Solo voices, orchestra (Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, 2 recorder-A, 2 Fl, 2 Ob, 2 clarinet, Str, Continuo)

SKU: BA.BA04052

Dramma per musica in three Acts. Composed by George Frideric Handel. Edited by Terence Best. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II, Band 15. Complete edition, Score. HWV 18. Duration 3 hours. Baerenreiter Verlag #BA04052_00. Published by Baerenreiter Verlag (BA.BA04052).

ISBN 9790006495702. 33.1 x 26 cm inches. Nicola Francesco Haym.

Handel began the composition of Tamerlano, one of the supreme masterpieces of Baroque opera seria, on 3rd July 1724. The libretto was an adaptation by Nicola Haym of Agostino Piovene's Tamerlano, Tragedia per musica, which had been set to music by Francesco Gasparini, and performed in Venice in 1711. When Handel dated the last page of the autograph on 4rd July the work appeared to be complete; but during the three months which passed before the premiere at the King's Theatre in the Haymarket on 31 October, so many alterations and revisions were made that a fresh performing-score had to be writtern very late in the proceedings, to replace an earlier one which is now 1ost.

There were twelve performances between 31 October 1724 and 8 May 1725. Handel revived the opera only once, in 1731, for three performances. For this revival he marked in the performing score a number of cuts in the recitatives, which are reproduced in the present edition; there is more recitative in Tamerlano than in any other Handel opera.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.

ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso continuo - Level 3

SKU: CA.3118212

Cantata for Palm Sunday or for the feast of the Annunciation. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Himmelskonig, Sei Willkommen A-Dur. Sacred vocal music, Cantatas, Lent and Passiontide, Holy Week, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola 1. Composed 1714. BWV 182. 8 pages. Duration 30 minutes. Carus Verlag #CV 31.182/12. Published by Carus Verlag (CA.3118212).

ISBN 9790007050290. Key: A major. Language: German/English. Text: Franck, Salomo. Text: Salomo Franck.

Version in A major (version in G major: Carus 31.182/50) The cantata Himmelskonig, sei willkommen BWV 182 holds a special place in Johann Sebastian Bach's biography. He had been employed as organist and chamber musician at the court of Weimar since 1708; on 2 March 1714, he was appointed concert master of the court, and his inauguration music for this occasion was Himmelskonig, sei willkommen. The cantata was first performed on Palm Sunday of that year, 25 March 1714. Bach performed this cantata several times - always revising and amending it - both in Weimar and in Leipzig. Of the altogether four versions, the first Leipzig version has been selected for the present new edition. Unlike the Weimar versions, it can be realized effectively using modern performance means. In his debut composition of 1714, the newly appointed concert master demonstrated his abilities: the eight movements contain a multitude of beautiful and rewarding challenges for choir and vocal soloists alike, and in addition there is the unusual attraction of a virtuoso solo part for the recorder. Score and part available separately - see item CA.3118200.

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids, Sacred vocal music, Oratorios. Vocal score. Composed 1742. HWV 56. 256 pages. Duration 150 minutes. Carus Verlag #CV 55.056/02. Published by Carus Verlag (CA.5505602).

(Weihnachtsoratorium in drei Teilen). By Reinhard Keiser (1674-1739). Edited by Christine Blanken. For Soli SATB, SSAATTBB Choir, 3 Contrabassons, Timpani, 3 Oboes, 3 Bassoon, 2 Violin, Viola, Basso Continuo. This edition: paperbound. Full score available separately - see item CA.1038600. Oratorios; Use during church year: Christmas. Piano/Vocal score. Language: German. 48 pages. Duration 40 min. Published by Carus Verlag

Deutsches Magnificat. By Georg Philipp Telemann. Edited by Klaus Hofmann. Arranged by Klaus Hofmann. For Soli SATB, SATB Choir, 2 Oboes, 2 Recorders f1, 2 Violins, Viola, Basso continuo. TVWV 9:18. Magnificat; Stuttgart Urtext editions; Use during church year: Christmas. Score. Language: German/English. 72 pages. Duration 25 min. Published by Carus Verlag (German import).

(Bohmische Hirtenmesse). By Jakub Jan Ryba (1765-1815). Edited by Milan Kuna. For Soli SATB, SATB Choir, Flute, 2 Clarinets, 2 Horns, Trumpet, Timpani, 2 Violins, Viola, Cello/Contrabass, Organ. This edition: Paperbound. Score available separately - see item CA.4067800. Masses, German, Masses, Latin, Christmas. Level 2. Vocal score. Language: Czech/German. 64 pages. Duration 37 min. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman, Jan Siemons. Arranged by Siegfried Petrenz. This edition: urtext. Awards / Prizes: Deutscher Musikeditionspreis Best Edition . Awards / Prizes: Deutscher Musikeditionspreis Best Edition ; Carus sheet music series: Vocal scores XL. Messiah Kart Ga-Format. Innovative practice aids

Arrangement for chamber orchestra (Linckelmann). Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Joachim Linckelmann. Gattungen vokal: Sacred vocal music. Full Score. MWV A 25, Op. 70. Duration 130 minutes. Published by Carus Verlag

By Johann Ernst Eberlin (1702-1762). Edited by Armin Kircher. For Soli SATB, SATB Choir, Organ. This edition: Paperbound. Masses, Latin. Full score. Language: Latin. 24 pages. Published by Carus Verlag

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Vocal score. Language: English/German. Composed 1742. HWV 56. 184 pages. Duration 150 minutes. Published by Carus Verlag

By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB soli, S(S0ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. German title: Messiah kart GA-Format. Oratorios. Full score. Language: English/German. Composed 1742. HWV 56. 328 pages. Duration 150 minutes. Published by Carus Verlag

Composed by Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Choral score. Language: Latin. MH deest.. Duration 7 minutes. Published by Carus Verlag

Composed by Georg Philipp Telemann (1681-1767). Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Hymns by Martin Luther: Nun komm, der Heiden Heiland; Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun komm, der Heiden Heiland. Cantatas, Advent. Complete orchestral parts. TVWV 11:1178. Duration 7 minutes. Published by Carus Verlag (CA.3949319).

Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA09038

Composed by Ludwig van Beethoven. Edited by Barry Cooper. This edition: urtext edition. Paperback. Barenreiter Urtext. Score. Opus 123. Baerenreiter Verlag #BA09038_00. Published by Baerenreiter Verlag (BA.BA09038).

ISBN 9790006563838. 31 x 24.3 cm inches. Text Language: Latin. Preface: Barry Cooper.

Beethoven described his grandly conceived â??Missa solemnisâ? as â??my greatest workâ? and sold manuscript copies to some of the subscribers even before it had appeared in print.

This Urtext edition takes into account all the sources including the old and the new complete editions whose relationship is clearly explained in a stemma. In several passages the renowned Beethoven specialist Barry Cooper has arrived at variant readings, such as in the â??Sanctusâ?, where the choir enters instead of the soloists, rather than coming in at â??Pleni sunt coeliâ?. No less worthy of mention is the addition of the soloists to the choir in most of the â??Credoâ?. These matters and many other editorial decisions are documented in the detailed Critical Commentary (Eng).

The appendix contains Beethovenâ??s arrangement of the Gregorian chant â??Tantum ergoâ? for the first time. This was composed at the same time as the â??Missa solemnisâ? and most probably stands in a close relation to it.

This edition is designed for everyone seeking a combination of a reliable musical text and well-founded editorial suggestions for a successful performance of this masterpiece.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Soloists, Choir, Orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05071-01

Composed by Johann Sebastian Bach. Edited by Reinmar Emans. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/11/1. Complete edition, Score, anthology. Baerenreiter Verlag #BA05071_01. Published by Baerenreiter Verlag (BA.BA05071-01).

ISBN 9790006463497. 33.1 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Matthauspassion. Passions, Lent and Passiontide. Complete orchestral parts. BWV 244. Duration 175 minutes. Published by Carus Verlag (CA.3124419).

Composed by George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arranged by Siegfried Petrenz. For SATB vocal soli, S(S)ATB choir, 2 oboes, 2 bassoons, 2 trumpets, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. Score available separately - see item CA.5505600. Oratorios. Complete orchestral parts. Language: English/German. Composed 1742. HWV 56. Duration 150 minutes. Published by Carus Verlag

By Ludwig van Beethoven. Edited by Jonathan Del Mar. For Soprano Solo, Alto Solo, Tenor Solo, Bass Solo, Mixed Choir-SATB, Piccolo, Flute (2), Oboe (2), Clarinet (B Flat) (2), Bassoon (2), Contrabassoon, Horn (4), Trumpet (2), Trombone (3), Kettledrum, Drums, Strings. B0renreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Op. 125. Duration 65'. Published by Baerenreiter-Taschenparti turen (German import).

By Joseph Haydn Johann Michael Haydn. Edited by Hans Ryschawy. For Soli SATB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo. Stuttgart Urtext Edition. German title: Te Deum in C. Vocal score. Language: Latin. 16 pages. Duration 7 min

Orchestra SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpente, timpani, 2 violins, viola, cello, contrabass, organ - Grade 3

SKU: CA.4012991

Oratorio. Composed by Felix Bartholdy Mendelssohn. Carus Choir Coach. Paulus.Ccc. Compact Disc. Composed 1834-1836. Op. 36, MWV A 14. Duration 145 minutes. Carus Verlag #CV 40.129/91. Published by Carus Verlag (CA.4012991).

ISBN 9790007171834. Language: German.

Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach's St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn's lifetime St. Paul was one of his most popular works, which received numerous performances throughout Europe. Robert Schuman praised the inextinguishable color of the instrumentation and the brilliant play with all the forms of composition. He described it as a jewel of the present.. Score available separately - see item CA.4012900.

Composed by Giuseppe Verdi (1813-1901). Edited by Marco Uvietta. For solo vocal quartet, SATB choir, orchestra. This edition: Urtext edition. Paperback. Level 4. Piano reduction. Text Language: English/German. Published by Baerenreiter Verlag

(O give thanks unto the Lord). Composed by Carl Philipp Emanuel Bach (1714-1788). Edited by Ulrich Leisinger. For SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 horns, 2 trumpets, timpani, 2 violins, viola, basso continuo. This edition: paperback. Praise and thanks. Vocal score. Text language: German. Composed 1785. Gs 9. Duration 50 minutes. Published by Carus Verlag

Soprano voice solo, SATB choir, and piano (E-flat Soprano saxophone, 2 Horns in F, Piano, Organ (or digital keyboard), Double String Quartet, Double Bass) - Early Intermediate

SKU: MN.56-0108

Composed by Howard Goodall. Lent, Holy Week, Triduum/Three Days, Tenebrae, 21st Century. Score & instrument parts. Duration 6 minutes, 19 seconds. MorningStar Music Publishers #56-0108. Published by MorningStar Music Publishers (MN.56-0108).

UPC: 688670221255. English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.

Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Żegota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…”) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.