Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Composed by George Frideric Handel (1685-1759). Edited by Amanda Babington. Arra...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Amanda Babington.
Arranged by Andreas Kohs.
For alto voice solo,
tenor voice solo, bass
voice solo, SSATB choir,
piano reduction. This
edition: urtext edition.
Paperback. Level 3. Vocal
score. HWV 283. Published
by Baerenreiter Verlag
Fairest Lord Jesus, We Love You Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur et Parties séparées + CD] - Intermédiaire Lillenas Publishing Co.
By David Clydesdale. Arranged by David Clydesdale. For SATB choir with vocal sol...(+)
By David Clydesdale.
Arranged by David
Clydesdale. For SATB
choir with vocal solo
(flute 1and2, oboe,
clarinet 1and2, bassoon,
F horn 1/2and3, trumpet
1/2and3, trombone 1and2,
trombone 3/tuba,
percussion 1and2/3and4,
rhythm, harp, violin
1and2, viola, cello,
string bass)
Te Deum and Jubilate Deo in D Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Vocal Score] - Intermédiaire/avancé Oxford University Press
By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB...(+)
By Henry Purcell
(1659-1695). Arranged by
Robert King. For SSATB
soloists, SSATB choir, 2
trumpets, strings and
continuo (2 trumpets,
violin 1, violin 2,
viola, cello, double
bass, organ, theorbo
(optional)). Mixed
Voices. Classic Choral
Works. Standard Choral
Works. Vocal score. 40
pages. Duration 20'.
Published by Oxford
University Press
Oratorio in two
parts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 3. Complete
edition, Score. HWV 47.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA04096_00.
Published by Baerenreiter
Verlag (BA.BA04096).
ISBN 9790006550098. 33
x 26 cm inches. Text
Language: Italian.
Preface: Terence Best.
Text: Carlo Sigismondo
Capece.
The Italian
oratorio La Resurrezione
(The Resurrection) was
written during
Handel’s time in
Rome. It was performed on
Easter Sunday 1708 with
great splendour and
extravagance by a large
orchestra conducted by
Arcangelo Corelli in the
Palazzo Bonelli, the
Roman palazzo of
Handel’s patron
the Marchese Francesco
Maria Ruspoli. In its
dramatic structure and
characterisation of the
protagonists, the work
displays a striking
affinity with Italian
opera. Lucifer’s
raging sixty fourth notes
call to mind the demon
characters in Venetian
opera and
Maddalena’s arias
are so full of expressive
power and virtuosity that
Handel later incorporated
one of them into his
opera Agrippina. The
unusual musical richness
of this work and the
virtuosic and masterly
shaping of the arias make
it a welcome addition to
any concert programme.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in two
Parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. Arranged by
Christopher Sokolowski.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Rome
1707. Vocal Score. HWV
46A. Baerenreiter Verlag
#BA10721_90. Published by
Baerenreiter Verlag
(BA.BA10721-90).
ISBN
9790006568680. 27 x 19 cm
inches. Text Language:
Italian. Preface: Annette
Landgraf. Text: Pamphili,
Benedetto.
Handel
composed his first
Italian oratorioLa
Bellezza ravveduta nel
trionfo del Tempo e del
DisingannoHWV 46a in
1707. It is based on an
allegorical moral
libretto written by
Cardinal Benedetto
Pamphili who also
commissioned this
work.
Disinganno
(Illumination) and Tempo
(Time) try to get the
young, beautiful and
frivolous Bellezza
(Beauty) to recognise the
true values of life and
to act accordingly. The
audience accompanies
Bellezza in her spiritual
development, in which she
increasingly distances
herself from Piacere
(Pleasure) and listens
more and more to Tempo
and
Disinganno.
The
oratorio contains some of
the most beautiful music
Handel ever composed.
This includes the
enchanting ariaLascia la
spina, in which he uses
the music of the
sarabande from the
operaAlmira, composed in
Hamburg in 1704, and
which then achieved
immortal fame
inRinaldo(1711) asLascia
ch'io pianga.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part, basso
continuo. MH 13. 28
pages. Duration 55
minutes. Carus Verlag #CV
54.013/13. Published by
Carus Verlag
(CA.5401313).
ISBN
9790007225896. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Choral Score. MH
13. 32 pages. Duration 55
minutes. Carus Verlag #CV
54.013/05. Published by
Carus Verlag
(CA.5401305).
ISBN
9790007165307. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Single Part,
Organ. MH 13. 40 pages.
Duration 55 minutes.
Carus Verlag #CV
54.013/49. Published by
Carus Verlag
(CA.5401349).
ISBN
9790007165314. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
part available separately
- see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext. 1x
54.013/31 clarino 1, 1x
54.013/32 clarino 2, 1x
54.013/33 trumpet 1, 1x
54.013/34 trumpet 2, 1x
54.013/35 trombone 1, 1x
54.013/36 trombone 2, 1x
54.013/37 trombone 3, 1x
54.013/41 timpani.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/09. Published by
Carus Verlag
(CA.5401309).
ISBN
9790007225865. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. MH 13. Duration 55
minutes. Carus Verlag #CV
54.013/19. Published by
Carus Verlag
(CA.5401319).
ISBN
9790007140403. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score and
parts available
separately - see item
CA.5401300.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Full score. MH 13.
124 pages. Duration 55
minutes. Carus Verlag #CV
54.013/00. Published by
Carus Verlag
(CA.5401300).
ISBN
9790007097554. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition.
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa Stae Cyrilli Et
Methodii Mh 13. Sacred
vocal music, Masses,
Latin. Vocal score. MH
13. 88 pages. Duration 55
minutes. Carus Verlag #CV
54.013/03. Published by
Carus Verlag
(CA.5401303).
ISBN
9790007140731. Language:
Latin.
The thirty
or so settings of the
Mass by Johann Michael
Haydn (Joseph's younger
brother) are masterpieces
of their class, and were
greatly loved during his
lifetime. As part of its
Urtext complete edition
Carus now presents the
Missa Sancti Cyrilli et
Methodii. This
composition of 1758 is an
early work, still written
in the baroque stylistic
tradition of the southern
German region, Out it
also reveals subjective
inspiration which
separates it from many
mass settings by Haydn's
contemporaries. With this
mass dedicated to the
Slavic apostles Cyrill
and Methodius it is
possible that Haydn
applied for a position in
Brno and it actually
appears as if the
21-year-old composer
wanted to present a
masterpiece demonstrating
his skills. This mass is
published here in the
first edition. Score
available separately -
see item CA.5401300.
Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
This edition: Paperbound.
German title: La Passione
di Gesu Cristo. Sacred
vocal music, Passions,
Lent and Passiontide,
Holy Week. Full score.
Composed 1776. 272 pages.
Duration 105 minutes.
Carus Verlag #CV
40.942/00. Published by
Carus Verlag
(CA.4094200).
ISBN
9790007078423. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. This edition:
Paperbound. Sacred music
from Salzburg. Terra
Tremuit /Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Vocal score.
16 pages. Duration 4
minutes. Carus Verlag #CV
27.110/03. Published by
Carus Verlag
(CA.2711003).
ISBN
9790007088026. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
available separately -
see item CA.2711000.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. Sacred music from
Salzburg. Terra Tremuit
/Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Single Part,
Violin 1. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 27.110/11.
Published by Carus Verlag
(CA.2711011).
ISBN
9790007200527. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
and part available
separately - see item
CA.2711000.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. This edition:
Paperbound. Sacred music
from Salzburg. German
title: Terra Tremuit
/Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Full score.
28 pages. Duration 4
minutes. Carus Verlag #CV
27.110/00. Published by
Carus Verlag
(CA.2711000).
ISBN
9790007087777. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. Sacred music from
Salzburg. German title:
Terra Tremuit
/Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Set of
Orchestra Parts. Duration
4 minutes. Carus Verlag
#CV 27.110/19. Published
by Carus Verlag
(CA.2711019).
ISBN
9790007138899. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
and parts available
separately - see item
CA.2711000.
Composed
by Antonio Salieri.
Edited by Rudolf Kelber.
Sacred vocal music,
Passions, Lent and
Passiontide, Holy Week.
Choral Score. Composed
1776. 16 pages. Duration
105 minutes. Carus Verlag
#CV 40.942/05. Published
by Carus Verlag
(CA.4094205).
ISBN
9790007078447. Key: B
flat major. Language:
Italian. Text:
Metastasio, Pietro. Text:
Pietro
Metastasio.
Pietro
Metastasio's libretto to
azione sacra La Passione
di Gesu Cristo (1730) is
a prototype for the
Italian Catholic oratorio
of the 18th century, in
which the Biblical text
is entirely transformed
into free verse.
Originally written for
Antonio Caldara, the text
has been set to music
many times. However, the
famous poet wrote in a
letter to the 26-year-old
composer that the
setting, in the style of
Italian Opera seria, was
the most expressive music
that has ever been
written for this poem.
German and English
translations of the
libretto are provided in
this edition. Score
available separately -
see item CA.4094200.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. Sacred music from
Salzburg. Terra Tremuit
/Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Single Part,
Violin 2. 4 pages.
Duration 4 minutes. Carus
Verlag #CV 27.110/12.
Published by Carus Verlag
(CA.2711012).
ISBN
9790007200534. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
and part available
separately - see item
CA.2711000.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. 1x 27.110/31
clarino, 1x 27.110/32
trombone 1, 1x 27.110/33
trombone 2, 1x 27.110/34
trombone 3. Sacred music
from Salzburg. Terra
Tremuit /Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Set of
Orchestra Parts. 20
pages. Duration 4
minutes. Carus Verlag #CV
27.110/09. Published by
Carus Verlag
(CA.2711009).
ISBN
9790007200510. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
and parts available
separately - see item
CA.2711000.
Offertory for the
Easter Sunday.
Composed by Johann Ernst
Eberlin. Edited by Armin
Kircher. Arranged by Paul
Horn. Sacred music from
Salzburg. Terra Tremuit
/Offertorium
Ostersonntag. Sacred
vocal music, Easter and
Eastertide. Choral Score.
Duration 4 minutes. Carus
Verlag #CV 27.110/05.
Published by Carus Verlag
(CA.2711005).
ISBN
9790007108991. Key: C
major. Language:
Latin.
Eberlin's
programmatic setting of
the offertory Terra
tremuit was written for
the festive liturgy of
Easter Sunday at Salzburg
Cathedral, which in the
17th and 18th centuries
was a center of the
cultivation of the
polyphonic offertory.
Verses 9 and 10 of Psalm
76 (Vulgata 75), with
their vivid description
of the earth trembling
and falling silent are
Eberlin's basis for the
offertory. Eberlin
depicts the earthquake by
means of a written-out
tremolo of the strings,
and by staccato singing
of the syllables of the
word tremuit. The
Resurrection is depicted
musically by ascending
figures at the words dum
resurgere. An Alleluia
concludes the work. Score
available separately -
see item CA.2711000.
Composed
by Wolfgang Amadeus
Mozart. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Mozart. German
title: Missa Brevis In D
Kv 194 Rev.2000.
Innovative practice aids,
Sacred vocal music,
Masses, Latin, Missa
brevis in Latin. Set of
Orchestra Parts. Composed
1774. KV 194. Duration 18
minutes. Carus Verlag #CV
40.625/19. Published by
Carus Verlag
(CA.4062519).
ISBN
9790007138097. Key: D
major. Language:
Latin.
During the
summer of 1774 Mozart
wrote two Masses within a
few weeks: the Missa
brevis in F major, K.
192, and the Missa brevis
in D major, K. 194. A
feature common to both
compositions as well as
to the Dixit et
Magnificat K. 193,
written at about the same
time, and the Trinitias
Mass K. 167 of the
previous year, is a more
or less strongly evident
tendency towards
contrapuntal writing.
However, while the Dixit
et Magnificat and the
Trinitas Mass approach
the late-baroque style,
in these two brevis
Masses Mozart sought to
combine traditional
polyphonic techniques
with a more modern
musical language. This
work is now available in
carus music, the choir
app! Score and parts
available separately -
see item CA.4062500.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803).
ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609).
ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.