edition†(BA 4014),
which contains the
complete critical version
of the music of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By Dietrich Buxtehude (1637-1707). Edited by Thomas Schlage. For SATB Choir, 2 V...(+)
By Dietrich Buxtehude
(1637-1707). Edited by
Thomas Schlage. For SATB
Choir, 2 Violins, Violone
(Violoncello), Basso
continuo. This edition:
Paperbound. Cantatas.
Full score. Language:
German. BuxWV 27. 24
pages. Duration 6 min.
Published by Carus Verlag
(Chorale cantata). Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited b...(+)
(Chorale cantata).
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
Thomas Christian Schmidt.
For soprano voice solo,
SATB choir, 2 violins,
viola, cello/contrabass.
Stuttgart Urtext Edition.
German title: Wer nur den
lieben Gott lasst walten.
Cantatas. Level 3. Choral
score. Language:
German/English. Composed
1829. A 7. Duration 12
minutes. Published by
Carus Verlag
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036911
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 1.
Composed 1708. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/11. Published by
Carus Verlag
(CA.1036911).
ISBN
9790007190521. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036912
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2.
Composed 1708. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/12. Published by
Carus Verlag
(CA.1036912).
ISBN
9790007190538. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036900
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. This
edition: Paperbound.
German title: Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas. Full
score. Composed 1708. 32
pages. Duration 19
minutes. Carus Verlag #CV
10.369/00. Published by
Carus Verlag
(CA.1036900).
ISBN
9790007025724. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum).
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036914
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. Composed 1708. 4
pages. Duration 19
minutes. Carus Verlag #CV
10.369/14. Published by
Carus Verlag
(CA.1036914).
ISBN
9790007190552. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036913
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Viola.
Composed 1708. 2 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/13. Published by
Carus Verlag
(CA.1036913).
ISBN
9790007190545. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036949
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Organ.
Composed 1708. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/49. Published by
Carus Verlag
(CA.1036949).
ISBN
9790007190576. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036905
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. Composed
1708. 12 pages. Duration
19 minutes. Carus Verlag
#CV 10.369/05. Published
by Carus Verlag
(CA.1036905).
ISBN
9790007109349. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score available
separately - see item
CA.1036900.
As a pasticcio by
Johann Sebastian Bach,
with arias from Hande'ls
Brockes-Passion.
Composed by George
Frideric Handel and
fruher zugeschrieben
Reinhard Keiser. Edited
by Christine Blanken.
Arranged by Johann
Sebastian Bach. Edition
Bach-Archiv Leipzig -
Musical Monuments. German
title: Markuspassion.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Single Part, Viola 2.
Composed circa 1747. 12
pages. Duration 90
minutes. Carus Verlag #CV
35.502/14. Published by
Carus Verlag
(CA.3550214).
ISBN
9790007213459. Language:
German.
Third
version, first performed
around 1747 in Leipzig.
First version available
under 35.304/00. The St.
Mark Passion, which
probably originated in
the first decade of the
18th century, by a
composer known until now
only as Kaiser, is only
preserved in various
copies. It occupies a
prominent place in Bach's
music library as the only
music for Passion by
another composer which he
performed several times,
usually in different
forms. For the young Bach
in Weimar this St. Mark
Passion was a didactic
piece for learning the
art of the modern
narrative recitative; as
the Leipzig Thomaskantor
he also performed it
(1726). The present
edition reconstructs the
third version, first
performed in Leipzig
(1747), in which Bach
inserted seven arias from
Handel's famous
Brockes-Passion. Only in
this pasticcio did a
direct encounter occur
between him and his
famous compatriot in
London, a real encounter
which Bach longed for,
but which never came
about. Score and part
available separately -
see item CA.3550200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214).
ISBN
9790007208936. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Whitsun,
Mourning, death. Single
Part, Violin 1. Composed
1716. BWV 162. 4 pages.
Duration 18 minutes.
Carus Verlag #CV
31.162/11. Published by
Carus Verlag
(CA.3116211).
ISBN
9790007208905. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Composed
by Christoph Graupner.
German title: Magnificat.
Sacred vocal music,
Magnificats, Advent,
Christmas, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary, Daily hours.
Set of Orchestra Parts.
Composed 1722. GWV.
Duration 14 minutes.
Carus Verlag #CV
10.351/19. Published by
Carus Verlag
(CA.1035119).
ISBN
9790007133788. Language:
Latin.
The cantata
Magnificat anima mea was
written for Christmas
1722, when the composer
visited Leipzig on family
business, and was asked
by the Leipzig city
council to apply for the
Thomaskantorship. Score
and parts available
separately - see item
CA.1035100.
Cantata
for the 20th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Frauke Heinze.
Arranged by Masaaki
Suzuki. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Set of
Orchestra Parts. Composed
1716. BWV 162. Duration
18 minutes. Carus Verlag
#CV 31.162/19. Published
by Carus Verlag
(CA.3116219).
ISBN
9790007172244. Language:
German/English.
Scripture: Matthew
22:1-14.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
parts available
separately - see item
CA.3116200.