Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Full
score. Composed 1724. BWV
139. 40 pages. Duration
20 minutes. Carus Verlag
#CV 31.139/00. Published
by Carus Verlag
(CA.3113900).
ISBN
9790007170479. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or
violoncello.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Single
Part, basso continuo.
Composed 1724. BWV 139.
12 pages. Duration 20
minutes. Carus Verlag #CV
31.139/15. Published by
Carus Verlag
(CA.3113915).
ISBN
9790007208288. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 1. Composed
1724. BWV 139. 12 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/11. Published by
Carus Verlag
(CA.3113911).
ISBN
9790007208240. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music,
Cantatas, End of the
church year, Trinity,
Praise and thanks. Single
Part, Violin 2. Composed
1724. BWV 139. 8 pages.
Duration 20 minutes.
Carus Verlag #CV
31.139/12. Published by
Carus Verlag
(CA.3113912).
ISBN
9790007208257. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata
for 12th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
Trinity. Single Part,
Viola. BWV BWV 69a. 8
pages. Duration 25
minutes. Carus Verlag #CV
31.069/63. Published by
Carus Verlag
(CA.3106963).
ISBN
9790007206710. Text
language:
German/English.
Bac
h's Cantata BWV 69a of
1723, which has remained
largely unknown to the
present day, is now
available for the first
time in a practical
edition with this Carus
publication. It has been
unjustly neglected as it
was overshadowed by the
Cantata BWV 69 of the
same name, a piece which
Bach reworked to
celebrate the
inauguration of Leipzig
Town Council in 1748. On
that occasion Bach
re-used the parts from
1723 for simplicity, and
adapted them for the new
use by means of cuts,
alterations, and
additions - something
which certainly did not
mean that he rejected the
1723 version. This
version can readily be
recovered from the parts
of 1723, if we explore
beyond the alterations of
1748. With its rich wind
instruments and great
opening chorus, the 1723
cantata is in no way
inferior to the later
festive music in terms of
musical splendor. The
text takes the Gospel
reading about the healing
of the deaf and dumb man
as a reason for praise
and thanks for God's good
deeds. In contrast to the
later version, in which
God is thanked for the
wisdom of the Leipzig
authorities, the original
version of 1723 is free
of such contemporary
references, and is
suitable for use in
worship and concerts in
many different ways.
Score and part available
separately - see item
CA.3106900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas, End of
the church year, Trinity,
Praise and thanks. Choral
Score. Composed 1724. BWV
139. 8 pages. Duration 20
minutes. Carus Verlag #CV
31.139/05. Published by
Carus Verlag
(CA.3113905).
ISBN
9790007181093. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext. 1x
31.139/21 oboe d'amore 1,
1x 31.139/22 oboe d'amore
2. Stuttgart Urtext
Edition: Bach vocal.
Harmony parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/09. Published by
Carus Verlag
(CA.3113909).
ISBN
9790007208233. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Single Part,
Viola. Composed 1724. BWV
139. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.139/13. Published by
Carus Verlag
(CA.3113913).
ISBN
9790007208264. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and part available
separately - see item
CA.3113900.
Cantata for the 23rd
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Sven Hiemke. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
End of the church year,
Trinity, Praise and
thanks. Set of Orchestra
Parts. Composed 1724. BWV
139. Duration 20 minutes.
Carus Verlag #CV
31.139/19. Published by
Carus Verlag
(CA.3113919).
ISBN
9790007181277. Text
language: German/English.
Text: Rube, Johann
Chr.
Bach's chorale
cantata with its opening
text Wohl dem, der sich
auf seinen Gott recht
kindlich kann verlassen
(Tis well with him who on
the Lord trusts just like
a child) BWV 139 was
performed for the first
time on 12 November 1724
in the main Leipzig
church service. The
cantata text, based on
the hymn of the same name
by Johann Christoph Rube
(1665-1746), is in praise
of trust in God. In the
opening chorus, full of
depth of feeling, the
hymn melody is heard
throughout; this is
followed by a lively
tenor aria Gott ist mein
Freund (God is my friend)
with a musical depiction
of the adversary raging
in vain, and in the bass
aria Das Ungluck schlagt
auf allen Seiten
(Misfortune assails me on
every side) Bach presents
both drama and Baroque
imagery. One of the two
solo violin parts for the
tenor aria is lost, so
our edition offers a
reconstruction. The
virtuoso violin part of
the bass aria was
evidently based on a part
for violoncello piccolo,
now lost. The edition
provides for performance
by violin or violoncello.
Score and parts available
separately - see item
CA.3113900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036911
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 1.
Composed 1708. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/11. Published by
Carus Verlag
(CA.1036911).
ISBN
9790007190521. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036912
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Violin 2.
Composed 1708. 4 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/12. Published by
Carus Verlag
(CA.1036912).
ISBN
9790007190538. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036900
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. This
edition: Paperbound.
German title: Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas. Full
score. Composed 1708. 32
pages. Duration 19
minutes. Carus Verlag #CV
10.369/00. Published by
Carus Verlag
(CA.1036900).
ISBN
9790007025724. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum).
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036914
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Cello/Double
Bass. Composed 1708. 4
pages. Duration 19
minutes. Carus Verlag #CV
10.369/14. Published by
Carus Verlag
(CA.1036914).
ISBN
9790007190552. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036913
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Viola.
Composed 1708. 2 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/13. Published by
Carus Verlag
(CA.1036913).
ISBN
9790007190545. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036949
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Single Part, Organ.
Composed 1708. 8 pages.
Duration 19 minutes.
Carus Verlag #CV
10.369/49. Published by
Carus Verlag
(CA.1036949).
ISBN
9790007190576. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score and part
available separately -
see item CA.1036900.
SATB vocal soli, SATB choir, 2 violins, cello/contrabass, harp ad lib, basso con...(+)
SATB vocal soli, SATB
choir, 2 violins,
cello/contrabass, harp ad
lib, basso continuo
SKU: CA.1036905
Christmas cantata.
Composed by Christian
August Jacobi. Edited by
Tobias Nicolaus. Also Hat
Gott Die Welt Geliebet.
Sacred vocal music,
Cantatas, Christmas.
Choral Score. Composed
1708. 12 pages. Duration
19 minutes. Carus Verlag
#CV 10.369/05. Published
by Carus Verlag
(CA.1036905).
ISBN
9790007109349. Key: F
major. Language:
German/English.
The
Bach contemporary
Christian August Jacobi
is among those composers
who made a lasting
impression among 18th
century Middle German
composers, since the
influence of the
Thomaskantor himself was
limited primarily to
Leipzig. Jacobi's
cantatas are richly
varied and they not too
difficult to perform.
Five of the six movements
of the Christmas cantata
Also hat Gott die Welt
geliebet for soli, choir,
strings and basso
continuo are based on
Luther's Christmas
chorale Vom Himmel hoch,
da komm ich her, which
give the work a
traditional character
(the text of the first
movement is based on the
Gospel of St. John). The
richly varied
instrumentation and
alternation between
choral movements and
duets by the soloists
bring to the sound of the
cantata a variety which
will also be enhanced by
the use of the harp (ad
libitum). Score available
separately - see item
CA.1036900.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
Coppenrath series, Hymns
by Martin Luther: Nun
komm, der Heiden Heiland.
German title: Nun Komm
Der Heiden Heiland Ii.
Sacred vocal music,
Cantatas, Advent,
Christmas. Single Part,
Violin 2. Composed 1724.
BWV 62. 12 pages.
Duration 23 minutes.
Carus Verlag #CV
31.062/12. Published by
Carus Verlag
(CA.3106212).
ISBN
9790007043629. Key: B
minor. Language:
German/English. Text:
Luther, Martin. Text:
Martin
Luther.
Bach's
second cantata starting
with the text Come now,
God's chosen saviour (II)
BWV 62 was first
performed in 1724 on the
1st Advent Sunday (which,
at that time, was the
only Advent Sunday with
church music in Leipzig)
and belongs to the annual
cycle of chorale
cantatas. As was usual
for chorale cantatas, the
unknown librettist used
the first and last verses
of Martin Luther's hymn
verbatim for the opening
chorus and the concluding
chorale but adapted the
texts of the inner
verses. After two
contrasting arias - the
one dance-like, the
second almost heroic - an
almost enraptured
accompagnato (Wir ehren
diese Herrlichtkeit, und
nahen nun zu deiner
Krippen), in which the
soprano and contralto
mostly sing in parallel
thirds and sixths, leads
to a simple concluding
chorale. Score and part
available separately -
see item CA.3106200.
Cantata
for a Leipzig city
council election.
Composed by Johann
Sebastian Bach. Edited by
Ulrike Utsch. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Praise and thanks.
Single Part, basso
continuo. Composed 1742.
BWV 120. 12 pages.
Duration 26 minutes.
Carus Verlag #CV
31.120/14. Published by
Carus Verlag
(CA.3112014).
ISBN
9790007207311. Text
language:
German/English.
The
second movement of the
cantata Gott, man lobet
dich in der Stille BWV
120 became particularly
well-known through its
re-use in the Credo of
the Mass in B minor. The
cantata is one of six
surviving cantatas for
inaugurations of the
Leipzig Town Council from
the pen of Johann
Sebastian Bach. Although
the autograph manuscript
score can be dated to
around 1742, it is not
known precisely which
town council inauguration
the work was performed
at. Score and part
available separately -
see item CA.3112000.
(Cantata for the Sunday Jubilate). Composed by Johann Sebastian Bach (1685-1750)...(+)
(Cantata for the Sunday
Jubilate). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Anja Morgenstern.
Arranged by Paul Horn.
For SATB vocal soli, SATB
choir, flute, 2 oboes/2
oboe d'amore, taille
(english horn), 2
violins, viola, basso
continuo, organ obligato.
This edition: Paperbound.
D-Moll (D minor).
Stuttgart Urtext Edition.
German title: Wir mussen
durch viel Trubsal.
Cantatas, Easter and
Eastertide. Organ part.
Language: German/English.
Composed circa 1728?. BWV
146. 32 pages. Duration
40 minutes. Published by
Carus Verlag
16th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Liebster
Gott, wenn. Sacred vocal
music, Cantatas, Special
days, Mourning, death.
Single Part, Violin 2.
Composed 1724. BWV 8. 8
pages. Duration 23
minutes. Carus Verlag #CV
31.008/12. Published by
Carus Verlag
(CA.3100812).
ISBN
9790007041977. Key: E
major. Language:
German/English. Text:
Neumann, Caspar. Text:
Caspar
Neumann.
Cantata for the 1st
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Christen, atzet
diesen Tag. Sacred vocal
music, Cantatas,
Christmas. Choral Score.
Composed 1715. BWV 63. 16
pages. Duration 27
minutes. Carus Verlag #CV
31.063/05. Published by
Carus Verlag
(CA.3106305).
ISBN
9790007043681. Key: C
major. Language:
German/English.
Wit
h its scoring for a large
number of performers, who
according to earlier
practice were divided
into various groups, this
Cantata is clearly a
festive work. In the
richness of its scoring
it was equalled, but not
surpassed, by Bach's
first Leipzig Cantate for
the Election of the Town
Council, BWV 119, of
1723. It is noticeable
that the words of BWV 63
relate to Christmas only
in the recitatives, while
the choruses and arias
express the praise of God
in general terms. Score
available separately -
see item CA.3106300.
Sacred
concert. Composed by
Johann Christoph Bach.
Edited by Hans Bergmann.
Arranged by Hans
Bergmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Die Furcht
des Herren. Sacred vocal
music, Psalms, German.
Single Part, Violin 1. 4
pages. Carus Verlag #CV
30.502/11. Published by
Carus Verlag
(CA.3050211).
ISBN
9790007039936. Language:
German/English.
Sco
re available separately -
see item CA.3050200.
Cantata
for the 2nd Sunday afer
Trinity / Reformation
Day. Composed by
Johann Sebastian Bach.
Edited by Ulrich
Leisinger. Arranged by
Paul Horn. 1x 31.076/21
Oboe and Oboe d'amore, 1x
31.076/22 oboe 2, 1x
31.076/31 trumpet. German
title: Die Himmel
erzahlen die Ehre Gottes
5. Sacred vocal music,
Cantatas, Psalms, German.
Set of Orchestra Parts.
Composed 1723. BWV 76. 24
pages. Duration 35
minutes. Carus Verlag #CV
31.076/09. Published by
Carus Verlag
(CA.3107609).
ISBN
9790007044930. Key: C
major / a minor.
Language:
German/English.
The
cantata Die Himmel
erzahlen die Ehre Gottes
(The heavens are telling
of God in glory) BWV 76
by Johann Sebastian Bach
was written for the 2nd
Sunday after Trinity,
which fell on 6 June 1723
in the year it was first
performed. This ambitious
two-part work was the
second cantata which Bach
wrote after taking up the
position of Kantor of St.
Thomas's in Leipzig.
Bach's aim was evidently
to demonstrate a
particularly wide range
of musical forms in both
the arias and the
recitatives in this
cantata. The opening
chorus is based on verses
2 and 4 of Psalm 19, with
verse 4 structured as a
choral fugue. Both parts
of the cantata end with a
chorale movement with
different verses from the
Lutheran hymn Es woll uns
Gott genadig sein. The
text refers loosely to
the epistle reading from
the 1st letter of St
John, but deals more with
general thoughts about
the temptations of the
Christian which can be
overcome through love.
Bach also performed the
first part of the cantata
later with minor
revisions, but evidently
no alterations to the
text, on Reformation Day
in Leipzig. Score and
parts available
separately - see item
CA.3107600.
Composed by Georg Philipp
Telemann. Edited by Brit
Reipsch. This edition:
Paperbound. Die
Tageszeiten Neuausgabe
Reipsch. Sacred vocal
music, Cantatas. Study
score. TVWV 20:39.
Duration 55 minutes.
Carus Verlag #CV
39.137/07. Published by
Carus Verlag
(CA.3913707).
ISBN
9790007135652. Language:
German.
The cantata
cycle Die Tageszeiten,
which was composed in
Hamburg in 1757, is one
of the outstanding late
works of Georg Philipp
Telemann. A Symphonie and
four cantatas (each of
which consists of an
aria, accompagnato, aria,
and chorus) portray, in a
richly sensitive manner,
the course of a day,
beginning with the
awakening of nature to
the sunset. The poetry of
Friedrich Wilhelm
Zachariae and Telemann's
music herald the beauty
of nature, as well as the
greatness of God revealed
within it. Colorful
instrumentation and
pictures in sound
corresponding to each
time of the day, delicate
compositional structure,
and an ingenious
realization of the text
characterize this work,
whose musical idiom is at
times reminiscent of
Haydn. Score available
separately - see item
CA.3913700.
Cantata for the 21st
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Was Gott Tut, Das
Ist Wohlgetan Ii. Sacred
vocal music, Cantatas,
End of the church year.
Choral Score. Composed
1726. BWV 98. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.098/05. Published by
Carus Verlag
(CA.3109805).
ISBN
9790007047009. Key: B
flat major. Language:
German/English.
Sco
re available separately -
see item CA.3109800.
O God, what glut of care and pain Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Vocal Score] Carus Verlag
(2nd Sunday after Epiphany). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(2nd Sunday after
Epiphany). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Reinhold Kubik. For
SATB vocal soli, SATB
choir, 2 oboe d'amore,
[horn, trombone], 2
violins, viola, basso
continuo. This edition:
Paperbound. A-Dur (A
major). German title: Ach
Gott, wie manches
Herzeleid. Cantatas,
Epiphany. Level 4. Vocal
score. Language:
German/English. Composed
1725. BWV 3. Duration 27
minutes. Published by
Carus Verlag
Cantata
for the 15th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Separate
instruments. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 138.
Duration 20 minutes.
Carus Verlag #CV
31.138/19. Published by
Carus Verlag
(CA.3113819).
ISBN
9790007208219. Language:
German/English.
Alt
hough Warum betrubst du
dich, mein Herz (What is
it troubles thee, my
heart) BWV 138 is based
on the chorale of the
same name, it is
nevertheless not regarded
as one of Bach's chorale
cantatas. In this unusual
composition from Bach's
first cycle of cantatas,
further chorale verses
were not paraphrased in
the freely-composed
sections (as in the
chorale cantatas).
Instead the chorale
occurs in dialog with the
recitatives. It assumes
the role of the
comforter, whilst doubts
are expressed through the
recitatives. This leads
to recitative and chorale
being merged into larger
movements. In the only
aria in the cantata,
trust in God finally
prevails. The cantata
ends with a final chorale
verse; in the interludes
between the lines, Bach
ignites a roaring
virtuoso firework
display. Score and parts
available separately -
see item CA.3113800.
Cantata
for the 1st Sunday in
Advent. Composed by
Johann Sebastian Bach.
Edited by Klaus Hofmann.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Cantatas,
Advent, Christmas. Single
Part, Organ. Composed
1731. BWV 36. 20 pages.
Duration 31 minutes.
Carus Verlag #CV
31.036/49. Published by
Carus Verlag
(CA.3103649).
ISBN
9790007205690. Language:
German/English.
Translation: Henry
Drinker.
Bach's
well-known church cantata
Schwingt freudig euch
empor BWV 36 (Up joyous
raise your song), first
heard in its final
version on First Advent
Sunday in 1731 at the
Leipzig Nikolaikirche,
can be traced back to a
secular birthday cantata
from 1725. The text is
now revised to render the
events of Advent - the
rejoicing of the opening
chorus, the loving
veneration and the
warm-hearted welcome of
the three solo arias
retained from the
original cantata now all
apply to the Messiah,
who, as once in
Jerusalem, should find a
place in the hearts of
the faithful. However,
their unmistakeable
Advent character derives
from the fact that Bach
contrasts the four
festive settings from the
secular cantata with
three strophes from
Luther's Advent chorale,
Nun komm, der Heiden
Heiland, thus at the same
time giving a voice to
the Mystery of God made
man. Score and part
available separately -
see item CA.3103600.