Solos for Beginning through Early Intermediate level musicians
1st Recital Series rassemble 12 solos de styles variés qui permettent aux instrumentistes de niveau débutant à élémentaire de travailler des compositions originales et des arrangements d??uvres accordant une large place à l?expression et à la musicalité. Sur le compact disc, chaque morceau est joué à titre de démonstration. L?instrument soliste peut ensuite interpréter les pièces avec l?accompagnement seul. Et pour jouer en direct lors d?un concert, il est également possible d?acquérir les accompagnements de piano rassemblés dans des recueils vendus séparément.
Sommaire:
Kaitlin´s music box - Lindsay, Ann
The koi pod - Alan, Craig
Just as I am - Elliot, C. / Hannickel, Mike
The Can-Can - Offenbach, Jacques / Alan, Craig
Grandfather\'s clock - Work, Henry Clay / Hannickel, Mike
The Entertainer - Joplin, Scott / Lindsay, Ann
Arioso - Bach, Johann Sebastian / Alan, Craig
Along Came a Spider - Hannickel, Mike
Pizzicati from Sylvia - Delibes, Léo / Lindsay, Ann
Funeral March of a Marionette - Gounod, Charles François / Lindsay, Ann
Theme from String Quartet #2 Nocturne - Borodin, Alexander Porfirewitsj / Curnow, James
Rondeau - Nouret, Jean Joseph / Curnow, James / Partitions classique / Cuivres et percussions / Percussion / CURNOW

Sonata for Timpani is composed in three movements Mysteriously Jazz-Like and Fast and includes unusual techniques like striking the bowl of the timpani rolling between two drums striking the timpani with fingers and playingin the centre of the head. The work is now a standard in the solo timpani repertoire.American composer Percussionist conductor and educator John Beck is now Professor Emeritus of Percussion at the Eastman School of Music inRochester New York after nearly fifty years on the faculty. In addition to his long performing recording and teaching career he has also published the Encyclopedia of Percussion.

Par MANTOVANI BRUNO. Contrary to what one might think, it is particularly difficult to write a solo or concertante work for an instrument that a person is very familiar with. Whenever I encounter this situation, I always feel a certain reserve or prudence, or even apprehension about leaning toward facility, in terms of gestures. Lack of objectivity can result in the imagination being more instrumental than purely musical. However, when Benoît Cambreling came to me proposing that I write a concerto for timpani, I did not hesitate for an instant because this instrument possesses extraordinary and often under exploited musical potential. This percussion instrument often provides a type of harmonic and rhythmic base in the orchestra, but can also assume the role of a soloist. I began by writing an etude for solo timpani making use of glissandi, rhythmic inflections, as well as the melodic potential. Once this first step was completed, I began to 'orchestrate' the etude, or rather to extend the instrumental material into the orchestra by creating illusions of resonance, doublings, and echoes. Sometimes, the timpani also become a reservoir of ideas for the orchestra capable of triggering textures (as in instrumental electronic music). Here however, the instrument is above all treated in a melodic manner, reinforced, or not, by orchestral instruments that create a backdrop and the illusion of extension./ Répertoire / Timbales

La référence AL26115 de l'éditeur Leduc dont l'auteur célèbre est Beethoven/Remy, qui a pour titre Symphonies Volume 2 Timbales, a été écrite et composée pour Percussions et plus particulièrement pour Timbales. Cette partition musicale appartient à la catégorie Classique. / Timbales / Partition

La référence AL29057 de l'éditeur Leduc dont l'auteur célèbre est Batigne Jean, qui a pour titre Nouvelles Timbales Francaises Volume 1/Cahier 2 : Son-Gestique, a été écrite et composée pour Percussions et plus particulièrement pour Timbales. Cette partition musicale appartient à la catégorie Pédagogie. / Timbales / Partition

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour 2 Timbales Et Piano vous pourrez découvrir une des oeuvres de Berlioz G. en l'occurence 30 Pieces Progressives Volume 1 Pieces 1 A 14 qui a été éditée par la maison d'édition Leduc. / 2 Timbales Et Piano / Partition

Grades 6 - 8. Par LCM. The second of the two books covering the timpani grade examinations for the popular London College of Music and Media percussion syllabus adds piano accompaniments to a number of the pieces, which represent a wide selection of exciting composers currently writing in this field. Three timpani are required for Grades 7 and 8. Details of tuning requirements, specimen sight-reading and aural tests, plus guidance for the viva voce, are included, along with a separate piano part supplied with the volume./ Recueil / Timbales

Category: Percussion - Miscellaneous Educational Books and ManualsFormat: Book and 2 CDsCovers traditional and contemporary timbale patterns, rhythms for cowbell, cascara, cymbal, and more, tuning and maintenance, basic reading and notation, and patterns for school music ensembles. With two CDs of audio examples and play-along tracks.

Grades 1 - 5-This is the first of two books covering the timpani grades for the popular London College of Music and Media percussion exams. Two pieces and a study are included for each grade and there are examples of sight-reading tests and sample viva voce questions. The LCM requirements unlike those for other examinations syllabuses replace scales and rudiments with tuning tests and marks are awarded for musicianship as well as for technical ability from the earliest stages.

Expertly written by percussionist Mitchell Peters this Fundamental Method For Timpani teaches the basics of timpani playing in a practical and musical way with numerous sticking tuning and ear-training exercises plus over 60 musical etudes in a variety of styles. Covers general information Basic Technique Etudes for two and Etudes for three and four Timpani.

Une démonstration de grande force intérieure pour cette oeuvre utilisant la voix, 4 cloches de temples et une timbale. / Timbales Solo

Grades 1-2-Exercises pieces and sight reading examples for the ABRSM Timpani exams Grades 1-2 composed and devised by Ian Wright.