SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107611

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 1. Composed 1723. BWV 76. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.076/11. Published by Carus Verlag (CA.3107611).

ISBN 9790007044947. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107612

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Violin 2. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/12. Published by Carus Verlag (CA.3107612).

ISBN 9790007044954. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107613

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Single Part, Viola. Composed 1723. BWV 76. 8 pages. Duration 35 minutes. Carus Verlag #CV 31.076/13. Published by Carus Verlag (CA.3107613).

ISBN 9790007044961. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and part available separately - see item CA.3107600.

SATB vocal soli, SATB choir, oboe I/oboe d'amore, oboe II, trumpet, 2 violins, viola, basso continuo - Level 3

SKU: CA.3107619

Cantata for the 2nd Sunday afer Trinity / Reformation Day. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. Arranged by Paul Horn. German title: Die Himmel erzahlen die Ehre Gottes. Sacred vocal music, Cantatas, Psalms, German. Set of Orchestra Parts. Composed 1723. BWV 76. Duration 35 minutes. Carus Verlag #CV 31.076/19. Published by Carus Verlag (CA.3107619).

ISBN 9790007134082. Key: C major / a minor. Language: German/English.

The cantata Die Himmel erzahlen die Ehre Gottes (The heavens are telling of God in glory) BWV 76 by Johann Sebastian Bach was written for the 2nd Sunday after Trinity, which fell on 6 June 1723 in the year it was first performed. This ambitious two-part work was the second cantata which Bach wrote after taking up the position of Kantor of St. Thomas's in Leipzig. Bach's aim was evidently to demonstrate a particularly wide range of musical forms in both the arias and the recitatives in this cantata. The opening chorus is based on verses 2 and 4 of Psalm 19, with verse 4 structured as a choral fugue. Both parts of the cantata end with a chorale movement with different verses from the Lutheran hymn Es woll uns Gott genadig sein. The text refers loosely to the epistle reading from the 1st letter of St John, but deals more with general thoughts about the temptations of the Christian which can be overcome through love. Bach also performed the first part of the cantata later with minor revisions, but evidently no alterations to the text, on Reformation Day in Leipzig. Score and parts available separately - see item CA.3107600.

By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. HWV 56. Full score available separately - see item CA.5505600. Oratorios; Stuttgart Urtext editions. Study score. Language: English/German. Composed 1742. 328 pages. Duration 150 min. Published by Carus Verlag

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106212

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 2. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/12. Published by Carus Verlag (CA.3106212).

ISBN 9790007043629. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106207

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Study score. Composed 1724. BWV 62. 56 pages. Duration 23 minutes. Carus Verlag #CV 31.062/07. Published by Carus Verlag (CA.3106207).

ISBN 9790007043599. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106249

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Organ. Composed 1724. BWV 62. 20 pages. Duration 23 minutes. Carus Verlag #CV 31.062/49. Published by Carus Verlag (CA.3106249).

ISBN 9790007043650. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106209

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.062/21 oboe 1, 1x 31.062/22 oboe 2, 1x 31.062/31 horn 1, 1x 31.062/32 horn 2. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Set of Orchestra Parts. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/09. Published by Carus Verlag (CA.3106209).

ISBN 9790007043605. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and parts available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106214

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Cello/Double Bass. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/14. Published by Carus Verlag (CA.3106214).

ISBN 9790007043643. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106211

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Violin 1. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/11. Published by Carus Verlag (CA.3106211).

ISBN 9790007043612. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106205

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Choral Score. Composed 1724. BWV 62. 4 pages. Duration 23 minutes. Carus Verlag #CV 31.062/05. Published by Carus Verlag (CA.3106205).

ISBN 9790007043582. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score available separately - see item CA.3106200.

Orchestra SATB vocal soli, SATB choir, 2 oboes, [horn], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3106213

Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Coppenrath series, Hymns by Martin Luther: Nun komm, der Heiden Heiland. German title: Nun Komm Der Heiden Heiland Ii. Sacred vocal music, Cantatas, Advent, Christmas. Single Part, Viola. Composed 1724. BWV 62. 12 pages. Duration 23 minutes. Carus Verlag #CV 31.062/13. Published by Carus Verlag (CA.3106213).

ISBN 9790007043636. Key: B minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

Bach's second cantata starting with the text Come now, God's chosen saviour (II) BWV 62 was first performed in 1724 on the 1st Advent Sunday (which, at that time, was the only Advent Sunday with church music in Leipzig) and belongs to the annual cycle of chorale cantatas. As was usual for chorale cantatas, the unknown librettist used the first and last verses of Martin Luther's hymn verbatim for the opening chorus and the concluding chorale but adapted the texts of the inner verses. After two contrasting arias - the one dance-like, the second almost heroic - an almost enraptured accompagnato (Wir ehren diese Herrlichtkeit, und nahen nun zu deiner Krippen), in which the soprano and contralto mostly sing in parallel thirds and sixths, leads to a simple concluding chorale. Score and part available separately - see item CA.3106200.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104319

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Set of Orchestra Parts. Composed 1726. BWV 43. Duration 25 minutes. Carus Verlag #CV 31.043/19. Published by Carus Verlag (CA.3104319).

ISBN 9790007136123. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score and parts available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104305

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Choral Score. Composed 1726. BWV 43. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.043/05. Published by Carus Verlag (CA.3104305).

ISBN 9790007103040. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101109

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. 1x 31.011/21 flute 1, 1x 31.011/22 flute 2, 1x 31.011/23 oboe 1, 1x 31.011/24 oboe 2, 4x 31.011/31 3 trumpets and timpani. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium /31 4 x liefern = 8. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Set of Orchestra Parts. Composed 1735. BWV 11. 56 pages. Duration 32 minutes. Carus Verlag #CV 31.011/09. Published by Carus Verlag (CA.3101109).

ISBN 9790007042028. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and parts available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.2441100

Ascension oratorio. Composed by Johann Sebastian Bach. This edition: Paperbound. Oratorios. German title: Himmelfahrtoratorium Faksimile. Oratorios. Facsimile. Composed 1735. BWV 11. 40 pages. Duration 32 minutes. Carus Verlag #CV 24.411/00. Published by Carus Verlag (CA.2441100).

ISBN 9790007108953. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104314

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Single Part, Cello/Double Bass. Composed 1726. BWV 43. 12 pages. Duration 25 minutes. Carus Verlag #CV 31.043/14. Published by Carus Verlag (CA.3104314).

ISBN 9790007205935. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score and part available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104313

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Single Part, Viola. Composed 1726. BWV 43. 4 pages. Duration 25 minutes. Carus Verlag #CV 31.043/13. Published by Carus Verlag (CA.3104313).

ISBN 9790007205928. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score and part available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101149

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Organ. Composed 1735. BWV 11. 16 pages. Duration 32 minutes. Carus Verlag #CV 31.011/49. Published by Carus Verlag (CA.3101149).

ISBN 9790007042073. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101105

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium rev.2000. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Choral Score. Composed 1735. BWV 11. 8 pages. Duration 32 minutes. Carus Verlag #CV 31.011/05. Published by Carus Verlag (CA.3101105).

ISBN 9790007042011. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101114

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Cello/Double Bass. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/14. Published by Carus Verlag (CA.3101114).

ISBN 9790007042066. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101111

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Violin 1. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/11. Published by Carus Verlag (CA.3101111).

ISBN 9790007042035. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104311

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 1. Composed 1726. BWV 43. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.043/11. Published by Carus Verlag (CA.3104311).

ISBN 9790007205904. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score and part available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101113

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Viola. Composed 1735. BWV 11. 8 pages. Duration 32 minutes. Carus Verlag #CV 31.011/13. Published by Carus Verlag (CA.3101113).

ISBN 9790007042059. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.

SATB vocal soli, SATB choir, 2 oboes, 3 trumpets, timpani, 2 violin, viola, basso continuo

SKU: CA.3104312

Cantata for Ascension. Composed by Johann Sebastian Bach. Edited by Michael Marker. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Gott fahret auf mit Jauchzen. Sacred vocal music, Cantatas, Ascension. Single Part, Violin 2. Composed 1726. BWV 43. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.043/12. Published by Carus Verlag (CA.3104312).

ISBN 9790007205911. Key: C major / g major. Language: German/English.

On the 30th May 1726, as part of his third Leipzig annual cycle of cantatas, Bach directed the first performance of his Ascension Cantata Gott fahret auf mit Jauchzen. The libretto was published at Rudolstadt during the same year without any indication of the autor's name, in a collection entitled Sonn- und Fest-Tags-Andachten uber die ordenlichen Evangelia. The libretti in that collection had already been used during the Church year 1704/05 at the Court of Meiningen; their author may have been Duke Ernst Ludwig von Sachsen-Meiningen. Score and part available separately - see item CA.3104300.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3101112

Ascension oratorio. Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Himmelfahrtsoratorium. Innovative practice aids, Sacred vocal music, Cantatas, Oratorios, Ascension. Single Part, Violin 2. Composed 1735. BWV 11. 12 pages. Duration 32 minutes. Carus Verlag #CV 31.011/12. Published by Carus Verlag (CA.3101112).

ISBN 9790007042042. Key: D major. Language: German.

Besides the Weihnachtsoratorium BVW 248, Bach composed an additional work for the feast days of the church year 1734/35: The Himmelfahrtsoratorium BWV 11 (Ascension Oratorio). Although in its dimensions and character the oratorio is akin to his cantatas, it occupies a special position as a result of the epic text on which it is based; the text includes a biblical story. In particular, the festive atmosphere and instrumentation of the opening and closing choruses mirror the triumphant joy of Christ's ascension. This is a new edition in the Stuttgart Bach Editions series, edited by Ulrich Leisinger. Score and part available separately - see item CA.3101100.

By George Frideric Handel. Arranged by Bartlett. For Longer Choral Work: Vocal Score. Published by Oxford University Press.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes d'amore, 2 Lt, 2 violins, viola, 2 violas da gamba, basso continuo

SKU: CA.3119813

Funeral ode. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Trauerode. Cantatas. Single Part, Viola. Composed 1727. BWV 198. 12 pages. Duration 35 minutes. Carus Verlag #CV 31.198/13. Published by Carus Verlag (CA.3119813).

ISBN 9790007210618. Text language: German/English.

Com posed in 1727 for a eulogy and funeral oration for Electress Christiane Eberhardine in the Leipzig University church, the music for the funeral ode is well-known today above all through reconstructions of Bach's St Mark Passion, in which large parts of this cantata were probably re-used, but of which only the text survives. With the funeral ode we have one of Bach's strongest and most fascinating vocal compositions. Although Gottsched's text is associated with a particular occasion, it is distinguished in its literary quality from many secular cantatas and it is entirely appropriate to perform this impressive cantata in concerts. Score and part available separately - see item CA.3119800.