French composer, Alfred Desenclos (1912-1971) described his music as romantic. His music is expressive and atmospheric, as heard in his Plainchant and Allegretto for Trombone and Piano. Desenclos studied at the Roubaix Conservatory and he won the 1942 Prix de Rome. His Plainchant and Allegretto was published in 1965, towards the end of the composer's life. A typical performance lasts around eight minutes, in which the Trombone solo line is enhanced by rhythm, and technique. As expected, the two movements are contrasting, suitable for the advanced trombonist. For all Trombone players seeking alternative and challenging repertoire, Desenclos' Plainchant and Allegretto makes for a riveting performance.

Trombone & Piano

SKU: ST.H470

Composed by Bryan Kelly. Wind & brass music. Standard: Intermediate. Score and part. Stainer & Bell Ltd. #H470. Published by Stainer & Bell Ltd. (ST.H470).

ISBN 9790220222283.

The Partita for trombone and piano is the latest example of Bryan Kelly's genius for writing bright and idiomatic miniatures for a range of instruments. From the stately opening 'Fanfare', melodious 'Song' and sombre 'Chorale Prelude' to the genial 'Burlesque', and soulful 'Envoi', no aspect of this most characterful member of the brass family is neglected. Both treble clef and bass clef parts are included with the score. The five pieces of this new Partita will be attractive to all trombonists, especially to adventurous young players of around Grades 3 to 5 standard who are keen to explore new repertoire.

By Alain Lopez. Trombone Solo and Piano Accompaniment. For Trombone solo and Piano. Classical, Educational. Grade 4. Score and set of parts. 6 pages (score); 2 pages (parts). Published by FLEX Editions

(Trombone and Piano). By Camille Saint-Saens (1835-1921). Edited by Dominik Rahmer. For Trombone, Piano Accompaniment. Henle Music Folios. Softcover. 20 pages. G. Henle #HN1119. Published by G. Henle

Trombone & piano - Intermediate

SKU: CY.CC2242

Composed by Traditional. Arranged by Keith Terrett. Latin swing style. Solo and piano accompaniment. Published by Cherry Classics (CY.CC2242).

A cute tongue in cheek poke at Mozart using the famous Hymn, When The Saints Go Marching In. In a Latin Swing style. About 3 minutes in length for intermediate performers.

By Camille Saint Saens. For trombone, piano. Opus 144. Published by Theodore Presser Company.

By Camille Saint-Saens (1835-1921). Arranged by Mowat. For Trombone and Piano. Solo Brass. Published by Brass Wind Publications

Trombone and Piano - advanced

SKU: CY.CC2695

Composed by Joseph Canteloube. Arranged by Ralph Sauer. French. Solo part and Piano accompaniment. Published by Cherry Classics (CY.CC2695).

Danses Roumaines by Canteloube are six Romanian folk songs and dances for Piano written in 1930 after folk songs collected by Michel Vulpesco.
The composer is best known for his collection of orchestrated folksongs from the Auvergne region of France titled Chants d'Auvergne

T he movements in order are:
1. Hora de Jalomitza
2. Dame Jeanne (Lady Jean)
3. Les Olteniens sont partis pour faucher
4. Helene (Helen)
5. Hora de la mariee (The Marriage Dance)
6. A Ceinture Rouge (A Red Belt)

About 18 minutes in length, these six movements are suitable for advanced performers.

Composed by Gordon Jacob (1895-1986). Concerto/Feature, Instrumental Solo, Bestseller. Piano score. Galaxy Music Corporation #1.5036. Published by Galaxy Music Corporation

Trombone & Piano

SKU: SU.32040021

For Trombone & Piano. Composed by Amy Riebs Mills. Brass, Trumpet. Accompanied by piano. Score & Parts. Subito Music Corporation #32040021. Published by Subito Music Corporation (SU.32040021).

Trombone & Piano Duration: 17' Composed: 2013 Published by: Amy Mills Music, LLC …the audience loved Red Dragonfly. Definitely a keeper in my repertoire! Dr. James Bicigo, Associate Professor of Trombone, University of Alaska, Anchorage Virtuoso piece, the dramatic first movement opens with a Bold statement followed by the beautiful love theme. It reaches up to the Cry of the Heart, then everything ruptures and crashes. Now the trombonist must rebuild and gain strength through dramatic cadenzas until reaching the recapitulation where the opening Bold melody is transformed into a majestic march in 3/4 time. The love theme returns, and the movement ends in triumph. The second movement is a setting of the famous Japanese folksong, Red Dragonfly. The trombonist and pianist play the lovely song amidst the sound of fluttering wings that appear and disappear like memories of the heart. Thank you to the Nihon Gakugeki Kyoukai Foundation for permission to use the melody in this trombone sonata. A solo glissando opens the third movement in American folk dance style with tongue in cheek and twinkle in both eyes. The subsequent variations include a perfect triple canon, a taste of New Orleans jazz, and a dramatic augmentation which spills into a flashback of the first movement’s love theme. This melts away and we recapture a glimpse of the Red Dragonfly melody, this time growing to the Triumphant restatement of the first movement’s main theme. And finally, the exuberant coda drives to a spectacular ending. Difficulty Level: Trombone 6 (Professional) Piano 5 (Advanced) See also Red Dragonfly, Concerto for Trombone and Band for the version with band accompaniment. See composer website for audio sample.

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Trombone and Piano - very easy, easy SKU: BT.DHP-1185963-404 Trombone (BC). Arranged by Markus Schenk. Écouter, Lire et Jouer. Opera or Operetta. Book with Part and Audio-Online. Composed 2018. 28 pages. De Haske Publications #DHP 1185963-404. Published by De Haske Publications (BT.DHP-1185963-404). ISBN 9789043154932. French. La collection Écouter, lire et jouer est aujourd’hui une référence pour l’enseignement des cuivres et des bois. Tous accompagnés d’un CD, ces ouvrages passionnants destinés aux débutants contiennent des chansons, des casse-tête musicaux et des jeux pour mieux comprendre la musique, des informations sur l’instrument concerné, et de nombreuses pièces agréables jouer. Les trois volumes de la méthode qui forment la base de cette collection sont complétés par plusieurs volumes de matériel complémentaire correspondant aux diverses étapes de cette méthode. Dans Les Airs d’Opéra, des arias, des chœurs et des ouvertures célèbres sont présentés en ordre croissant dedifficulté et peuvent être travaillés conjointement avec les trois volumes de la méthode Écouter, lire et jouer. Certaines des plus belles mélodies de tous les temps ont été rassemblées avec des commentaires historiques. Les élèves peuvent les interpréter avec des accompagnements au piano disponibles sous forme de fichiers en ligne écouter en streaming ou télécharger. La présente édition comprend aussi des partitions pour ces accompagnements, soigneusement arrangées dans un niveau de difficulté modéré.

Trombone & Piano - Moderately Advanced

SKU: CY.CC2356

Composed by Charles Ives. Arranged by Ralph Sauer. American 20th Century. Solo part and Piano. Published by Cherry Classics (CY.CC2356).

Charles Ives was one of the first American composers to gain international recognition, although most of his music was unperformed during his lifetime.

Ives wrote 114 songs including these four:
1. Memories, 2. The Side Show, 3. Dreams and 4. War Song No. 2.

The songs include quotes of American folk songs, with whistling, singing and more making for a lively experience for performers and listeners.

Mr. Sauer once again has edited a brilliant new transcription, bringing Ive's music to life for the Trombone world. For moderately advanced performers, all in bass clef.

Composed by Eugene Bozza (1905-1991). Leduc. Post- 1900. Softcover. 6 pages. Alphonse Leduc #AL21788. Published by Alphonse Leduc

By K Serocki. Trombone. PWM. 48 pages. Polskie Wydawnictwo Muzyczne #5820999. Published by Polskie Wydawnictwo Muzyczne

For Trombone. Brass - Trombone and Baritone Method or Collection. Classic Festival Solos. Book. 44 pages. Published by Alfred Publishing.

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’_______________ _________________________ __Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivinâ� �™ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.

By Ledbury. For Trombone & Piano. Solo Brass. Medium. Collection. Published by Brass Wind Publications

Composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For trombone solo and piano accompaniment. Solo with Accompaniment. Patriotic. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Trombone

SKU: HL.48182328

Composed by Alain Weber. Leduc. Classical. Softcover. 27 pages. Alphonse Leduc #AL23473. Published by Alphonse Leduc (HL.48182328).

UPC: 888680840235. 9.0x12.0x0.162 inches.

Alain Weber: Concerto (Trombone & Piano).

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 4

SKU: FL.FX072768

Composed by Alain Lopez. Original Composition. Classical, Educational. Score and Set of Parts. Duration 4 minutes, 20 seconds. FLEX Editions #FX072768. Published by FLEX Editions (FL.FX072768).

Bright and colorful composition, with melodic lines based on a set of syncopes and provided with a cadence. It is intended for interpreters with technical and musical levels already confirmed. - Alain LOPEZ ;

A Piece for students from 7 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 4.

Trombone and piano - Level 1

SKU: LM.C06541

Composed by Jerome Naulais. Arc en ciel. Classical. Score. Editions Combre #C06541. Published by Editions Combre (LM.C06541).

ISBN 9790230365413.

Trombone

SKU: HL.48182702

Composed by Jean Emmanuel Aubain. Leduc. Classical. Softcover. 13 pages. Alphonse Leduc #AL24224. Published by Alphonse Leduc (HL.48182702).

UPC: 888680864712. 9x12 inches.

“Jean Emmanuel Aubain: Aria, Scherzo et Final (Trombone & Piano)&rdquo.

Trombone and Piano - intermediate

SKU: BT.AMP-436-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 436-400. Published by Anglo Music Press (BT.AMP-436-400).

ISBN 9789043148672. English-German-French-Dut ch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Intermediate Christmas Carols is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparke’s 15 Easy ChristmasCarols. Specifically tailored to suit the individual instrument, this book introduces the developing player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. The book willprovide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkes 15 Intermediate Christmas Carols sind Teil der Reihe Anglo Music Play-Along und richten sich an junge Instrumentalisten, die einen Tonumfang von ungefähr eineinhalb Oktaven beherrschen. Die Ausgabe schließt sich anSparkes 15 Easy Christmas Carols an. Für diesen Band wurden einfache und zugleich ansprechende Melodien ausgewählt, die genau auf das jeweilige Instrument zugeschnitten sind, sich für dessen begrenzten Tonumfang eignen, und den soSchüler an die weltweit beliebtesten Weihnachtslieder heranführen. 15 Intermediate Christmas Carols bietet damit wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschulepasst und sowohl eine Klavierbegleitung als auch einePlay-Along-CD enthält.

Faisan t partie de l’Anglo Music Play-Along Series, les 15 Intermediate Christmas Carols(15 chants de Noël de niveau intermédiaire) de Philip Sparke visent les instrumentistes qui arrivent jouer environ une octave etdemi. Adapté pour convenir chaque instrument spécifique, ce recueil introduit le musicien de niveau moyen aux chants de Noël les plus populaires en sélectionnant les mélodies simples les plus intéressantes qui correspondent leur registre limité.Ce livre fournit du matériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

Alto Trombone & Piano (Organ) + CD Play Back / Play Along - Grade 2, Grade 3

SKU: MA.EMR-33863

Auld Lang Syne / The First Nowell / Ode To Joy / Go Down Moses / My Bonny / Walking The Dog / Washing The Car / Rainy Sunday Afternoon / Poltergeist / March Of The Elefants / On The Trail / Jig / Hornpipe / Saraband / Offbeat / Kangaroo Blues etc.... Composed by John G. Mortimer. Alto Trombone & CD Playback (Play Along). 17 Titles. Score and parts. Duration 17'20. Editions Marc Reift #EMR 33863. Published by Editions Marc Reift (MA.EMR-33863).

Possible instrumentations:

Alto Trombone & CD Play Back / Play Along
Alto Trombone & Organ (+ Play Back / Play Along CD optional)
Alto Trombone & Piano (+ Play Back / Play Along CD optional).

By Claude Debussy (1862-1918). Arranged by Jonathan Robbins. For Trombone solo and piano accompaniment. Set of parts

Trombone and Piano - easy

SKU: BT.DHP-1165691-401

Composed by Pascal Proust. De Haske Brass Series. Book Only. Composed 2016. 8 pages. De Haske Publications #DHP 1165691-401. Published by De Haske Publications (BT.DHP-1165691-401).

ISBN 9789043150033. English-German-French-Dut ch.

For young trombone players: impressive landscapes illustrated by the rich and majestic sound of the trombone. The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions forthe most diverse instrumentations. He wrote Fjords for trombone players at the level of approximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Fjords is an idealperformance or competition work for young musicians.

Voor jonge trombonisten: indrukwekkende landelijke taferelen ge llustreerd door de rijke en majestueuze klank van de trombone. De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderdencomposities voor de meest diverse instrumentaties. Hij schreef Fjords voor trombonisten die ongeveer een jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor isFjords een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

Für sehr junge Posaunisten: Atemberaubende Landschaften werden durch den vollen und majestätischen Klang der Posaune dargestellt. Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvreumfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Fjords für Posaunisten mit ungefähr einem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischenStil. Dadurch eignet sich Fjords ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Pour les très jeunes trombonistes : des paysages vertigineux illustrés par la sonorité ample et majestueuse du trombone. Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogued’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Fjords pour trombonistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Fjords est lapièce idéale pour tout examen ou audition de jeunes musiciens.